reviews:44

Towards Green
Last Page EP
Buzzin Fly Records

I did think of Durutti Column when I first heard Rivero Brito’s sensitively plucked guitar streaming through stereo and that’s of course a most welcoming experience. But, it’s also equally refreshing not to plant thoughts in your mind as this EP conjures up all sorts of people you could reference, despite the music having a life very much of its own. After experiencing the rather beautiful title track, the even more so, Keep Your Eyes Closed defies logic with uber-cool Double Bass and fizzy electronics blending together impressively with thought-enhancing arrangements and subtleties. The Arkist Remix adds beats, though cleverly doesn’t lose the charm, on an excellent version that can only come highly recommended. The Live Take of Last Page then finishes off with what must have put a rather large smile on Ben Watts face… 9

release: April 16

http://www.buzzinfly.com

 

Boris Dlugosch
Keep Pushing
Peppermint Jam

Fresh remixes of Boris Dlugosch’s biggie from the mid nineties sees Inaya Day’s vocals revitalised once again, and this time round over equally contemporary versions. Firstly from the excellent Joel Alter who swings delicious bass off hissing hi-hats and funky organ, while utilising snippets of appropriate voice to deliver more typically irresistible grooves. The Coyu Kitty-Push remix gives the drums much more of a tribal flavour and uses more melody, all of which eventually reaches the joyous chorus line. 8

release: April 18

http://soundcloud.com/peppermint-jam-records/sets/boris-dlugosch-keep-pushin-1/

http://www.peppermint-jam.com

 

 

Hot Since 82
Hurt You EP
Moda Black

This new instalment from Moda Music begins life with another notable Leeds artist, Hot Since 82. Hurt You, fuels the senses with an infectious bassline, tripped-out voices and insistent hi-hats which punctuate the production throughout – you couldn’t really ask for a better start from the label. Second track, Sundown compliments the picture with darker notation and funkier percussion being offset by semi- melodic vocal snippets and dark, brooding synth chords which all feel suitably lush. 8

release: April 16

http://www.thisismoda.com

https://www.facebook.com/hotsince82

 

Guy Gerber
The Mirror Game
Visionquest

Sounding enviously similar to The Cure circa 1980 with its evocative, gothic overtones and that uniquely, haunting bass-guitar sound, this even manages to transcend that very possibility via heavenly treated voices and shimmering electronic percussion. A truly excellent piece of music to refresh the soul – or at least words to that effect. One Day In May, proceeds with a stunning chord progression that deifies simplicity and is again aided by a surreal collection of voices and sounds so tempting that you can almost taste them. The Snake Pit Dub of the title track ends by tweaking the elements into yet more ethereal beauty as a special bonus for the digital package. 9

release: April 16

http://www.vquest.tv/

 

Kate Simko & Matt Tolfrey
The Same Page EP
Leftroom

Leftroom’s Matt Tolfrey teams up with Chicago’s Kate Simko to produce this devastating collection of one, two, three tracks. Opening with, Take It Easy which blurs the lines between Jazz, House and Electro – which if you ask me sounds like the perfect idea – by playing cool guitar alongside big fuzzy chords and electro-funk bass, this also boasts a clever arrangement that is never less than electrifying. Synthetic sounds continue to flow with, Lazy B coming complete with refreshingly funky percussion, leaving No Shame to develop the Chicago theme further into the ethos. 9

release: April 16

http://soundcloud.com/leftroom/sets/kate-simko-matt-tolfrey-same/

http://www.leftroom.com

 

 

Voices Of Black
Atom Bomb
Double Standard

Dropping the tempo but never easing up on the mood comes this latest from the creative hands belonging to Voices Of Black. It’s hard not to admire the audacity of their spirit as these laid back vocals tease a sense of drama from the quietly addictive, head-nodding rhythms, and it’s even harder not to nod likewise. Remixes are from the even more down-tempo Taner Ross, who furthers the tension still to highlight the vocals’ charm, and No Regualr Play feat. John Camp Remix who pick up the pace again giving the song some House pizzazz via the detuned voices and funky arpeggios. 8

release: April 23

http://soundcloud.com/voicesofblack/01-atom-bomb

http://voicesofblack.net

http://www.doublestandardrecords.com

 

The White Lamp
It’s You
Futureboogie Recordings

Proving once again the strength of contemporary music, The White Lamp show the way the way forward with their combination of irresistibly cool grooves and knowing vocals. I guess the clue is in the labels’ name: Futureboogie. The drive of It’s You lies within the pulsating basslines and a vocal delivery which places tension against melody, and is nothing but completely enticing. Ron Basejam aka Jim Baron from Crazy P supplies the remix with typical panache and comes up funky as ever with a selection of deliciously soulful chords, leaving the Eats Everything and Christophe Acid Ouse remix to do that very thing in equal style. 8

release: April 16

http://www.futureboogie.com

http://www.myspace.com/ronbasejam

http://soundcloud.com/christophe1

 

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