The Bass Culture nights at the Rex Club have been running since 1997 which is undoubtedly a big achievement. Why do you think Bass Culture has been such a success for such a long period of time?
Since day one the club gave me freedom and trust to invite the guest djs I wanted. Some were already popular but most of them were unknown (or became famous not long after) I only kept it the formula very simple: Me and 1 guest. So we had time to do longer sets. Most importantly, no matter if they were hot or not I only invited artists which I thought were great djs. And I’m very picky on this subject. So I guess the crowd recognised that along the years.
Your label of the same name is about to celebrate four years in existence with the release of: This is Bass Culture: 4 years of Bass Culture Records mixed by D’Julz. Can you talk us through how you choose the tracks, and how you went about mixing them for the compilation?
It’s important to say that this compilation is not a best off kinda cd. It’s a proper dj mix. So having a great flow was the priority for me. I also chose tracks from the back catalogue which I think were the most timeless and as diverse as I could to reflect all the different shades of the label. Therefore you will find music from the early days of bc, some more recent ones and a few forthcoming tunes. But the key was to have them all making sense together and tell a story.
The album also includes some of your own productions: What U See in Me and Da Madness. Can you describe the process of producing one of the tracks, including any favourite pieces of studio equipment?
What u see in me is my first collaboration with my long time dj friend: Cassy. I had started to work on an instrumental using some of my gear (sh 101, 909, nordlead x2 ) and ablteton when she came to my studio to record her vocals. Then we finished the arrangement together. This track and a second one were pretty much finished in 2 days. They will be part of a ep that will be release this spring on bass culture.
Which artists inspire you most?
Miles Davis, Prince, King Tubby, Steve Reich… and 20 more.
As you started out in the early 90’s what are your thoughts on the current revival of the House sounds from that era, and what are your feelings on the culture of Disco re-edits?
There always been House, Techno and Disco revivals. It’s a cycle. When a new generation arrives they feel the need to discover the roots of electronic music. Later, generally a new trendy sound emerge and most of the time quickly fades away. It’s only the foundations that last.
What is the House Music scene like in Paris at the moment? Are there any places you would recommend?
It’s never been as good as now. Seriously I wouldn’tÂ have imagined of somzthing like this to happen. New clubs are opening every month with programming that is as strong than what you can find in London or Berlin.
The Rex as never been as strong as today and there is also amazing new venues like Concrete, le Zig Zag , le Badaboum, la MachineÂ and lots of warehouse parties.
What are you looking forward to most in 2014?
I have some very strong new releases scheduled on bass culture including my ep with Cassy. I also have a new single coming out in the summer on Robsoul. Plus 2 different collaborations I started with Phil Weeks and Frank Roger. So 2014 will be a busy studio year for sure.