‘Soul Surrender’ (WAKING MONSTER)
From the opening chords to beautifully played acoustic guitar ‘Soul Surrender’ aims to both pluck at your heartstrings and tempt you onto the dancefloor. The vocals are notable too with a credible song that builds in intensity to its rousing chorus line, and all the while is backed up by hi-impact drums and bass. There are several great versions to choose from, including Gregory Del Piero and Dolls Combers, but if you like the sound of the above then the ‘Island Groove Summer Time Mix’ is recommended. M7/M8
REDSOUL & ANDREA LOVE
‘Heat You Up (Melt You Down)’ (PLAYMORE MUSIC)
Originally released on Mel Cheren’s (RIP) classic West End Records way back in 1983 this lesser known gem now gets fully updated with Andrea Love taking the place of Shirley Lites on vocals. This was one of the more hi-energy recordings that the label released and perfectly suits Redsoul’s fiery up-tempo ‘Club Mix’, which still retains that huge bassline alongside various other eighties reference points. Deepswing, Hugo Puntito and a superbly funky Jay Vegas version supply the remaining interpretations. M7 /M8
LISA MACK
‘Where Do We Go’ (CODE RED RECORDINGS)
Lisa Mack delivers one of the more classy vocals this month on what should suitably be described as modern day Soul music with a message. Try ‘Spen & Thommy’s Spiritually Sound Mix’ for satisfaction guaranteed as the commanding combination of strings, organ and piano all give the recording that extra something. Their other mixes supply tougher drums and tech attitude for those darker moments, although the more soulful version, in this case, is undoubtedly hard to beat. M7/M8
JOSE CARETTAS FT. VANESSA FREEMAN
‘Can’t Make It’ (MN2S)
‘Can’t Make It’ provides yet another touch of class this month and comes from the latest addition to the Restless Soul collective, Jose Carettas. Each of the three available versions treats you to some very smooth keyboard playing indeed from Bugs In The Attic’s, Kaidi with the ‘Original Mix’ giving you the full vocal hit. Needless to say it’s the song that gets the full recommendation here as this hits all the right notes in just about every department. M7/M8
H&H Soulsurvivors FT. GAZZA
‘He Will Be Right There’ (BEAT MONKEY RECORDS)
Continuing the gospel theme is this infectious little number featuring the vocal talents of Gazza whose distinctly smoky style is backed up by lots of effortlessly soulful instrumentation. But don’t expect anything too radical here as this traditional selection of cool chords and funky guitar could fit neatly into any era of House music, and that’s meant as a compliment. Only one mix available to date on this digital only release but it’s still well worth your attention. M6/M8
CECE ROGERS
‘Someday’ (USB RECORDS)
Truly a classic moment for anybody’s songbook this 1988 Chicago House music anthem still resonates today with its thought provoking message of hope and deliverance. Its writer and producer Marshall Jefferson finally revisits one of his many defining recordings from the era and doesn’t rework much, but then why would you touch either those piano chords or that epic bassline, never mind of course CeCe Rogers spine-tingling vocal. M8/M8
Phlash & Friends
‘Runnin’ (ARCHIVE)
As if you were in any doubt that US styled House music could still excite and invigorate then one listen to Phil Asher and Co. will set the record straight. ‘Runnin’ combines all those classic elements pitched to you at an unfeasibly funky tempo with tastefully crafted piano and strings offset against Mark De Clive Lowe’s joyous boogie bassline and lyrical genius by Shea Soul. The ‘Reprise’ is just as tasty while second track ‘Exaltation’ picks up the pace with an atmospheric exploration of violin’s and the rest. M8/M8
280 West feat. Diamond Temple with Ray, Goodman & Brown
‘I Never Knew’ (PHUTURE SOLE RECORDINGS)
280 West have been producing notable and generally soulful dance music from way back when to the present day with this latest production for Phuture Sole. Suitably remixed by Abicah Soul & Tony Loeto who stretch the full song out into ten minutes of organic ecstasy via some heavy-duty instrumentation and irresistible percussion work, however this is probably not for the fainthearted out there. An Instrumental and Bonus Beats versions then provide back up to what is essentially the real deal. M7/M8
Kenny Dope presents James Rouse
‘Money For Love’ (SUBURBAN RECORDS)
Sounding straight from the halcyon days of Masters At Work’s sterling production era comes this ultra- soulful song which feels every bit as potent as it should. James Rouse delivers the words just like he means it while Kenny Dope’s insistent hi-hat led groove sparkles with piano and strings, plus of course a typically booming bassline on the ‘K-Dope House Mix’ . The remaining versions break up the beats to compliment perfectly, with the second track ‘Dance’ aptly swinging the rhythm towards the dancefloor with a vocal celebration of its title. M6/M8
Conan Liquid
‘The Unreleased Project Vol 1’ (FOURTH FLOOR RECORDS)
Conan’s five track EP has everything going for it from big room funkiness to jazzier rhythms and also manages to cover a few bases in-between like heavy-duty tribal beats. The opening track ‘Help Me Out’ does the business here with its intense filtered grooves and sweet vocal hook sounding like tastefully fresh and vibrant disco. The even more urgent ‘War Junkie’ picks up the pace with a jazzier vocal inflection coupled with pounding music which proves relentless to say the least.M6 /M8
DJ Spen & The Muthafunkaz feat. Shiela Ford
‘Always’ (CODE RED RECORDINGS)
Spen delivers yet more of what he does so very well as Sheila Ford clearly shines by doing exactly what she does best, and that’s singing harmonious vocals which quickly become totally compelling as the chorus hits on the ‘Muthafunkaz Extended Mix’. The aptly titled ‘Thommy & Spen Rock Da House Mix’ adds an old school break and bags of extra energy, while the excellent ‘Forever Reprise’ highlights those emotive vocals once again alongside the ‘Beatapella’ and instrumental, if you really need it, ‘Music Mix’. M7/M8
Jihad Muhammad Feat. Chris Dockins
‘No More War’ (CAMIO RECRDINGS)
‘War, what is it good for?’I guess the title here is as timely as its self-explanatory and this Jihad Muhammad/ Chris Dockins collaboration deals with the idea over several varying versions. In amongst the tasteful and deeper interpretations from the likes of Dom Navarra and Groove Assassin you’ll also find a more soulful sounding Dolls Combers as well as a classic House rendition from Deep Inc. The ‘Original Mix’ plays its part too to score high for this fine debut from Camio Recordings. M6 /M8
DJ Spen & The Muthafunkaz feat. Ann Nesby
‘It’s So Easy’ (CODE RED RECORDINGS)
Expect no surprises and you’ll not be disappointed, or to put it another way these days you know exactly where you are with a Spen/ Muthafunkaz production. This typically hits all the right buttons from Ann Nesby’s effortlessly soulful vocals to the rattling drums and pulsating chords which will no doubt guarantee a place on any self respecting dancefloor. For the more traditional route try versions from Kiko Navarro, Fanatix and Aaron Ross to satisfy, although it’s Jamie Lewis’s percussive elements which seem to add just that something extra. M6 /M8
dunnEASY ft Monique Bingham
‘Won’t Stop’ (JELLYBEAN SOUL)
If at times it seems that there is a lack of good vocals/songs around then I share the feeling, but here Monique Bingham’s delectably emotive voice is on hand to help resolve the issue. Not that ‘Won’t Stop’ has a killer hook to its name but never the less it does create a soul drenched atmosphere which is only added too by Tortured Soul’s Ethan White and 3 Degrees Global Ed Dunn’s (hence dunnEASY ) smooth production talents. A selection of versions from a ‘Beatapella’ to ‘Padapella’ are also provided to augment the already sensous ‘Club’ and ‘Dub’ mixes. M5 /M8
Keith Thompson
‘6 O’ Clock In The Morning’ (Part 1) (WAKING MONSTER MEDIA)
If this fits your time scale then Keith Thompson’s party manifesto should supply your needs. For big room action there’s the ‘Jack Smeraglia Big Room Mix’ which is all uplifting breakdowns and Balearic styled acoustic guitars. While for something smoother with classy piano tones the ‘RYB Rio Sunset Mix’ aptly fits the bill. The excellent yet totally repetitive ‘George Neufeld Dub’ covers early morning requirements with the ‘H&H Soul Survivor Mix’ adding tribal drums to Keith’s self-assured and emotive vocals. M5/M8
Kimara Lovelace
‘Far Away’ (KING STREET SOUNDS)
Two equally good versions grace this latest from New York’s finest. Opening with Jon Cutler’s ‘Distant Music Mix’ which goes straight for the jugular via lots of crunchy percussion and a rousing chorus, not forgetting of course Kimara’s impassioned vocal delivery. Japan’s Hideo Kobayshi follows with pulsating electronics to provide a moodier, though by no means a less powerful, alternative on his ‘Main Vocal’ Mix’. M7/M8
Lenny Fontana & Joi Cardwell
‘Make It Alright’ (STALWART)
It feels like Richard Earnshaw has thrown everything from the Funky-House rule book at ‘Make It Alright’ which is great for those just into that one sound, although for the rest its Joi Cardwell who saves the day, albeit with a slightly weak song to work with in the first place. Central Avenue then provide a more contemporary update with Steffan Thorsell and George Neufeld’s again excellent dub sounding intense with its moodier, deeper approach and by deselecting the full song. M5/M8
Physics Feat. Daisy
‘Holdin’ On’ (SEAMLESS RECORDINGS)
If you already familiar with the quality of Physics’ recorded output over the past number of years the down tempo atmosphere’s of their ‘Album Mix’ will be most welcome. But for those who like to groove the ‘Oscar P and Davidson Ospina Vox Mix’ and ‘Greg Stainer Mix’ both do exactly that with the formers shuffling drums and cool chords working tastefully, and the latter’s funkier electronics giving the spaced out vocal treatment some heavy impact. Which leaves the ‘Thomas Hedberg Mix’ to get deeper and more creative with his dub version. M6/M8
Love Over Money
‘Keep On’ (TONE CONTROL MUSIC)
There’s something classically soulful about this song which sometimes others don’t seem to quite reach, though it did take a few listens to come to that conclusion. Two excellent sets of mixes from Love Over Money themselves and Restless Soul only help matters with the ‘Original Vocal Mix’ sounding hot with its laidback Rhodes and Vibes combination. Amanda Posener sounds equally emotive on the ‘Restless Soul Vocal Mix’ which brings more energy to the drums and features yet another commanding bassline plus keys. M7/M8
Key To Life
‘Find Our Way (Breakaway)’ (SUB-URBAN)
It’s not so much to do with the song itself but more about Kathleen Murphy’s sheer injection of energy into the words which proves to be so hard to resist here. Add to that typically crunchy Muthafunkaz remixes and this update of ‘Find A Way’ sounds like a great piece of House Music in the traditional sense of the term. There are ‘Instrumental’ and ‘Dub’ versions but when the full vocal is this powerful it’s almost a case of, why bother. M6/M8
Rachel Claudio
‘Freedom’ (JAFFA MUSIC)
This originally appeared last summer and is sounding even bigger this time around with a new set of mixes from ‘Halo & Jamie Thinnes’ and ‘The Doll Combers’. The former combine a sparse set of organ chords with expansive, techy pads and offset it all against Rachel Claudio’s provocative vocals resulting in something that just gets better with every play. The later then deliver an uplifting ‘live’ disco rendition packed full of everything required from electric bass to funky Rhodes. M5/M8
Ralf Gum ft. Diamond Dancer
‘All This Love For You’ (GOGO MUSIC)
The two great things about ‘All This Love For You’ are Ralf’s deeply captivating, soulful grooves which keep you locked in throughout, and Detroit’s Diamond Dancer whose velvet voice breathes more soul into the subject matter than the words might at first suggest. Next, is Rocco who gives the vocals a darker, more intense feel with a set of electronic based remixes which work just as effectively, although on a different level. M6/M8
Copyright
‘Wiseman’ (DEFECTED RECORDS)
Copyright have been redefining their sound for a while now and if this impressive array of tough, tribal beats, soulful vocals and a thought provoking song are anything to go by then their forthcoming album ‘Voices And Visions’ promises to be something special. Imaani delivers the note perfect sermon, with the opposites attract principle of Acid tinges and Rhodes chords doing all the rest. Plus, with a sassy selection of interpretations from a ‘Dub’ to a ‘Reprise’ to a ‘Chantapella’ this neatly ticks all of those the boxes. M6/M8
Silky Sunday
‘Friend’ (REBIRTH)
Clearly this has to be one of the standout cuts this month for no other reason than its a genuinely good song sung like the guy means it, ‘Everybody needs a friend sometimes’. The singer in question is Snoux whose melancholy delivery is perfectly underpinned by Roy Stroebel and Mike Rubin’s rousing and almost Moby-esque production. Sandy Rivera beefs it up with heavier beats and also supplies an excellent acoustic strummed accompaniment in the form of a ‘Reprise’ while Tomas Hedberg provides anoyher notable version. M7 /M8
Distant People ft. Chappell
‘Sounds Of Love’ (SEAMLESS TWELVES)
The pumping, incessant kick drum underpins the harmonious, yet almost restrained vocals on Joey Silvero’s classically tuned ‘Original Mix’ and comes complete with choice vibes and piano. The proceeding ‘Soularis’ version then picks up the feeling with chunkier, shuffling percussion and more jazzy keyboard inflections while the ‘Jazzloungerz Main Mix’ qualifies as being that bit deeper with warm organ chords working neatly off Chappell’s soulful tones. Edmund finishes off the twelve with his ‘Falling In Love Mix’ which brings a bouncier disco orientated quality to the affair. M6/M8
Rogiers featuring Bilal
‘Hollywood Story’ (STILNOVO MUSIC)
On a deeper, though possibly even more soulful, note comes this debut release from Stilnovo with these excellent remixes giving the release even more urgency. The ‘Leech & Maxime Cescau Remix’ adds an intense rhythm section to Bilal Oliver’s sweet vocal delivery which cleverly disguises its cynical subject matter re. the Hollywood set et al. Next is the ‘Sona Remix’ which gets more twisted with warped keyboards and an off -kilter atmosphere to neatly suit the alternative take. M7/M8
Sky Hy
‘Head Between The Speakers’ (STREET KING)
King Street Sounds launch their brand new label with this provocative blast of rhymes and rhythms from Atlanta’s Sky Hy with an explosive set of mixes to match. Gerard Garone hits fast and hard with live basslines and rolling snares to compliment the spoken words that prove to be both literally addictive and all the while easily accessible. The ‘Weisz & Wagner Mix’ delves deeper electronically while the ‘Pastaboys Main’ version gets high on various out-there atmospherics, with both providing more House orientated mixes that are definitely vocal. M7/M8
DJ Rork & Leo Cuenca
‘Stalwart Mash Ups’ (STALWART)
The title somewhat gives the game away as DJ Rork & Leo Cuenca party with a selection of music and voices to great effect. Four tracks to choose from with parts one and two of Rork’s huge sounding reworking of Dionysos nasty vocal ‘Keep Blazin’ Up’ proving to be the most impressive. Initially paired with the tribal beats of Staffan Thorsell and Georg Nuefeld’s dub of Joi Cardwell’s ‘Make It Alright’ and then by coupling the rap with Richard Earnshaws’s instrumental version of the same track this transforms into disco heaven/ hell. M6/M8
Toni Granello ft. Linda Lee Hopkins
‘Lift Him Up’ (MAP DANCE RECORDS)
DJ Toni Granello makes his debut for Swiss label MAP Dance and it’s very much a case of party time tonight. But just in case all those screaming vocals and big time keyboards feel a bit over the top then MuthaFunkaz deliver two equally crunchy versions which give the song so much more credible gospel appeal. In fact this proves that you can take even the most obvious title and turn it into a potential anthem. M7/M8
The Brooklyn Knightz Orchestra
‘He’ll Give You Shelter’ (AUDIOGROOVE)
This Trans Atlantic collaboration between Phil Hooton and Rob Da Noize Temple hits all the right notes when it comes to soulfully satisfying and spiritually motivated music. Featuring two versions you can either relish the deep instrumentation and soaring voices of the ‘Vocal Mix’ or simply enjoy the jazzy cool of meandering piano and muted trumpets backed up by the tough rhythm section on the ‘Instrumental’. M5/M8
DJ SAI VS KEITH THOMPSON
‘Thoughts Of Life’ (WAKING MONSTER)
What sets this out from the rest of the pack is the probing question posed by Keith Thompson’s words which are both spoken and sang over DJ Sai’s intense musical backing. But while some of the mixes are undoubtedly suited to more reflective playing you should also definitely try the ‘Thompsonic’ versions which spin a blues guitar over big beats and basslines for something really quite invigorating. M5/M8
NUFREQUENCY FEAT. SHARA NELSON
‘Go That Deep’ (REBIRTH)
It’s probably fair to say that ‘Go That Deep’ is exceptional. Though maybe it helps that there’s not a lot of competition around when it comes to a voice like Shara Nelson’s, or with having such a diverse set of great mixes paying compliment. The excellent Charles Webster transforms it all with moodier instrumentation into something above and beyond, leaving Redanka’s versions to pick up the pace for the dancefloor with swirling chords and a progressive retro feel. M8/M8
LISA MILLET & DJ DEVICE
‘ONE DAY YOU WANT ME’ (HILIFE RECORDS)
You would expect quality vocals from Lisa Millet and here they certainly aren’t in short supply. For the full strength hit ‘RK’S Club Mix’ offers both a rousing chorus and uplifting, funky rhythms but for those good-time disco moments the ‘Bad to the bone & Booker T remix’ provides a very satisfying workout, while the ‘DJ Device Original Club Mix’ takes the song deeper for that added something extra. M6/M8
Bobby D’Ambrosio feat. Arif St. Michael
‘Girl You Need A Change Of Mind’ (SOULSHINE RECORDINGS)
Lifting its title from Eddie Kendricks 1973 classic of the same name comes this sparking set of Louis Benedetti reworkings. Covering various bases from the down tempo shuffle of the ‘LB Soul-Hop’ mixes, which bear a much closer resemblance to the original featuring the full song and horn section, to the up tempo ‘LB Club’ mixes this release really does shine in its own light. If you’re not already familiar with Kendricks seminal recording then this is a good place to start. M6/M8
Sasha Alazy feat. Mel
‘In My Mind’ (OSPINA DIGITAL RECORDS)
It’s hard not to think of sunshine, cocktails and whatever else takes your fancy when hearing this song. Its clearly been tailor-made for the summer and combines an infectious chorus with a cool dancefloor arrangement with six mixes complimenting each other nicely. The ‘Main Mix’ gives it all more intensity while ‘Colin Sales Remix’ places more emphasis on the quality musical aspects of the guitar and percussion. This is by all accounts a big release. M7/M8
Pulse
‘The Lover That You Are’ (JELLYBEAN SOUL)
For me these versions are so much better than the initial 1993 recordings as the song now feels just that bit more soulful and funky with the ‘Marlon D and George Mena Club Remix’. Odd, as it features the same vocalist, Antoinette Roberson but then the music here is simple classier. However tougher alternatives are available via the ‘Dub’ and ‘Deep’ mixes with their nasty analogue bassline and crisp drums proving to be equally infectious. M6/M8
Shaun Christopher
‘Don’t Lose The Magic’ (BARGROOVES)
Was it really sixteen years ago when this first appeared amongst that spate of great vocal releases in the early nineties? The answer is yes, and if you remember this song fondly you will be glad to hear the David Morales original is still sounding as good now as then. It might take a couple of listens to reacquaint yourself, but the excellent ‘Baggi Begovic & Soul Conspiracy Mix’ works practically just as well with its pulsating bass and treated chords backing up all those lush, heartfelt vocals. M7/M8
Blackcoffee feat. Bucie
‘Turn Me On’ (GOGO MUSIC)
Following in the footsteps of this series of fine releases from Ralf Gum’s GOGO imprint is this sassy vocal by Bucie, and dare I say it but one listen and you’re hooked. ‘The Original Mix’ combines funky afro based rhythms and electric keys to great effect with the ‘Blackcoffee Remix’ providing a deeper alternative. The remaining ‘Raw Artistic Soul’ versions surpass their remit with an authentic journey into sound which does nothing except enhance Bucie’s already noteworthy voice. M7/M8
Heather Johnson
‘Washes Over Me’ (KING STREET SOUNDS)
While Rasmus Faber’s production sounds more Euro than US of A it’s down to Ananda Project’s Heather Johnson to restore any lacking soulfulness with a vocal that both reassures and invites you with its sensual melodies. Although, that’s not to knock Faber’s driving syncopated rhythms either as they also play a powerful and atmospheric part courtesy of some moody instrumentation. However the ‘Wamdue 909 Extended Remix’ tops it all with a deeper interpretation that works the infectious vocal just that little bit more. M6/M8
Roy Davis Jr.
‘Give It Up’ (SUB URBAN)
Roy Davis Jr. is a name which is almost synonymous with House music over the past couple of decades and here displays those vocal infused talents to the full. This is a song very much in the traditional sense of the word and comes with a verse, bridge, chorus and a sense of melody which could fit any style from R&B to Dance with a definite nod to its commercial potential. Reworks come from the likes of the ever reliable MuthaFunkaz to the excellent ‘Maurice’s Nu Soul Remix’ plus the ‘Original’ is also included for good measure. M6/M8
Spencer Gray
‘Precious’ (LOVESLAP RECORDINGS)
And so to something altogether more intense as Imani Uzuri’s impassioned vocals are offset against the ‘Warriors Bump’ brooding instrumentation to striking effect. Driving and nastily repetitive this racks up the tension with its sizzling hi-hats, deep bass, and warped organ notes and features as both full vocal and vocal free versions. The ‘Original Mix’ is also here and feels that bit more soulful, though by no means any less powerful, so the choice is yours. M7/M8
Labelle
‘Superlover’ (VERVE MUSIC)
From three genuine superstars of dance music Patti LaBelle, Nona Hendryx and Sarah Dash comes this hyper soulful song of celebration. Lifted from their forthcoming ‘Back To Now’ album this originally appeared as a ballad but has now been transformed by, amongst others, Matthias “Matty” Heilbronn into anthemic club status of the highest order. In a way it’s a song of two halves with the Lenny Kravitz penned vocals on full display in the first part while things get insanely funky in the second by the addition of horns and fired-up percussion and the juiciest of vocals. M8/M8
Blackcoffee feat. Bucie
‘Turn Me On’ (GOGO MUSIC)
Following in the footsteps of this series of fine releases from Ralf Gum’s GOGO imprint is this sassy vocal by Bucie, and dare I say it but one listen and you’re hooked. ‘The Original Mix’ combines funky afro based rhythms and electric keys to great effect with the ‘Blackcoffee Remix’ providing a deeper alternative. The remaining ‘Raw Artistic Soul’ versions surpass their remit with an authentic journey into sound which does nothing except enhance Bucie’s already noteworthy voice. M7/M8
Heather Johnson
‘Washes Over Me’ (KING STREET SOUNDS)
While Rasmus Faber’s production sounds more Euro than US of A it’s down to Ananda Project’s Heather Johnson to restore any lacking soulfulness with a vocal that both reassures and invites you with its sensual melodies. Although, that’s not to knock Faber’s driving syncopated rhythms either as they also play a powerful and atmospheric part courtesy of some moody instrumentation. However the ‘Wamdue 909 Extended Remix’ tops it all with a deeper interpretation that works the infectious vocal just that little bit more. M6/M8
Roy Davis Jr.
‘Give It Up’ (SUB URBAN)
Roy Davis Jr. is a name which is almost synonymous with House music over the past couple of decades and here displays those vocal infused talents to the full. This is a song very much in the traditional sense of the word and comes with a verse, bridge, chorus and a sense of melody which could fit any style from R&B to Dance with a definite nod to its commercial potential. Reworks come from the likes of the ever reliable MuthaFunkaz to the excellent ‘Maurice’s Nu Soul Remix’ plus the ‘Original’ is also included for good measure. M6/M8
Spencer Gray
‘Precious’ (LOVESLAP RECORDINGS)
And so to something altogether more intense as Imani Uzuri’s impassioned vocals are offset against the ‘Warriors Bump’ brooding instrumentation to striking effect. Driving and nastily repetitive this racks up the tension with its sizzling hi-hats, deep bass, and warped organ notes and features as both full vocal and vocal free versions. The ‘Original Mix’ is also here and feels that bit more soulful, though by no means any less powerful, so the choice is yours. M7/M8
Labelle
‘Superlover’ (VERVE MUSIC)
From three genuine superstars of dance music Patti LaBelle, Nona Hendryx and Sarah Dash comes this hyper soulful song of celebration. Lifted from their forthcoming ‘Back To Now’ album this originally appeared as a ballad but has now been transformed by, amongst others, Matthias “Matty” Heilbronn into anthemic club status of the highest order. In a way it’s a song of two halves with the Lenny Kravitz penned vocals on full display in the first part while things get insanely funky in the second by the addition of horns and fired-up percussion and the juiciest of vocals. M8/M8
Ralf Gum
‘Kissing Strangers’ (GOGO MUSIC)
With its selection of six different styled mixes complimented by Monique Bingham’s always deliciously soulful vocals this package makes for very easy listening indeed. Although it’s all really down to just how you like the rhythm section i.e. with straight-up beats or with that bit more swing, because musically everything from latin to funk to jazz is contained here in abundance. A good place to start would be either the rock solid ‘Original Club Mix’ or Frankie’s deeply satisfying ‘Feliciano Vocal Mix’. M7/M8
Ananda Project feat. Heather Johnson
‘Let Love Fly’ (NITEGROOVES)
This has been tastefully remixed by none other than Joe Claussell and the results are both sumptuous and elegantly soulful. Clocking in at the ten minute mark this epic journey combines all the instrumental skills of the Ananda Project along side Joe’s innate understanding of how to stir your emotions on all levels with Heather Johnson’s emotive vocals proving equally invaluable. It’s also worth pointing you in the direction of the excellent ‘Simulacrum Dub Version’ as this music is hard to beat. M8 /M8
Souldynamic & DJ Roland Clark
‘Make A Choice’ (TEMPOGROOVE RECORDINGS)
This may be less soulful in the traditional sense of the word but never the less packs a heartfelt message to ignite your senses. Spoken by Roland Clark its intonations have a gospel quality to them which lend themselves perfectly to the explosive musical arrangements of the ‘Original Mix’ which although this takes things in a tougher direction is just as rewarding as anything else around. The Audiowhores versions do the same justice to the preaching with finely tuned percussive mixes also begging to be heard. M7/M8
Darryl D’Bonneau
‘Say You’re Gonna Stay’ (JELLYBEAY SOUL)
Jellybean Soul revisit this 1994 release which has now been remixed by DJ Meme and Jovonn who give it a 2008 make over in differing ways and with varying degrees of success. But while it’s hard to fault Darryl D’Bonneau’s exuberant vocal delivery, which sees him reach the heights of the vocal range, it has to be said that Jovonn’s deeper treatment is simply more effective. Not that there’s anything wrong with the Meme mixes but the breezier feel doesn’t give the song as much impact. The ‘Original Mix’ is also included for reference. M6/M8
Marc Evans
‘Give Me Joy’ (DEFECTED)
It has to be said that Marc Evans voice hits the button here with his self-assuredly soulful vocals expressing all the song needs to say and effortlessly. The original ‘Muthafunkaz 12” Mix’ plays it off against an uncomplicated backing comprised of piano chords, stirring strings and brisk drums to give the voice its deserved space. Knee Deep then lift it up with their ‘Classic Club Edit’ as does the ‘Groove Junkies MOhO Mix’ while the more blissful atmospherics of the ‘Lovebirds Suite’ almost blow everything else away. M7 /M8
Knee Deep & DJ Spen
‘Gotta Have House’ (CODE RED)
The premise is pretty easy here as this spoken diatribe on the benefits of listening to House music goes through its a-z including the claim that, ‘You could actually get closer to God’. Now that’s impressive. The music has all the necessary elements for an effective dance record with a deep pumping bassline, punchy drums and plenty of fuzzy stabs to add colour on the ‘Spen & Thommy 12” Remix’ with their ‘Klassic House Mix’ a variation on a similar theme. A ‘Spen & Thommy Beat A Pella’ is also included should you feel the need. M5/M8
DOM NAVARRA FEAT. ANTONIO
‘New Life’ (SOFITONE RECORDINS)
There’s no doubting the lush musical qualities going on here as this song of spiritual notes and values gets it just about right with Dom Navarra’s enlightened ‘Original Mix’. Feeling very much along the lines of a Blaze standard this captures the essence of deep soul music both vocally and instrumentally with little doubt that you’ll see it much the same way. Alternative versions are provided by a more club friendly Steven Stone mix and a coolly creative Rachel Claudio & Nicolas Vautier mix. M6/M8
DANNY CLARK FEAT. NICOLE TYLER
‘Fading To Grey’ (BARCODA RECODINGS)
This will again catch your attention not least of all because of the diversity of mixes to suit all occasions flavour. And not that that’s a bad thing by any means either as not only does Davidson Ospina hit the spot with his infectious and definitely pumping ‘Club Mix’ but then so does the seventies good-times feeling of Danny Clark’s ‘Original Vocal Mix’ too. But definitely don’t forget the ‘Central Avenue Remix’ with its deep pulsing electronics either. M5/M8
PHIL ASHER PRESENTS PHLASH & FRIENDS
‘Political 06’/ Revolution’ (ARCHIVE)
Phil Asher’s latest production for Italy’s Archive imprint does a little more than just move your feet as Martin Luther King Jr’s oratory sets the world on fire, though figuratively speaking on ‘Political 06’. However, if that’s all too much then try the ‘Instrumental’ with its equally rough-edged beats and acid twitches. ‘Revolution’ in the mean time explores funkier moods via jazzy feeling organ and Rhodes keys alongside some seriously spaced-out voices demanding much needed change. M6/ M8
HERCULES & LOVE AFFAIR
‘Blind’ (DFA RECORDS)
This project is the brainchild of NY DJ and producer Andrew Butler and on this track features the unmistakable voice of one Antony (And The Johnsons). And who better to transform these shimmering vocals into an epic reworking than Frankie Knuckles, whose trademarks are all present from the classic piano chords to moody pads, strings and techno notation. Serge Santiago then gets tribal with his excellent exploration in tripped-out sounds which again sit perfectly with the song, while Hercules own ‘Club Mix’ finishes off. M8/ M8
Davidson Ospina Feat. Danil
‘Make It Better’ (OSIRIS MUSIC)
Rain People’s Aaron Ross and Patrick Kenmore have teamed up with vocalist Alex Mills to deliver this soulful and rather funky release for UK label Osiris. Try out the Vocal Mix for something that swings with its seductive b-line and rhythmic keys, courtesy of Bugs In The Attic’ Kaidi Tatham. The song works particularly nicely with the music but if you like it a bit tougher then there is always the excellent Dub version, which dispenses with the voice to concentrate solely on the organ and a fantastically squelchy bass to great effect. M6/M8
Emanon
‘Don’t Keep Me Hanging On’ (NAUGHTY BOY MUSIC)
Released as a Download Only single Norty Cotto does it once again is his own inimitable style i.e. tough and extremely funky. Yes, it’s a sample based track but one that’s works particularly well with its vocal refrain sounding like some lost nugget from the 60’s or 70’s. Leaving the beats to pound you into submission while the arrangement is primed to work any dancefloor into fever pitch. Take it or leave it. M7/M8
Audio Soul Project
‘Community 2007’ (NRK MUSIC)
Originally released back in 2000 this spoken message from Ron Carroll no less still manages to hit the spot, and now with a fresh set of Fish Go Deep versions probably even more so. Musically this supplies a fairly minimal selection of sparse chords set against a deep analogue bassline and insistent drums to keep up the energy alongside the positive lyric. Try either Vocal Mix or the moodier Dub and you’ll not be disappointed. M6/M8
Voom
‘Best Friend’ (G STONE)
Don’t know too much about Vroom apart from to say that this Charles Webster interpretation of the song is nothing less than magnificent. Its all in his minimal use of electronic instrumentation, which builds neatly in atmospheric layers, and how it works with the sparse falsetto vocal that sets this in a class all of its own. This is one of those distinctive tracks that appears every once in a while, and no doubt one which will equally capture your attention. M7/M8
Ananda Project
‘Fire Flower EP’ Part 1 (KING STREET SOUNDS)
I doubt this will cause too much of a stir in the clubs, but if you are after a genuinely good piece of music then this does do the trick nicely. Three new tracks from Ananada Project make up the EP with the opening ‘Into the Sunrise’ displaying the engaging jazzy-latin qualities that they do so well. Definitely one for the more discerning DJ this also features a great and tastefully breathy vocal from Terrance Down. ‘Remember When (..The Wind) then picks up the pace with a tougher but no less musically rewarding instrumental, furnished with smoothly, funky chords and plenty of atmospheric swirls this is little less than stunning. ‘Universal Love’ finishes off with another full song, this time with vocals from Solu Music’s Kai Martin. M7/M8
Davidson Ospina
‘Take Me’ (OSPINA DIGITAL)
If you’re feeling a touch jaded by that same old musical formula then Davidson Ospina’s latest is guaranteed to reinvigorate you. It’s all about the funky combination of techy chords, a hip-shaking electro bassline and Danil’s self-assuredly sassy vocals. But while it’s true to say that nothing really explodes in the arrangement, it also doesn’t need to as all the energy required is captured in the grooves. Try either the ‘Main Mix’ or the relatively more traditional ‘Born To Funk Vocal Mix’. M7/M8
Cazza
‘He Will Be Right There’ (BMR)
It’s great to hear some full-on and very uplifting vocals this month. So go straight for the ‘Classy Menace Main Room Mix’ of ‘He Will Be Right There’ and revel in not only this truly powerful gospel inspired song but also in this supremely funky production, which is every bit as big room as its title suggests. The ‘Mr Montana Soul Remix’ then relaxes matters with his deeper interpretation involving Fender Rhodes and tastefully jazzy piano lines to act as the perfect compliment. M6/M8
Kentphonik feat. Khensy
‘Hiya Kaya EP’ (STALWART)
South African band, Kentphonik has produced what can only really be described as a stand-out record. But while this genre crossing release could equally sit on other M8 pages it’s the sublimely soulful quality of the song which finds it here. Musically it’s certainly Deep, though try the ‘Rocco Mix’ for a timely set of warm chords and House beats to lift the mood, or indeed the atmospheric ‘Original’ and I would doubt that you will be disappointed. M6/M8
Barbara Tucker & Tucillo
‘One Desire’ (KING STREET SOUNDS)
You will be very well acquainted with Barbara Tucker’s vocals by now having already graced a number of ‘classic’ House records over the past couple of decades. One Desire should not disappoint you either with its soulful feeling vocal refrains backed up by increasingly tense pulsating rhythms and fuzzy electronic chords from Alix Alvarez. Japan’s Hideo Koayashi then gives it all a deeper, though no less effective, treatment with a tougher more techy edge which again works Barbara Tucker’s voice into fever pitch. M7/M8
Studio Apartment feat. Monique Bingham
‘Found Him’ (KING STREET SOUNDS)
More great vocals from New York’s premier label this time sees the always hot Monique Bingham deliver what can only be described as irrepressibly good times. Plus with Kerri Chandler’s party flavoured music this sounds and feels big in all the right places. There’s more than a touch of the early nineties here with the piano chords and off kilter snare sounds, but then that only adds to the depth of the production, with the following ‘Kaoz 6:23 Dub’ stripping back the elements to reveal a tantalisingly darker reworking. M6/M8
Tortured Soul
‘Home To You’ (DOME RECORDS)
Brooklyn’s Tortured Soul launch their latest interpretation of all things soulful with this emotion drenched release from their new long player, ‘Did You Miss Me’. As both titles suggest these are matured musings on love and the vocal suitably reflects this. The ‘Original Extended Version’ opens with a gently funky take on the affair and is followed by ‘Ethan White’s Remix’ which jazz’s things up nicely. However it’s down to Quentin Harris whose mix lends the song more intensity with lush chords and a classic house backing. Remaining versions come from Tom Moulton, JKriv and a typically groovy DOMU.M6/ M8
Asha Edmund
‘Carry Me Over’ (GOTTA KEEP FAITH RECORDS)
While this Sax led, Latin based rhythm may not quite tick all the necessary vocal boxes the ‘Original Mix’ is still worth you taking a look at. The two remaining versions each supply a slightly different angle with the ‘Nassau Remix’ adding tougher beats and bassline with various jazzy inflections supplying the rest. House Device do similar things while the ‘Georg Nuefield Dub’ gives the voice an intriguing twist with some moody atmospherics on his creative mix.M5/ M8
Audiowhores feat. Radhika
‘All You Need’ (TEMPOGROOVE RECORDINGS)
With what could quite possibly be Audiowhores strongest production to date this release also sees them supply all three versions. The ‘Main Mix’ combines tribal beats, pulsating synths lines and Radhika’s emotive vocal to great effect as it builds into an eight minute journey. A more Prog orientated ‘Club Mix’ follows and is complimented nicely by a darker feeling ‘2009 Dub’.M7/ M8
Leo Cuenca feat. Rachel Claudio
‘If It’s Right’ (STALWART)
With a chorus that feels like a classic early nineties moment Leo Cuenca’s new and uplifting production blazes forth from the speakers in fine style as ‘DJ Meme’s Club Mix’. The neat thing here is the way that the song would feel good in whatever era you may place it but the music feels totally here and now with its funky electronics. DJ Rork then picks up the pace with a percussion fuelled though more progressive sounding mix which certainly grabs your attention while the party orientated ‘Original Mix’ sounds like the right starting point.M7/M8
N’Dinga Gaba feat. Denise
‘B’more Perspective EP’ (SOLE CHANNEL MUSIC)
This excellent EP from N’Dinga once again places Sole Channel in their rightful position as one of the leadings labels from around the globe. To highlight the point are the perfectly pitched vocals from Denise on ‘I Know’ which sound deliciously soulful and are just as satisfying. ‘The Dub’ provides the acoustic guitar led groove space to breathe with its simple repetition proving to be no less powerful. ‘Takes Ahold’ provides the second vocal on the EP with a smooth vocoder applied to the voice and funky percussion to the music. M7/ M8
