Hercules & Love Affair
‘Blind’ (DFA Records)
This project is the brainchild of NY DJ and producer Andrew Butler and on this track features the unmistakable voice of one Antony (And The Johnsons). And who better to transform these shimmering vocals into an epic sensual reworking than Frankie Knuckles. All the trademarks are here from the classic piano chords to moody pads, strings and techno notation, which should leave you in no doubt of the productions strength and capacity. Serge Santiago then gets tribal with his excellent exploration in tripped out sounds which again sit perfectly with the song, while Hercules own Club Mix finishes off. 5
Crystal Castles
‘Courtship Dating’ (Different)
If you can bypass all the hype such as their appearance on ‘Skins’ blah, blah, blah then Courtship Dating proves to be fiercely funky and enticingly melodic all by itself. Probably the best and most accessible track from the forthcoming album with its combination of driving, four-four beats and a hot, syncopated bassline make it feel both addictive and very danceable in all the right places. 4
Byron Stingily
‘Hot Night’(West End Records)
Gomi’s Original Vocal Mix takes the voice of Ten City to fresh heights of joy with this celebratory song. The words focus on the positive while the blistering rhythm section comprised of soaring horns, guitars and ferocious beats is set to stun the dancefloor – no two ways about it. Kenny Dope’s Rhythm version then takes all that sublime trumpet and plays it out over a deeper groove, which I’d say is just about perfect for those later night moments. 4
Leela James
‘Good Time’ (West End Records)
If Leela James’ voice doesn’t strike a soulful chord with you here then there’s little hope left. The Vocal version sees Jihad Muhammad combine sumptuous jazzy instrumentation and all round funkiness to devastating effect as this good time song eagerly engages both body and soul. Which leaves the flip side’s Instrumental to highlight all that lush quality all over again. An anthem in the making? 5
Radio 4
‘Packing Things Up On The Scene’ (EMI Records)
Lifted from their ‘Enemies Like Us’ long player which was released earlier this year is this stunning new 45 from Radio 4. Its been remixed by The Loving Hand aka one half of DFA, Tim Goldsworthy. And as you might expect it blends together a fabulously funky collection of raw rhythms which draw influence from everyone from Liquid Liquid to Public Image Ltd, plus of course plenty of its own original thinking. However, if you find the vocal a little lacklustre then the Instrumental is truly excellent all on its own. 4
Roland Clark
‘God Is Good’ (Defected)
You could either say, heard it all before, or that this is a supremely uplifting piece of House music. Whatever your belief there’s little doubt that DJ Spen delivers a typically crunchy drum section to underpin Roland Clark’s hopeful message that God is good. The beauty here lies in the simplistic and equally repetitive keyboard and lyrical hook, which by the time the track has ended have firmly implanted themselves in your consciousness. 4
Three Kings ft. JayGun + Bashy
‘Shake Dat Ass’ (Soul Heaven records)
First heard this last year and its played in my ears ever since. It’s something of a rarity these days for Rap to combine comfortably with House music, and to do so this well is little short of impressive. What’s going on here is simply a mad combination of infectious deep rhythms and commanding words that do nothing if not shake your ass towards the dancefloor. Pal Joey’s magnificent original version wins hands down, though Alix Avarez adds more bounce to the affair with brighter keys and crunchy drums, while Wahoo’s equally excellent mix lifts things one stage further with its Chicago styled chord sequence, Afro rhythms and clever arrangement. 5
Sterling Ensemble
‘Follow Me’ (Soul Heaven Records)
A fine example of quality vocals in House music ‘Follow Me’ shines in its own light to provide yet another distinctive production from Sterling Ensemble. This label has been steeping up the pressure of late with its increasingly impressive release schedule, and this Latin infused groove only helps to strengthen their case. Fanatix deliver the remix and sounds like one of their strongest to date with its infectious fuzzy bassline and upbeat rhythms all causing mayhem in the right places. 4
Muzzaik
‘Dirty Dance’ (Seamless Black Label)
There’s not a lot wrong with this latest release from Seamless Recordings sister Black Label imprint. That’s because punchy beats and one fine bassline build it neatly into a very self-assured instrumental workout. Plus with the remix coming care of Belocca & Soneec this will do the trick nicely either early doors or early morning. 3
Roxy Music
‘Remix # 01’ (Virgin Records)
You don’t often hear of Roxy Music name-checked when it comes to Dance influences, though take a listen to their seventies stomping ‘Street Life’ or the even funkier ‘Love Is The Drug’ and perhaps they should have been. This sees the first in a series of hotly anticipated remixes of some of their best output and opens with an excellent re-edit of one of the bands finest dancefloor moments from the early eighties, ‘Angel Eyes’ via Frank Tope and Dean Rudland. A Kaos version follows, with a hauntingly electronic Tiefschwarz remix of ‘Rain, Rain, Rain’ while M.A.N.D.Y.S take on ‘The Thrill Of It All’ completes the package. Next please. 5
VMC
‘To The Rock’ (Hustle)
Not only does this feature on the forthcoming Bobby & Steve ‘Garage City’ anniversary CD but also on DJ Spen’s mix for the latest Soul Heaven compilation. And when you hear this gospel inspired vocal it’s easy to understand just how and why. This raises the temperature with a stunning Karizma remix which combines funky Disco influences with old-school House chords and beats to devastating effect. But do also remember to check out the Dub for more of a taste of that finely infectious music. 4
Discotheque Volume 2
‘The Paradise Garage’ (Gut-Active Records)
Following hot on the heels of Volume One’s Hacienda compilation comes this significantly more innovative collection of tracks from Larry Levan’s famed New York residency. Once again the informed sleeve notes come courtesy of Tim Lawrence with the music being researched by Ian Dewhirst and features a selection spanning the clubs 1977-1980 era. I guess its hard to avoid certain classics which generally seem to make an appearance from the likes of Diana Ross, Sister Sledge and Grace Jones, but then thankfully you also get an introduction to lesser known gems by Brass Construction, Esther Williams and Peter Brown. Its not just the more leftfield sounding numbers that came to typify the early part of the following decade but also the Disco experience of the later seventies that you get a chance to enjoy here. But while I wonder how many times this story can be retold and remain just as exciting its worth remembering that the music’s influence still stands the test of time today, and that surely is what counts. 5
Shawn Christopher
Don’t Lose The Magic’ (Bargrooves)
Was it really sixteen years ago when this first appeared amongst that spate of great vocal releases in the early nineties? The answer is yes, and if you remember this song fondly you will be glad to hear the David Morales original is still sounding as good now as then. It might take a couple of listens to reacquaint yourself, but the excellent ‘Baggi Begovic & Soul Conspiracy Mix’ practically works just as well with its pulsating bass and treated chords backing up all those lush, heartfelt vocals. 4
Figurines
‘Hey Girl EP’ (Strange Feeling Records)
This is the second single from the bands forthcoming album and features two new tracks, Hey Girl and The Air We Breathe. It’s the later which, if you like Beach Boys styled harmonies and 60’s West Coast vibes, works with cosmic brilliance. But even better than that has to the Prins Thomas interpretation which somehow manages to capture the same spirit and transforms it into some kind of Balearic bliss. 4
Pacifika
‘Sol’ (Giant Step)
Pop trio Pacifika get remade, and recast, into Balearic bliss via a superb set of remixes by Chris Brann’s always hot Ananda Project. Three ‘Valley Of The sun’ versions are here in full swing with the vocals working nicely over a pounding Latino rhythm section and fired-up keyboard swirls, which make this all feel rather stunning. The ‘Album Version’ then completes the package in a quieter, yet almost as striking, down-tempo fashion. 4
Victor Imbres and Rob Davies
‘Changes’ (Greenlight Records)
This almost feels like one of those great early nineties House records with uplifting chords and sassy vocals while not managing to sound dated. It’s undeniably a good song with a punchy production to match as heard on the Original Club Mix, though more contemporary sounds can be found on the range of versions supplying techy moods and rousing arrangements. 4
DJ Gregory
‘Elle’ (Defected)
This always was a great tune to accompany the summertime so why not release it again this season. It makes even more sense however as Ame has given the sublime instrumental a new lease of life with a contemporary Tech feeling twist to the production. Sounding perfect for now this does all the original did although with a tougher edge. The package comes complete with all the other versions including the excellent Balearic flavoured ‘Original’ which still very much stands the test of time. 5
Jephte Guillaume presents AK
‘Shinning Your Way’ (Part 2) (King Street Sounds)
The follow-up to the first edition of ‘Shinning Your Way’ sees both Blaze and Danny Krivit rework this gorgeous vocal from new star AK. The former serve up a pulsing, almost tribal, rhythm section with some swirling synths and gentle instrumentation to let the song shine. No surprises musically but this is yet another case of Blaze doing no wrong. Danny Krivit then adds some extra juice to the drums, warm pads, and smooth piano notes on his typically expansive version clocking in at almost ten minutes of pure soulful emotion. 4
James Blunt
‘1973’ (Atlantic)
This may be the first and only time that I’ve listened to James Blunt and enjoyed the experience, but then stranger things have happened in music. However, the connection here is Ashley Beadle’s superlative transformation of the singer into something light years away from ‘You’re Beautiful’ and into one of those truly Balearic moments complete with uplifting Rhodes chords, a driving four/four kick drum and a moody bassline. In this case, its a match made in heaven. 4
Roisin Murphy
‘Let Me Know’ (EMI)
Have to say I loved ‘Overpowered’ in all its guises and while this follow-up may not seem as strong on first listen Joey Negro breaths an irresistibly funky quality into Roisin Murphy’s sultry vocals. The original ‘Album Version’ already cleverly utilises a classic disco keyboard refrain, which is again relayed on his ‘Original Vibe Mix’, but its Joey’s ‘Destination Boogie Mix’ that reworks 52nd Street’s classic Manchester moment ‘Cool As Ice’ into bassline nirvana. Twice as nice. 4
The Brand New Heavies
‘Let’s Do It Again’ (Delicious Vinyl)
This twelve inch double-pack features tracks from the bands latest long player ‘Get Used To It’ and has two of Dance music’s heavyweights deliver a set of prime remixes. The ubiquitous Kenny Dope kicks off the album title track with a hard hitting set of Afro beats which he proceeds to twist all over the emotive song. While Tom Moulton handles ‘All Fired Up’ like a ‘live’ reproduction with classy strings and the groups skilful instrumentation hitting all the right notes. Quality assured. 3
Vintage Grooves
‘Funk Volume 1’ (Seamless Recordings)
There was a time when finding vinyl copies of some of the records included here was both time consuming and costly. Thankfully that’s no longer the case but while you may ask if we really need yet another compilation of Funk classics from the likes of Average White Band, War, and Positive Funk I guess the brilliance of the music answers that very question. Of course its not all obvious either with The Blackbyrds ‘Do It Fluid’ and Emotions ‘I Don’t Wanna Lose Your Love’ spicing up proceedings, but then after all, its all good really. 5
Paolo Mojo
‘Renaissance Digital 01’ (Renaissance Digital)
Renaissance first made the journey into the compilation album via Sasha and John Digweed’s ‘Mix Collection’ way back in 1994. Now in 2007 this digital only album is a sign of the times with Paolo Mojo’s perfectly crafted mix blending together all things electronically soulful, moody and tastefully edgy. This eighty minute performance starts deep and intense with his own ‘Paris’ and then proceeds with much, much more of the same. Excellent. 5
Scott Wozniack
‘Your Unconscious Mind’(Deep Haven Records)
This is a song of two halves which somehow fits a bitter spoken diatribe over a failed relationship together with a positive message in the chorus. Shouldn’t work but it does, though not least of all because of the moody electronic backing provided by swirling synths, strident beats and basslines that proves to be so compelling. However if the vocal idea doesn’t appeal then go for the excellent instrumental or dub and I doubt you’ll be disappointed.3
Studio Apartment feat. Blaze
‘The Rising Sun’(King Street Sounds)
If you can get past the fly, high, sky, rhyme scheme then these Muthafunkaz and Mr.V remixes prove to be most rewarding. Having said that the vocal delivery itself is flawless and the overall peace and love vibe of the song commendable, plus there are accompanying dub mixes too just in case. The former push the tempo with rough edged drums and high-minded instrumentation while latter’s Sole Channel mixes swing the groove with a deeper feel and additional rap. Quality music.3
Nick Holder feat Sacha
‘Time’(NRK)
Quickly following on from last months ‘Swimming’ comes this excellent production of hard-assed beats and bass with sweet, soulful vocals playing the perfect compliment. The swirling Harp of the opening bars commands your attention immediately while the afro infused rhythms and Sacha’s sultry vocals take care of the rest. Things then get more twisted with the darker atmospheres of both Dub versions to finish off this attention seeking, and justifiably so, single from Nick Holder.4
At The Controls
Mixed by Agoria (Resist)
Agoria aka Sebastien Devaud’s crazed mix-up of weird and wonderful electronic music is nothing short of compelling, and that’s just the first five minutes! There’s plenty of dark funkiness to be had here, although it may be a case of acquiring the taste for something more exotic than what’s on offer from the more conventional compilations around first. Put it this way it will come as absolutely no surprise when he introduces ‘Bela Lugosi’s Dead’ by Goth rockers Bauhaus into the equation by the start of CD two. If anything it all gets much heavier and more atmospheric as it progresses, but then that’s all part of the charm.4
Roland Appel
‘Talk To Your Angel’ (Sonar Kollektiv)
To say that this album is a landmark production from Roland Appel is probably not too far off the mark. It also becomes quickly apparent when you listen to ‘Talk To Your Angel’ for yourself that it’s an accomplished work of particular note. There are nine equally stunning tracks covering differing electronic moods, from more intense acid based techno to the bluesy vocals of ‘Unforgiven’ and even ethereal whimsy in the closing ‘Child Song’ making up this long player. I doubt too many albums this year can boast all of those attributes, and to do so as effectively. 5
Redsoul & Andrea Love
‘Heat You Up (Melt You Down)’ (Playmore Music)
Originally released on Mel Cheren’s (RIP) classic West End Records way back in 1983 this lesser known gem now gets fully updated with Andrea Love taking the place of Shirley Lites on vocals. This was one of the more hi-energy recordings that the label released and perfectly suits Redsoul’s fiery up-tempo ‘Club Mix’, which still retains that huge bassline alongside various other eighties reference points. Deepswing, Hugo Puntito and a superbly funky Jay Vegas version supply the remaining interpretations. 4
Lisa Mack
‘Where Do We Go’ (Code Red Recordings)
Lisa Mack delivers one of the more classy vocals this week on what should suitably be described as modern day Soul music with a message. Try ‘Spen & Thommy’s Spiritually Sound Mix’ for satisfaction guaranteed as the commanding combination of strings, organ and piano all give the recording that extra something. But for those darker moments the other vocal versions mixes supply tougher drums and tech attitude for those who need it, although the more soulful version in this case is undoubtedly hard to beat. 4
Jose Carettas Ft. Vanessa Freeman
‘Can’t Make It’ (MN2S)
‘Can’t Make It’ provides yet another touch of class and comes from the latest addition to the Restless Soul collective, Jose Carettas. Each of the three available versions treats you to some very smooth keyboard playing indeed from Bugs In The Attic’s, Kaidi with the ‘Original Mix’ giving you the full vocal hit. Needless to say it’s the song that gets the full recommendation here as this hits all the right notes in just about every department. 4
Defected Presents -Charles Webster
(Defected Records)
I can’t really recommend this stunning Charles Webster mix highly enough. But then the smoothly blended succession of totally, quality music does reach the parts others can literally only dream of, and that’s not just because it’s full of his own productions either. CD one starts by lulling you into a false sense of security with the laid back vibes of Warren Clarke’s delicious ‘Cottage’ and ends up feeling much tougher with Moodyman’s apt ‘I can’t kick this feeling when it hurts’. CD two then gets all the more bizarre with Black Sabbath, Tom Waits and Brian Eno taking pride of place, as the third disc keeps the theme of diversity going with its cryptic, atmospheric instrumentation and emotive vocals to keep you guessing just what’s coming next. 5
Copyright
‘Wiseman’ (Defected Records)
Copyright have been redefining their sound for a while now and if this impressive array of tough, tribal beats, soulful vocals and a thought provoking song are anything to go by then their forthcoming album ‘Voices And Visions’ promises to be something special. Imaani delivers the note perfect sermon, with the opposites attract principle of Acid tinges and Rhodes chords doing all the rest. Plus, with a sassy selection of interpretations from a Dub to a Reprise to a Chantapella this neatly ticks all of those the boxes. 4
Fabrice Lig
‘Purple Raw Part 1’ (Versatile Records)
Fabrice Lig begins the first of a trilogy of releases for Versatile pretty much as you would expect him to go on. The opening number ‘The Track’ is packed full of punchy rhythms and cinematic pads, and the result is both high on atmosphere and electricity. ‘Bump Bump’ proceeds to add the words warped and intense together and comes up with a strangely unforgiving yet oddly funky production. While ‘The Riff’ redresses the balance with a sense of melody and more than a hint of eighties nostalgia, but in a good way, with basslines and keyboard motifs. 3
Ralf Gum ft. Diamond Dancer
‘All This Love For You’(GOGO Music)
Lifted from Ralf Gum’s forthcoming long player ‘Uniting Music’ comes this distinctive production from one of Germany’s finest exports. The two great things about ‘All This Love For You’ are Ralf’s deeply captivating, soulful grooves which keep you locked in throughout, and Detroit’s Diamond Dancer whose velvet voice breathes more soul into the subject matter than the words might at first suggest. Next, to complete the international make-up of the release, is France’s Rocco who gives the vocals a darker, more intense feel with a set of electronic based remixes which work just as effectively although on a different level. Both remixers have also provided a further selection of Instrumentals etc so choice is of the essence here. 3
Groove Junkies Feat. Indeya
‘Music’s Gotcha Jumpin’2007’ (More House Records)
This is an admirable 25th release from the Groove Junkies label and as befits their trademark sound its definitely as case of party on! Jay-J produces one of his strongest mixes in some time to help celebrate the fact with a selection of good time rhythms hitting the mark on both the ‘Shifted Up Mix’ and pumping ‘Diskofied Dub’. Its all about rousing vocals and breakdowns galore but then that’s just what the title is all about. Liquid People take it deeper on their ‘Danism Remix’ complimenting the moodier chords by selective use of the more soulful elements in the vocal to deliver yet another excellent version. 4
lcd soundsystem
‘All My Friends’ (DFA)
Lifted from their peerless ‘Sound Of Silver’ album comes one of the many best tracks on the long player. And guess what, its been remixed by Harvey no less. Sounding like a spaced-out Sly & Robbie meets Talking Heads somewhere on a Jamaican beach this groovy instrumental is not only funky as fuck but also feels just as contemporary. From the electronic rhythms and big-time guitar riff to the wacky dub treatments you just know that you can’t go wrong with a combination of this magnitude. 5
Monday Michiru
‘Don’t’ (Phuture Sole Recordings)
One of two new stunning releases from the label, ‘Don’t’ takes the word Jazz and twists it out of all proportion, or at least it sounds something like that. The masterclass of players involved set up a tough groove full of smokin’ horns with pounding tribal beats to match leaving the knockout sassy vocals to do the rest on these excellent Carlos Mena remixes. This feels like the perfect combination of old and new sounds and really does take the music into reinvigorated territory. 5
‘Back In The Box’
Joey Negro (NRK Music)
The next in this excellent series from NRK sees that stalwart of the UK club scene deliver another trip down memory lane, and it almost seems bizarre that some of this House music is almost 20 years old! The package comes in two parts with the mixed CD supplying you with a perfectly sequenced, and FX drenched, selection of nuggets from the likes of Bam Bam ‘Give it to me’ and Fast Eddie’s ‘Let’s Go’. It’s not all heavy grooves either as there is also plenty in the way of party beats coming from those perennial favourites such as Seduction’s ‘(You’re my one and only) True Love’ and Gisele Jackson ‘Love commandments’. The second bonus CD contains a number of the tracks unmixed and is pretty much invaluable, as you would need a rather large sized wallet to buy some of this original vinyl – that’s if you could find any of it of course. 4
Hot Chip
‘DJ-Kicks’ (!K7)
Take the rule book and throw it out the window. Hot Chip do just that with this no-holds barred selection of just about everything. And I do mean everything. Starting off with Grovesnor’s melancholy ‘Nitemoves’ and ending up at Joe Jackson’s forgotten pop masterpiece ‘Steppin’ Out’ takes some doing. Especially when you consider the twisted electronica of Soundhack ‘B1’ and the sleazy euro-beat of Audion’s ‘Just F******’ that sits in-between. You even get the feel-good hip-hop of Positive K and New Order’s standard ‘Bizarre Love Triangle’ thrown in for good measure. Now if that’s not enough…5
Victor Palmez
‘Feel Sax’(Hysterical Ego)
Play Dave Robertson and Jon Gurd’s ‘Dub’ once and you will immediately want to hear it all over again. It’s pretty simple really as this seriously heavy-duty bassline just keeps on hitting you where it hurts. Add to that the undulating rhythm track which combines crisp, funky percussion with an arrangement set primed for the dancefloor and bingo! Their ‘Remix’ version complements that ideal perfectly with just the right hint of vocal stating ‘I Feel Your Love’ but that’s only when it’s not being twisted out of all recognition in the mean time. 3
Matthias Heilbronn
‘Brooklyn Sub EP’ (NRK Music)
Matty’s superlative production skills have graced many great releases over the years and this one has to be one of his best to date. It comes vocal free and purely relies on the music’s strength to do the talking, which it manages continuously via its prominent analogue bass, emotive strings and haunting piano on the ‘NY Sub Mix’. More of the same can be heard on the ‘NY Sax Mix’ which not surprisingly has Groove Collective’s Jay Rodriguez blaze his signature Sax all over it to impressive effect. But then as there are a total of five versions to choose from you’re not exactly stuck for choice. 4
Stel & Rekelectrik
‘People’ (Forensic)
There’s something instantly loveable, if that’s the right word, about this sleazy, spoken vocal from Darren Murray who alongside Stelios Vassiloudis and Kenny Shifter deliver this unmistakable piece of funky electronica with some quite considerable style. But what’s even better is the irresistible Lexicon Avenue mix which blends techno stabs and rocky guitar with dub sensibilities and an explosive drum section to literally lift the roof off. If ‘People’ fulfils its true potential then who knows where it could end up. 5
Abicah Soul Project
‘Jupiter EP’ (Phuture Rhythms)
Phuture Soul’s sister imprint steps up to the mark with this again Jazzy offering which quite frankly is as good as it comes. The aptly titled ‘Outer Space’ mix plays shuffling rhythms against a dirty Fender Rhodes and if you’re a sucker for that instrument you’ll feel somewhere in heaven. The ‘Mars Mix’ of Jupiter continues the interplanetary theme with a more Latin tinged flavour as does the following track. Finishing on ‘So Funky’ the project then returns to more familiar House sounds with its jaunty piano and organ combination working at treat. 4
Tracey Thorn
‘Grand Canyon’ (Virgin Records)
While ‘Grand Canyon’ may arguably be the strongest track from the ‘Out Of The Woods’ solo album this is never-the-less a standout single full stop. With three sets of excellent remixes from King Unique, Dirty South and Ada this tastefully emotive song from Tracey Thorn never fails but to fully satisfy. All versions are suitably moody and electronic with the Dirty South mixes hitting the dancefloor in a big way, with the remaining two proving to be no less effective in differing ways. 5
Chymera
‘Wish EP’ (NRK)
Brendan Gregoriy aka Chymera has produced three exception pieces of music for his NRK debut. ‘Wish’ explores electronic rhythm excitedly with a set of invigorating atmosphere’s and an arrangement that defies any possible dull moments. The same can equally be said of the completely sublime ‘Eucalytic’ with its dark hint of voice and intensely building layers of instrumentation, leaving the more uplifting ‘A Question’ to ask for much more please. 4
Shir Khan
‘Maximize’ (Exploited)
Berlin’s Shir Khan debut release on his own Exploited imprint in never less than exciting. The opening cut-up of various snippets from Marvin Gaye to The Smiths sparks the imagination as the following blend of all points in-between funky Electro to twisted Disco gets a pounding. More obvious names like Simian Mobile Disco and Justice are present and correct but there are also plenty of surprises in store too, including Adam Sky’s smart reworking of The Pop Group’s ‘We Are All Prostitutes’. A sign of the times. 4
Bepe Gioia
‘Ivory’ (Sofitone Recordings)
What almost feels like a bunch of musicians jamming together in a studio comes out sounding vibrant, yet compact, and all the while remains totally invigorating. Bepe Gioia’s ‘Original Mix’ is underpinned by a booming percussion section with various notes and sounds being figured in along the way in an almost random fashion. ‘Ivory’ also manages to avoid all the usual cliques and this fresh and distinctive production fully merits your attention. The Dub is excellent too coming complete with one of those basslines that makes you want to jump and down. 4
Leela James
‘Good Time’ (Warner Bros US)
This restrained party-time anthem first appeared via Jihad Muhammad’s excellent jazzy reworking on West End Records and now receives the Groove Junkies treatment in their inevitably funky style. ‘Good Time’ swings like nobodies business and is only complimented by Leela James soulfully rewarding vocal, but just to give it that extra oomph there’s a soaring saxophone and boogie styled piano to pretty much raise things to fever pitch. A ‘Dub’ is also included which strips back the song to its bare essentials and in many ways works even better with its tougher groove. 4
OGC feat. Kelly Love
‘Pump Dance’ (Nrk records)
If you ever need reminding of why the four on the floor kick drum is hard to beat take a listen to this. DJ Sneak gets it just right by combining a fierce rhythm section with moody keys which offset Kelly Love’s hi-camp speech perfectly. I guess you’ll either love or hate this but if nothing else at least it doesn’t sound like everything else. Style Of Eye then cuts it up to totally rework it P-Funk style and gives a different perspective, though it has to be said Sneak is hard to better here. 5
Deep Factor presents
‘Warriors Theme’ (Feelin’ Music)
There’s something very infectious about this jazzy little number which entices you even more with each listen. But although this doesn’t actually qualify as a song the Scat vocal weaves its way around the captivating Flute and psychedelic guitar solo most effectively. Plus with a funky Masters At Work styled bassline and driving beats on the ‘Main Mix’ this should prove to be equally hard to resist on the dancefloor. 4
Demarkus Lewis featuring John Griffin
‘Tell Me Why’ (Slip n Slide Records)
For those of you who like it deep and soulful –and lets face it who doesn’t – comes this tastefully emotive song from Dallas based producer Demarkus Lewis. The formula is simple enough with the smooth instrumentation of strings and electric piano providing the backdrop to John Griffin’s classy vocal delivery, which not only sounds like he means it but can also hit those high notes impressively. There are a couple of versions to choose from though I think you’ll agree with the ‘Main Pass’ mix. 4
Q-Burns Abstract Message Featuring Lisa Shaw
‘This Time’ (Slip n Slide Records)
Lisa Shaw’s voice has adorned a number of quality tracks over the years on labels such as Naked Music and OM Records and not surprisingly her laid-back yet soulful tones also work a treat here. The ever-reliable Charles Spencer provides the remixes by adding a welcome tribal twist to the drums, with a bassline to match, and it’s the way that the music compliments the vocal so well that makes this distinctive and sensual song something special. 5
Jamie Anderson
‘Time Is Now’(NRK Music)
This cuts the mustard for no other reason than its sheer intensity, and as it captivates you for no less than eleven minutes it would have to be that good. First appearing back in 2004 this now has Radio Slave tweaking the original, which also appears, into trance-like (with a small t) perfection with the thumping groove viciously working its way out of the speakers aided and abetted only by some inspired effects. When its this striking you don’t miss the human voice.5
Alexander Maier
‘Road Of Injury’(Buzzin’ Fly Records)
Germany’s Alexander Maier’s debut production for the label recalls the euro-disco sound of the eighties via a sexy syncopated bass rhythm with no nonsense beats. And typical of Buzzin’ Fly it comes drenched in electronic atmosphere and evocative soundscapes which in this case make for a sleazy rendition towards the dancefloor. Its been backed by the altogether darker Made In Nebraska to again prove that the label are hard to beat in this niche. 4
Moses
‘Friday Night’ (Top Of The World Records)
There’s something intriguingly old school about this production by London’s DJ Moses that instantly moves you. Its to do with the fiery combination of tough beats and energetic rhymes while the choice organ chords give it all that early nineties reference point. A quality selection of versions are available to you with the pumping Instrumental paying close compliment to the Full Vocal. 3
Patrick Green
‘Flor Del Mar’ (Sofitone)
Its all in the bassline, as this seriously heavy duty bottom end testifies on Patrick Green’s Balearic inspired recording. That coupled with dreamy Spanish lyrics and jazzy chords make it well worth checking out. Mixes also include Ryan Miskin’s uptempo take with its tougher feel and Damien Lee Ah Yen deeper version that Ron Trent featured on his mix for ‘Coast To Coast’. 3
Monkey Brothers featuring Shaun Escoffery
‘Losing My Head’ (Sub Urban)
For lovers of modern soul music this comes recommended as the combination of Shaun Escoffery’s heartfelt vocals and Restless Soul’s sympathetic production work together effortlessly. It may not be the song to change the world but then it does hit all the right notes while the fast paced groove provides a suitably funky backing. Try either the Vocal or Dub versions with quality rest assured. 3
Bonfire
‘Speeka’ (Wah Wah)
By the end of the year this could well prove to be one of the strongest artist albums from 2007. The reason is quite simple, its full of great songs and captivating sonic landscapes which flit between classy influences from the past four decades. Even when it is being instrumental, such as the Rhodes and acoustic guitar combo on ‘Mon Am’ its stunning. The drumming is sometimes funky as is the music but then sometimes it all feels more like something psychedelic from the 60’s. Whatever ‘Speeka’ claims to be it sits somewhere between playful and deep but never fails but to light up the room, at any time. Bonfire. 5
Xtravaganza Mix – Alex Gold/ Pete Gooding
‘Memories Of a Long Hot Summer Lost In Space’ (Xtravaganza/ V2)
If this summer’s Ibiza still lives on in your memory then this joint mix from the residents of Xtravaganza’s Thursday night session at Space is just the ticket. Pete Gooding opens proceedings with what ranges from sublime vocals to moodier rhythms via the likes of Telepopmusic, Gregor Thresher and Marc Romboy. Alex Gold then steps things up a gear with his aptly named ‘Peak Time’ CD featuring The Fix ‘Being Stoopid’ and D Ramirez & Mark Knight ‘Colombian Soul’ amongst many significant others. With not a lot of filler going on here this is value for your money. 4
Pashaa feat. Aiardo
‘Sweet Love’(Aquatique Records)
This is definitely one of the more accomplished releases this month with a soulfully, smooth song matching every bit of the equally strong groove. Three mixes here for you to choose from with the aforementioned ‘Pashaa Soulfully Yours Mix’ placing the song alongside a funky rhythm section comprised of eighties styled guitar and bouncy percussion. The ‘On The Rhodes Mix’ follows by replacing the vocal with a jazzy Rhodes solo to be reckoned with, while the ‘Instrumentally Yours Mix’ supplies more of that same boogie inspired stuff.4
Justin Michael ft. Jason Lent
‘Play House’ (Swank Recordings)
While musically Justin Michael’s production packs an impressive soulful punch this is let down by a vocal more akin to Craig David’s saccharine style with a words to match. However, Jon Cutler turns it around with a welcome tougher ‘Distant Music Mix’ to rectify matters. Coming complete with a stripped back and powerful combination of pumping drums and moody organ chords this gives the song a fresh lease of life as does his excellent dub.4
CeCe Rogers
‘Someday’ (USB Records)
Truly a classic moment for anybody’s songbook this 1988 House music anthem still resonates today with its thought provoking message of hope. Marshall Jefferson revisits one of his many defining recordings from the era and doesn’t radically overall much, but then why would you touch either those piano chords or that bassline, never mind CeCe Rogers spine tingling vocal. Or you could try the M People version. 5
Todd Terry All Stars
‘Get Down’ (Strictly Rhythm)
If the words Funky and House don’t make you wince when the appear together then this latest from the once so-called ‘Todd the God’ is tailor made to have you jumping in the aisles. Tara McDonald once again supplies the undeniably catchy high energy, melody friendly vocals while Mousse T, Woody Bianchi, Warren Clarke and Kenny Dope all lend their touch to what is surely a chart bound release. Although, its not that any one mix stands out above the rest as they’re all up there together. 4
Alix Alvarez Featuring Nate James
‘Not To Mention’ (MN2S)
More music that passes the UK quality control is ‘Not To Mention’ and sees two notable names join together in the name of House music. The song by itself feels almost quietly restrained, though the words are delivered with typically soulful passion by Nate James. However, as both the Alix Alvarez and Sole Channel dub’s seem to work just that bit better then perhaps that says something too. Either this is still well worth your attention. 3
Nemesi
’Jurassico’(Relish Records)
It would be all too easy to throw words like cosmic and krautrock around when describing this truly epic production from Nemesi, but then they do fit the bill. By combining a vast sense of rhythm and atmosphere ‘Jurassico’ plugs itself directly into your sub-conscious with elements of rock, euro-disco and spaced-out weirdness all vying for your attention. Prins Thomas duly remixes by twisting everything just that bit further into the ether with excellent results. 4
Dazzle Drums
‘Elem’(Centric Music)
Sounding like something from House music’s golden era comes this stunning reworking of ‘Elem’ by Kiko Navarro. What’s so good about this is the way the ‘Retronic’ version hits the acid button hard and fast in places but then off-sets things with clever, funky percussion and subtle, glassy pads elsewhere providing the arrangement with a sense of colour and occasion. There’s a great use of sounds too from the classic drum sounds of the eighties to today’s contemporary electronica. 4
Ananda Project
‘Fire Flower EP’ Part 1(King Street Sounds)
I doubt this will cause too much of a stir in the clubs, but if you are after a genuinely good piece of music then this does do the trick nicely. Three new tracks from Ananada Project make up the EP with the opening ‘Into the Sunrise’ displaying the engaging jazzy-latin qualities that they do so well. Definitely one for the more discerning DJ this also features a great and tastefully breathy vocal from Terrance Down. ‘Remember When (..The Wind) then picks up the pace with a tougher but no less musically rewarding instrumental, furnished with smoothly, funky chords and plenty of atmospheric swirls this is little less than stunning. ‘Universal Love’ finishes off with another full song, this time with vocals from Solu Music’s Kai Martin. 5
Chymera
‘Wish EP’(NRK)
Brendan Gregoriy aka Chymera has produced three exception pieces of music for his NRK debut. ‘Wish’ explores electronic rhythm excitedly with a set of invigorating atmosphere’s and an arrangement that defies any possible dull moments. The same can equally be said of the completely sublime ‘Eucalytic’ with its dark hint of voice and intensely building layers of instrumentation, leaving the more uplifting ‘A Question’ to ask for much more please.5
Hard-Fi
‘Suburban Knights’(Atlantic)
Once heard not forgotten. Hard-Fi’s new release sees them firmly back on solid ground with what can only be described as dynamite. Steve Angello and Sebastian Ingrosso’s mix twists the original strings and vocal chants over abrasive electro beats and a set of breakdowns which you just know are going to go off big time. DJ Wrongtom’s Delight version then does the exact opposite with a delicious downtempo slice of pure old-school funkiness which combines spacey Dub treatments with one almighty Funk of a bassline. While the remaining Alex Metric version is best described as just plain filthy. 5
‘This is… Sander Kleinenberg’
(Renaissance)
Divided into Left & Right CD’s Sander Kleinenberg’s electric journey through all things spine-tingling never fails but to ignite your senses at all times. And you’ll find just everything you need on here from smoky vocals to moody elements, via a severe twist of sheer funkiness for good measure. As is expected the first CD plays around with atmosphere’s while building its intensity as the mix progresses. The second disc aims squarely at the dancefloor with productions from Bushwacka and Quivver etc all doing exactly what they were designed for. Undoubtedly a flawless sequence of mind-expanding music. 4
Ralphski & Mike Justice featuring Kristie
‘Together’(Black Vinyl Records)
Having been lifted from the label’s forthcoming ‘Black Vinyl Singles Collection 2007’ this should sit comfortably along summer lines with its breezy song and infectious keyboard hook. Scott Wozniak takes care of the remixes with two great versions, both of which feature an organ chord structure not unlike Jon Cutler’s ‘Its Yours’ and plenty of feel-good factor. Recommended.4
Tiger Stripes
‘Song For Edit’/ ‘Ramus Faber Plays The Marimba’(Nitegrooves)
Sweden’s hottest producer aka Tiger Stripes keeps up the pressure with the warm and decidebly jazzy ‘Song For Edit’ which also features one Kerri Chandler. Its both instrumental and accessible in the best possible way as its combination of cool trumpet and Rhodes chords joyfully explain. Rasmus Faber then plays his part by getting frisky with a Marimba on the following track to explore a more electronic and edgy angle. Both of these productions preview Tiger Stripes eagerly awaited ‘Safari’ long player as this single.4
Wagon Cookin’
‘2Faces’(Compost)
Javier and Luis Garayalde combine their not inconsiderable talents and spread all that emotive energy over two equally striking CD’s, hence the ‘2Faces’ of the title. The first disc displays elements of Jazz, Latin and general funkiness combined with some rather fine songs and a production that always manages to remain fresh while respecting its influences. The music doesn’t fail to excite your expectations along the way either with the second CD taking things a step further with an explosive array of club orientated grooves hitting the mark. In ways this feels like a collection of singles with little filler, in other words just like a good album should be.5
George Morel & Romina Johnson
‘Can’t Let Me Down’(MN2S)
This latest release by one of the UK’s premier House labels has all the right ingredients to satisfy any fan of soulfully orientated dance music. From the intense rhythm section to Romina Johnson’s smoky vocal delivery this has just about everything going for it. Classic organ chords and even a muted trumpet all make their appearance via a savvy dancefloor arrangement which speaks volumes to both body and soul. ‘Morel’s Classic Mix’ is the one with, play me, stamped all over it.4
Jill Scott
‘Hate On Me’(Hidden Beach Recordings)
Another touch of class from the voice behind ‘Golden’ Jill Scott once again tears it up giving her all with this feverish vocal performance. The ‘Original Version’ finds itself in funky heaven while the club remixes from NYC’s Quentin Harris are definitely somewhere up there too. Its safe to say that the ‘Shelter Vocal Mix’ pushes the envelope forward with his trademark combination of cutting edge electronics and soulful sensibilities proving to be irresistible.4
Christian Alvarez
‘Holdin’ On’ (Gossip Records)
More main room madness from Gossip this sees Christian Alvarez deliver some hot filtered action via a repetitive and very funky music loop. The vocal delivers the hook while the twisted horns, smooth Rhodes chords and hi-hat punctuated rhythms do the rest. With three equally fired-up mixes to choose from this should sit comfortably in most DJ’s sets. 4
Fish Go Deep feat. Tracey K
‘The Cure & The Cause’ (Defected Records)
This makes for a hugely refreshing change both as a distinctive vocal and a song, which also just happens to boast six equally impressive interpretations. While Greg Dowling and Shane Johnson’s ‘Original Mix’ undoubtedly sees Tracey K’s endearingly restrained tones utilized to their best ability its down to Dennis Ferrer and Charles Webster to enhance the more creative musical aspects with their remixes. Both of which, and particularly the former, have to be heard to be believed. However, for sheer dancefloor edge it has to be Balearic Soul’s excellent sunshine sounding grooves that do the trick. This could well prove to be one of this summer’s most memorable tunes. 5
Omar
‘Its So’ (Peppermint Jam Recordings)
Yes its that Omar of ‘There’s Nothing Like This’ fame from 1992, and although he’s been making music ever since its with this Bob Sinclair production that readers of this page will be getting more than a little hot under the collar about. Take one ridiculously infectious salsa-based rhythm, add Omar’s commanding soul-searching vocals and with Sinclair’s informed dancefloor sensibility this makes for a totally explosive combination. Plus, with a smokin’ Dub, and Acapella versions this simply can’t fail. If I sound a tad overly excited about this release, take it from me you will be too. 5
Justin Michael featuring Jackie Wilson
‘Funky Love’ (Swank Reordings)
Despite Swank’s previous excellent Deep House Soldiers release this latest production from the label doesn’t have quite the same impact. Although for a safe and familiar dance floor bet you could do a lot worse than the ‘Born To Funk’ mix which supplies a very perky piano build-up. It’s just the vocal that lets everything down a bit, even on the smoothly soulful ‘Macam Dream Dub’ which could have otherwise been rather satisfying. Bring on the Jay-J mixes. 3
Jimpster
‘Square Up’ (Buzzin’ Fly Records)
Freerange Records’ Jamie Odell has come up with something quite spectacular in ‘Square Up’. Having already made its debut on Ben Watt’s classy Vol 3 mix for Buzzin’ Fly this now gets its own fully deserved release on the label. As is the way of the imprints distinctive trademark its all about electronic atmosphere’s, which in this case build beautifully into a colourful climax. This could be easily filed into so many different categories, but lets just say that it’s simply a great piece of music. 4
Julius Papp
‘Chicago Tribute’ (Transport Recordings)
Just in case you needed reminding of what one of Acid House’s ultimate basslines sounded like then here is Julius Papp’s tribute to the notion. You could argue that it would be a better idea to play the original from Kenny ‘Jammin’ Jason’s ‘Can You Dance’ but that’s up to you. However the ‘Dub Mix’ makes fierce work of the drums to provide an unbeatable mixing tool, as does the aptly titled ‘Drum Tools’. 3
Ferry B. & Franco De Mulero
‘Balearico’ (Soulfuric Deep)
This is the pair’s debut for the label and as the title suggests it supplies you with a set of breezy summer feeling grooves. There are a total of five mixes on offer with the sprightly synth stabs and infectious electronic riffs of the ’Ibiza Dub Reprise’ adding that extra edge to the overall production. Good stuff. 3
The Future Sound Of London
‘Teachings From The Electronic Brain (Best Of)’ (EMI Music)
For some unknown reason I haven’t listened to FSOL in a while. Which seems odd as this collection of most of their best bits is nothing short of immediately outstanding. Exploding onto the Dance radar in the early nineties with the unique sounding ‘Papua New Guinea’ Brian Douglas and Gary Cobain have since expanded their soundscapes to include everything from lush to twisted Ambience to Classical and World Music leanings. Each sound of which is represented here and of the total of fifteen tracks I doubt you’ll find fault with any of the selections. 5
Paris Brightledge
‘Searchin’ (USB Records)
At last here’s a record, which doesn’t make you feel embarrassed to admit that – god forbid – you actually like songs. It’s beautifully sung by Paris Brightledge whose emotive delivery and thoughtful words are done justice by Marshall Jefferson’s creative use pumping bass, cutting strings and tasteful piano. An Instrumental is also supplied just in case there was any doubt but either way this is exceptionally good. And I didn’t even have to mention the word soulful once.5
Bliss
‘Bliss EP Part 2’ (King Street Sounds)
And yet more fresh sounding House music to revitalise the parts others can only dream of comes this set of expansive grooves from Bliss. Opening with the jazzy opus ‘EZ One’ which effortlessly combines great guitar playing with a clarinet of all things and some tough drum programming, this proves to be dangerously addictive care of the 2Bremix1 version. As does the tripped-out dub tones of the Talking Heads styled Aura Soma which is guaranteed to leave wide-eyed, delirious and feeling funky. ‘LMI’ then supplies some twisted Techno while the deeper, Original version of ‘EZ One’ finishes you off. 5
Blackjoy
‘Moustache’ (NRK Music)
This latest from Blackjoy will no doubt refresh the parts others fail to reach, not least of all because of Prins Thomas and Franck Roger’s supremely funky reworkings. The former has been around for this past month or so, while Thomas’s fresh take combines juicy Rhodes chords and oddball synths with that vocal demonstrating the essential merits of the moustache! The original La Stache version is also included though I doubt that anyone wont react to any of the equally irresistible rhythms on here. 4
Junior Jack
‘See You Dancin’ (PIAS/ Defected Records)
This is instantly huge, well if you like this sort of Disco thing it is. Based around the vocal refrain from Jerry Butler’s 1977 original of the same name – though I much prefer the Grey And Hanks cover from the following year – this clocks in at over eleven minutes of stamina induced madness. Only the one mix at present but then as this works so well, fair enough. It also comes packed full of great percussion, chords and mixing possibilities with the extended intro and outro. What more could you possibly ask for. 5
Dazzle Drums
‘Nami/ Aso (King Street Sounds)
This Japanese production team delivers two yet more dazzling cuts of House infused grooves for your pleasure. Opening with the electronic feast of Nami, and its heavy synthetically generated rhythms, it pulls no punches with its tough drum programming and intense arrangement which is clearly not for the faint hearted. By pure contrast Aso feels much more serene with the warm pads and haunting piano notes doing all the talking on this captivating instrumental. 4
Dealers Choice
‘Funtime’(3am Recordings)
3am make welcome return to form with this instantly gratifying take on spaced-out Funk. Sounding like all those classic early eighties moments rolled into one this punchy instrumental combines its killer bassline with some fancy drum edits and fuzzy synths to sound big in all the right ways. Try the Original version for that full flavour or indeed any of the other mixes for a twist on the theme. 4
Tyrone Ellis
‘Music In The Air’(Home Recordings)
Home Soul Recordings sister label pulls out all the stops on this deliciously, soulful affair with mixes coming from both Reel Soul and 83 West. ‘Will’s Reelsoul Vocal’ does just that with a deep pulsing rhythm section providing a smooth backing for New Jersey vocalist Tyrone Davis to work his magic on. However, its ‘Martino’s Vocal Dub’ that truly steals the show with his relentless percussion break, moody bassline and keys providing a darker and much more captivating alternative with its selective use of vocal.4
Tarot & Marbach feat. Kasey E.Ryan
‘Simple Things’(Black Vinyl Records)
This is more like it. Black Vinyl does it once again with this seductive second release from Bob Marbach and Taro Fujita. But while all this may be sounding smooth and deep it still very much packs a punch from its pounding kick drum and funky percussion. The stunning thing with ‘Simple Things’ is however the combination of jazzy keys and dreamy vocals with the rhythm to give it its own individual slant. There’s also a great ‘Dub’ version and with an emotive ‘Reprise’ which highlights all that Jazzy energy this proves to be a cut above the rest.4
Kenny Dope Mixes P&P Records
(Suss’d Records)
Following on from last years highly-rated selection of P&P material by Danny Krivit comes this mega-mix by the Dope Man. What’s notable here, apart from the overall quality of the music, is the diverse range of styles that the label covered. From downtempo Rap to uptempo Disco, plus the more soulful sounds of one of the standout cuts here ‘It ain’t no big thing’ by Personal Touch, P&P alongside its distributed imprints really did touch all bases. But back to the beginning and Fly Guy’s spoken party-time word which kicks of the mix that then builds with various nuggets from the likes of Gary Davis, Cloud One and Lanier’s trend-setting ‘25 hours’. Tempos vary, as does the music, but that all makes for a more exciting journey and it being Kenny Dope some of it is mixed, some cut-up, and some is scratched for that all important authentic touch. 5
Subway
‘Satellites EP’(Soul Jazz Records)
Subway follow up their numerical debut ‘44110’ for the label with something even better. The title track ‘Satellites’ sets the tone with an exploration into Giorgio Moroder’s glorious Euro-Disco soundscapes via more than a hint of Kraftwerk etc. Its shimmering syncopated rhythms have been tightly compacted by a driving dance beat and all you need to add to the equation is a Strobe Light. The space theme then continues on ‘Jupiter’ which is not only oddly funky but also strangely hypnotic. Recommended. 4
Dave Storm feat. Simone Moreno
‘Sundance’ (Ceremony Records)
This timely release from Dave Storm will hopefully see the sun shinning for at least the rest of the month to accompany this temptingly hot summer soundtrack. The vocals have a distinctly Balearic flavour while the music remains both funky and unique on the addictive original version, which is also accompanied by a ‘Guitar Ceremony’ and an ‘Instrumental Ceremony’ for good measure. ‘The Spiritchaser Remix’ then sees Richard Earnshaw and Mark Bamford deliver an uplifting mix which doesn’t rely on all the usual tricks but is nothing than short of sublime.
Anthony Nicholson
‘All Over/ Ahh Sabu’ (Need 2 Soul)
Chicago’s Anthony Nicholson’s two outstanding tracks which form this release are a precursor to his forthcoming long player, ‘Life, Rhythm and Lessons’ and if these are anything to go for you’ll want it on your list. ‘Ahh Sabu’ works best with its fiery Latin rhythms and vocal touches backed up by an old school bassline, emotive chords and swirling synths. But that’s not to say ‘All Over’ doesn’t work quite as effectively as the mood music with its funky arrangement and cut-up voices does so captivatingly. 4
Osunlade
‘April’ (Strictly Rhythm)
This is hard to beat with Osunlade’s simply soulful vocals adorning what is undoubtedly a touch of class with this striking combination of evocative lyrics and irresistible tribal rhythms. The ‘Extended Mix’ runs into almost ten minutes and is worth every second, while ‘Afefe Iku’s Mpaka Remix’ takes it deeper with a kick drum free rendition which only goes to highlight the power of the voice. The best track from the album ? Probably. 5
Inaya Day meets Nativeson
‘The Way It Was’ (GoGo Music)
‘Ralf Gum and CrisP’s Way’ mix clocks in at an epic sized eleven and a half minutes and its strength lies in its funky use of electronic sounds and Inaya Day’s brilliantly emotive vocals. Its not quite the typical jazzy and soulful style that we usually cover on this page but none the less this should strike a chord with those feeling soul based music with a definite edge. As GoGo have been releasing some great music over the past number of years I’d recommend you give this a chance too. 4
Zombie Zombie
‘Zombie Zombie EP’ (Versatile Records)
You might think that just two tracks don’t make up an EP but then you haven’t heard these two. Joakim’s devilish version which wins out with its furious bassline lifted straight from the archives on ‘Driving this road until death sets you free’. The beats are fast, as are the weird and twisted selection of sound fx and synth madness but then you wouldn’t want it any other way. Also try the original with its almost brutal industrial soundscapes taking a beating. Yet more invigorating music from Versatile. 4
Tiger Strips
‘Voyage’(King Street Sounds)
I guess the Tiger Strips spacey Techno trademark is something you’re either into or not. But even if it were the later I’d still highly recommend you try out their latest instrumental for size. Because not only does the Original version combine pulsing synthetic rhythms with a funky Guitar lick and Congo most effectively but by also adding classic Giorgio Moroder sequences to the mix it all positively sparkles. The Club Mix then only increases that sense of urgency on a release that’s hard to fault. 4
0 Responses to “DMC Update reviews”