When you activate Play it could mean any number of things when it comes to hearing Brian Eno. Gathered from this his more reflective palate, collating pieces from installations between 1986 to the present day, here it is about the sense of movement. Of time not standing perfectly still as seemingly familiar patterns of sound sheer off, dissipate and disperse in different directions. Yet the upmost important factor is always the most constant one. And that is the emotional resonance emanating from the music itself. And it is always about the music in and of itself. It is also about uncertainty. About human existence. When time comes back into play it does so fused with a gentle nostalgia for memory, yet this music is neither a nostalgic cash-in, nor reviving. It simply is. Beautiful, though-provoking, wondrous paths of exploration that may lead nowhere as they do somewhere. Music For Installations is what you want it to be. You feed your own experience into its formless constructs and the resulting emotions are probably unique to the individual listener. Or, perhaps it just feels that way. Spread across 6 CD’s (or slabs of vinyl) which total as 5:25:02 (plus accompanying book etc) the release seems very much like an occasion to be cherished and remembered. Almost ghost like. Although, devastatingly tuned into mind and body. After all it is easy to say that Eno is our most important composer for decades: future and/ or past.
Or: â€œIf you think of music as a moving, changing form, and painting as a still form, what I’m trying to do is make very still music and paintings that move. I’m trying to find in both of those forms, the space in between the traditional concept of music and the traditional concept of painting.â€ Brian Eno
Release: May 4