Nadja Lind (Lucidflow Records) Q&A

Welcome to Magazine Sixty, Nadja. Let’s start by asking about the beginning of Lucidflow Records back in 2009. What was the original idea behind the label and how would you say it has evolved since then – what sorts of things have changed in terms of the business of running a label?

Thank you for having me. I started Lucidflow together with my best friend Helmut in 2009 in order to have a platform for our own music in the first place and from there it’s developed to being a presentation for other artists from high renown like Silicone Soul, Brendon Moeller, Steve Rachmad aka STERAC, Funk D’Void to very talented new and upcoming artists.

You are celebrating the labels tenth year anniversary with the release of the: 10 Years Lucidflow Vinyl. What words best describe the sound of Lucidflow and which are the most important elements you look for when signing a track to the label?

Quality, deep, complex, driving, timeless, dope…

buy https://www.deejay.de/Various_Tenth_Anniversary_EP_VLF010_Vinyl__355131

The EP a number of your own and co-produced tracks. Can you talk us through the process of how you produced the beautifully deep: Weltenwandler? And what pieces of software/ hardware do you always like to refer to when producing?

The process is the following: First we do a short energy clearing session e.g. Ho’oponopono & EFT. We synchronise our DAWs via LAN cable, routed through the Scope XciTE Soundcard Mastering unit to the Soundcraft Si Impact mixer. Including all our gear we chose for a particular session. In case of ‘Weltenwandler’ I used the Korg Minilogue & Omnisphere 2.6 (with its wonderful HW control. Thank you Eric Persing and all involved at Spectrasonics!), StylusRMX, Native Instruments Guitar Rig 5, some filter & effect chains, Push Controller, and Helmut used Moog Subsequent 37, Omnisphere 2.6, Keyscape, and what not…

First we agreed on the title ‘Weltenwandler’ which is a new approach. In the past we usually thought about the title after the music was final.
Then we jammed around looking for sounds and atmospheres that would fit the title in Ableton session view and clean the frequencies with e.g. FabFilter ProQ. When we had all sounds ready we start recording the track in Ableton arrangement view as we want it to be in it’s final version.

This usually only takes one take since we’ve been producing together for over 12 years. I guess that’s the main reason why Klartraum tracks sound so organic and unique. The mastering is always being carried out on the fly by Helmut.

The artwork for Lucidflow always looks stunning. Can you tell us who is behind it?

Thank you! I’ve been creating them. I like taking heaps of pictures everywhere I go and use them to create the artwork. In addition the Lucidflow spheric ball are objects we create in Cheetah3D.

Besides producing the more Club orientated sounds you also create Ambient music. What influenced your passion for this particular style? And what do you feel can be said through this medium that perhaps cannot by beats and basslines?

Yes, I’ve been creating Ambient with underlying binaural frequencies since 2011 naming it ‘Turning in’ series.

Initially I started creating them for myself to help me cope with stress such as flights, odd time zones, in between hotels, clubs and airports.
Since I’ve always been interested in neuroscience, brain plasticity and neuro hacks I came across the power of brain entrainment and wanted to check it out. In order to be 100% sure what’s inside the binaural track I started creating the binaural frequencies myself without using any readymade tools. They do by the way! In the ambient drone music I also use a lot of my ambience recordings I’ve been taking on all my trips e.g. Masai Mara in Kenya to give them an additional flavour and vastness.
What this music conveys? It leads me into completely different dimensions. It calms me down, slows down the sympathetic nervous system and therefore activates the parasympathetic ventral vagus nervous which immediately relieves stress and anxiety, helps dealing with sleeping disorders, sleep deprivation, PTSD, chronic pain. It’s a true gem and I am very grateful for this music. So many people are writing me how grateful they are and what the Turing In drones do for them. I would not have believed the impact of this music when I started producing these kind of sounds.

They will even be available on vinyl on a superb ambient label Astral Industries (London) where such brilliant artists like Echochord, Wolfgang Voigt…are
I recently started creating epic ambient as Klartraum as well. Look out for Ambient Attitude(s) from June on. Pretty mind-blowing stuff!
I want to take this opportunity to say to my fans and ambient friends how grateful I am for your support and feedback. This means a lot to me and keeps on motivating me creating new material. Thank you!

What is your favourite musical instrument? Do you own one?

My musical instrument is my whole studio-verse where I am lucky to have all the instruments and more I possibly want.

Where do you see Dance Music culture ending up in ten years’ time – any positive/ negative predictions?

I imagine a 3D wireless surround engine/controller where a bunch of friends can sit together and create their music of the day/evening via a VR studio on the fly inviting their favourite holographic idols to the jam session. Imagine you could sit in the middle of your living room jamming around with your friends and Jimi Hendrix! It is going to be FUN!

Outside of the world of electronic music where do you find inspiration? Are there any favourite writers, artists etc?

What’s been inspiring me a lot is the topic of neuroscience, energy medicine, quantum reality, quantum psychology, yoga, meditation, holistic medicine and so on. I’ve been working out on a daily basis. I love my little beautiful roof terrace/garden where I plant as many flowers and herbs as can possibly fit in and I care a lot for animals e.g. I don’t eat meat or dairy. I feed/water the little birds and insects every day (esp. in winter when everything is frozen I put fresh water out every day in order for the birds to drink). Meeting other empathic souls who care for our environment and see the bigger picture inspires me and touches me big time.

In addition I started a project ‘Holistic Kit – smart tools to renew yourself’ together with my best friend Julia where we individually guide people who are interested in quickly releasing stress, chronic pain, enhancing their productivity and finding their personal way of meditation, yoga, workout and transformation.

Heroes who inspire me are Sadhguru, Dr. Stephen Wolinsky, Dr. Gabor Maté, Dr. David Brownstein, Hal & Sidra Stone, Dr. Ihaleakala Hew Len, Thomas Hübl, Dr. Peter Levine, Dr. Alice Miller, Alan Watts, Nisagadatta Maharaj, Rüdiger & Anette Nehberg, Nile Rogers, Moby (because he’s an advocate for animals), Alida Gundlach, Dr. Joe Dispenza, Jean Houston, Tim Ferris to name just a few.

And finally. How would you describe the experience of DJ’ing in 2019 and where can people hear you play next?

I’d describe it as a Lucidflow experience of resonance and connection.
At Burning Man.

Thanks to all our fantastic and incredible fans and artists for have been supporting Lucidflow for all these years! I am very moved by your support, comments and feedbacks. You making a difference!
Thank you Magazine Sixty for the inspiring interview!

Klartraum
http://www.klartraum-music.com
https://soundcloud.com/klartraum
https://www.facebook.com/klartraumberlin/
https://www.residentadvisor.net/dj/klartraum
https://www.discogs.com/artist/696753-Klartraum

Lucidflow Records
http://lucidflow-records.com/
https://soundcloud.com/lucidflow
https://www.facebook.com/lucidflow/
https://lucidflow.bandcamp.com/
https://www.residentadvisor.net/record-label.aspx?id=3281
https://www.discogs.com/label/284900-Lucidflow

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Brendon Moeller – Set In Motion EP – Echo Echo

There’s something spectacularly captivating about Brendon Moeller’s self-defining title track that almost escapes description. Something about a brutal intensity that is richly rewarding as repeating layers of grainy sound overlap and underpin each other’s role in the arrangement, with thumping kick drums and understated percussion creating an involving sense of unease. If that all sounds a bit bleak, it isn’t. The warmer climes of Eastern Beach unfold next with a lighter touch sequencing gentle pads and a more blissful signature across rolling drums. Leaving the possibly topical, Economy to end with more in the way of tough rhythms and snarling stabs creating their own and very distinct impression.

Release: September 7

https://www.facebook.com/brendonmoeller.beatpharmacy.echologist
http://www.echocord.com

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