Single of the Week
Luke May & Paul Sidoli aka the Monday Club are the perfect partnership to deliver what is essentially excellent Acid House with a vaguely contemporary twist – and that’s just fine by me. The title track obviously combines feverish Acid loops along with punchy drum machines and current production values that sequence fresh synthesisers lines together with the tried and tested. Luke Solomon then proceeds to extend the pleasure somewhat further across almost thirteen minutes of suitable craziness playing commanding Organ hits against shuffling percussion and gritty bass. Footprints is next with addictive vocals again riding the Acid intensity this time accompanied by moody pads and if anything feels even hotter than the title track. The deeper and sleazier Girls Jackin ends on immoral high with irresistible basslines plus adventurous vocals telling it like it is (or could be).
Release: March 16
This great new release from Larry Cadge only gets better with the addition of the stunning animated video (see below). You can hear echoes of the timeless Manuel Gottsching plus Adeva in here as the excellent production delivers pounding beats amid more subtle touches lending the arrangement an enticing, hypnotic feel.
Another first rate release from this Moscow based label which again succeeds in blending a sense of individually alongside the most engaging music. First thing to be said of Trust Me is that it’s low-slung nature appeals very much to the horizontal with captivating drum rhythms combining with smoky, cool vocals producing an almost melancholy though tempting arrangement of words and sounds. Lost, is next and gets darker with moodier basslines plus background synth lines, leaving Fly to retain the tempo although this time adds more energy to the vocal that sits neatly alongside funky guitar licks.
Release: March 3 (Beatport)
In My Boots (Remixes)
This is GREAT. Not only because I loved the original’s Hi-Energy fun and cheeky words but because this new set of remixes simply develop and continue the theme. First and foremost is the WhateverWhatever Remix by Justin Strauss and Bryan Mette which delivers deliciously dark basslines, swirling synthesisers and heavy drums that set the vocal touches on fire on what is undoutbaly the standout version. Josh Druckman’s funky cowbell driven Outlier Inn Remix follows with a more playful groove that hits party central hard, as indeed does the self-explanatory Disco Edit of the original. Bartellow’s more up-tempo version ends.
Release: March 9
The original release.