reviews:41

Simon Baker
Osaka Nights EP
Leftroom Ltd

Human Mystery kicks off this excellent release from Leftroom by combining ultra-funky breaks with an uber squelchy bassline that does little else bar rock. There are subtleties in the production too as the arrangement ultimately develops into a shuffling electro groove with atmospheric synth lines lending this a distinctly unique quality. Pezzner provides the remix by way of an alternative b-line that feels tastefully dark alongside the f***ked up voices and sizzling hi-hats. Next, Pick Em Up engages in self-fulfilling prophecy with twisted vocals and pounding rhythms feeling funky and industrial, and this again develops the theme into some creative surprises. The title track proceeds to get marginally deeper with classic House bass and energetic percussion firing it all up, as Pezzner’s second remix relies on chopped up keys and moody pads to provide another oblique angle. 9

release: 26 March

http://soundcloud.com/leftroom/sets/simon-baker-osaka-nights-ep

http://www.leftroom.com/

 

Willie Graff  & Tuccillo
Phonomontage EP
Freerange Records

Time for the third EP from Willie Graff  & Tuccillo for Freerange and it will come as no surprise that this again pushes all the right buttons. Set Me Free kicks off as they mean to go on by replaying a classic Disco loop, this time it’s pitched to mid-tempo, which is then excitedly filtered leaving the vocal to repeat into ecstasy against a notably rasping bass. Get It On speeds up for dancefloor action with another familiar sample reworked over sassy percussion and punctuated snares. Lunar Feelings completes with, as the title would suggest, the most intriguing cut from the EP blending pulsating organ chords together with funky rhythms and sumptuous atmospheres, which it has to be said conjure up a treat. 8

release: vinyl 26 March/ digital 30 April

http://www.freerangerecords.co.uk/

 

Angus Jefford
Bumpin EP
Say Ahh Records

Manchester-based producer Angus Jefford once again strikes the thoughtful balance between classic and contemporary sounds that artistically reference the past without boring you to death by it. Which is a roundabout way of saying his latest production for MK/ Scottie Deep’s Say Ahh is a killer. I love all the influences and the way they are shaping music right now, but also how the sounds are progressed and twisted into today. Both versions of Bumpin’ lay testament to that with pulsating organ bass notes and deep beats feeling very addictive peaking at an incendiary breakdown. Fever Fever follows sounding fresh with invigorating electronics, leaving The Culture to finish by playing splashing hats against heavy-duty basslines and simmering keys, all of which is best described as explosive. More please. 9

release: 26 March

http://soundcloud.com/angusjefford/sets/angus-jefford-bumpin-ep-say/

http://www.sayahhrecords.com/Say_Ahh%21_Records.html

 

Darabi & Tim Paris
Various Items 2
Items And Things

Berlin based Items And Things forge ahead with another striking release which sees both Darabi and Tim Paris deliver tracks on the labels thirteenth release. The former has, Player setting sinister voices against a hypnotic backdrop of robotic beats and dark bass. The later gives you, Too Close with Sex Judas. Which feels delightfully sleazy over Chicago inspired sounds that reward all that European influence by joining the dots between the 80’s and now.  You’ve got to love it. 9

release: 16 March

http://soundcloud.com/itemsandthings/sets/darabi-tim-paris-various-items/

http://www.iheartitems.com/

 

The Headhunters
Survival Of The Fittest/ Straight From The Gate
R2 Records

Don’t you just love re-issues. Leaving the vinyl vs. digital debate aside this series from R2 Records is something to get very excited about as past classics are re-mastered and repackaged for 2012, and beyond. But most importantly of course is the music and what finer way to start than with two gems from The Headhunters. Their first without Herbie Hancock (whose seminal debut is still seminal, although produced by him) opens with God Make Me Funky and continues the journey that began to explore the possibilities of Jazz/ Funk fusion.  The follow-up, Straight From The Gate proceeds as the series releases two albums from each artist and if anything gets all the more cosmic in scope by reaching for the edges that bands like Steely Dan also gravitated towards. Dexterity is always assured whatever your preference may be and both these albums could no doubt be described as essential in any language.  9

release: 20 March

http://www.r2records.com/classics-series/


 

 

 

 

 

 

 

 

 

 

Thelma Jones
Thelma Jones
Big Break Records/ Sony Music

Released just over ten years after her first single, The House That Jack Built (also sung by Aretha Franklin) Thelma Jones’ debut album features a few well known covers such as I Second That Emotion and Now That We’ve Found Love. While undoubtedly possessing a beautiful voice the music feels a touch too middle of the road at times – though I guess that may depend on how adult you feel. Although, on How Long the sheer emotion of the vocal delivery and accompanying mid-tempo groove combine to perfection, and the album is worth buying for this experience alone. In a similar vein is the Brad Shapiro produced You’re A Song (That I Can’t Stop Singing) with its timely soulful melodies and generated sense of longing that couldn’t feel more personal. 9

http://www.cherryred.co.uk/

 

 

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Reviews:21

 

Angus Jefford
‘Moves Revived’
Kaluki Musik

If House Music wasn’t alive and kicking in 2011 then you wouldn’t have records like this being produced. Title track, Moves Revived has the sort of Kick drum sound systems are tested by with its heavy-duty beat and hypnotic voices setting you up for an array of aurally assaulting acid bass and rapid-fire snares. Flex feels sparser with prickly organ notes and insistent vocals leaving room for the Ellesse & Jacob Who remix to trip it out with electro toms and impressively moody sounds. Juan Kidd revisits Moves although this time adds bonus intensity care of delicious bass and excellent oddball keyboard combinations. All night long…  9

release: 8 Nov 2011

http://www.juno.co.uk/ppps/products/1843354-02.htm

                                              

Oliver Huntemann
‘Paranoia’
Ideal Audio

What is inescapable on Oliver Huntemann’s fourth studio album is the sheer breadth of technology and alongside co-producer Andre Winter the skill with which it has been engaged. Never afraid to tweak the elements that one stage further to produce a desired effect, such as on the devilish electronics of Delirium one moment, sounds are then replayed in a different vein the next with Robert Owens robustly intoning on Hope. In between the experience ranges from fierce electronica you can dance too – albeit horizontally challenged – to moodier classically inclined soundtracks which traverse the light fantastic succulently as on the finale, The End. 7

release: 2 Nov 2011

http://www.juno.co.uk/ppps/products/1849196-02.htm

 

Ivan Garci
‘El Sonido Del Mar e.p’
Epoque Music Label

I like the way the music engages you on this release even when played at a low volume. That’s to do with the almost gentle though somewhat melancholy feel to the Original version which plays easy going keys off relaxed percussion and atmospheric synths to, it has to be said, pleasing effect. The John Dare mix turns up the volume with pacier drums and tighter bassline though retains the delicate sprinkling of piano, while the SoulDeep Inc version lifts to the next level with a stronger rhythm section providing extra energy and a welcome touch of Latin swing. 7

release: 1 Nov 2011 (Beatport)

http://www.beatport.com/#release/el-sonido-del-mar-ep/823754

 

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