SEFF – Needle To The Groove – Hottrax

What I love here is that this says it all. It’s a mad, crazy combination of ideas that all at once fuel the psyche with excitement and the need to play at full volume. At first the furious basslines and chiming keys may seem like that’s all there is but behind all that bumping intensity is a rich array of possibilities rushing forward from hot breakbeats to heavenly vocal ambience. This is an excellent, forward-thinking production. And you’re going to love it. Next is Burnski’s new alias James Solace who takes a breath while highlighting and then transforming Needle To The Groove into a more progressive, cosmically charged epic. What more could you ask for?

Release: June 15
https://www.facebook.com/SEFFOfficial
https://www.facebook.com/hottraxlabel

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Tomoki Tamura Q&A (HOLIC TRAX)

Can you tell us about how you first got into Dance music and your memories of the scene in Japan at that time?

holicI  grow up with Underground US House in Osaka, that time there was strong culture of this kind of house music there. At that time I was working & Dj’ing at small underground club which was called “Club Flatt”, I met a lot of great & beautiful people there. I was very lucky to see & share the decks with a lot of great names such us Larry Heard, Ron Trent, Jovonn, Theo Parish, Moodyman, Francois K, Joe Claussell there. That time was one of the most important time for my DJ Career.

How would you compare arriving in London in 2004 to what clubbing is like now in 2014?

When I arrived in London, there were more clubs and no many warehouse parties then. Now people like to go to secret venue or private party ,it is also great vibe but I hope more great new clubs are coming up and more nice people come to clubs too!

You launched Holic Trax in 2012 with Mr.G’s ‘Danceholic’s EP’. How would you describe the development of the label musically, alongside its ethos, since then?

I sometime try to not think too much about music style of holic trax. Some of my mate has told me that direction of record label should be more organic, you go where you feel, I think it is great answer.  We do not need to follow the hype, maybe one day the hype will catch what we doing LOL.

https://soundcloud.com/holic-1/ht-001-mr-g-danceholics-ep

The label’s latest release is from Sierra Sam ‘Sage EP’ containing a remix by you. Can you talk us through the process of how you produced the remix?

Sierra Sam’s studio is 1 min from my house so super easy to pop there and he has a lot of great hard gears. We played & enjoyed with these machine together and I brought back this project to my studio to edit & some more work. Just it, pretty simple process. He is lovely guy so I am comfortable when I am at his studio, I think it is one of the most important thing for collaboration.

What do you look for when you sign a track to the label? Does it matter whether the artist has a profile or not?

No matter if they have a profile or not. Nice groove on beats, dope bass line & emotional melody on the top, just it! Be simple.
One thing I could say is I prefer unique sounds than perfect quality sounds.

hol2How would you describe living in Berlin?

I think Berlin is not big city like London or Tokyo but each people and culture is very unique & friendly.
I could say this city is very underground which means they have got own style and do not mind the fashion a lot.
You still see many of funny looking guys around my house lol

Can you tell us about your project with Tuccillo: Doublet, and any forthcoming plans?

We are very good friend and always having fun at studio, also both of us has good old House music behind our history, this is Doublet. We are exciting about our forthcoming plans for next year,so many bombs are ready to go. I am sure you will love these music, wait for 2015!

Where can people hear you play in the coming months?

I will come to play in London for NYE and also you can catch me in ITALY,BERLIN,JAPAN etc… See you then!

NYE https://www.facebook.com/events/716269235128198/?ref=ts&fref=ts

nye

 

 

 

 

 

http://www.holictrax.com
https://www.facebook.com/HolicTRAX
https://twitter.com/HolicTrax
https://www.facebook.com/TomokiTamuraOfficial
http://www.mixcloud.com/djtomokitamura

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reviews:67

Mic Newman & Garry Todd
The Shelter EP
Illusion Recordings

Inspired by the legendary New York club the ep’s title track will transport you right back to the early nineties days of heady organ riffs and swinging drums rhythms. If you fancy the sound of that then The Shelter pushes all those buttons with chopped-up vocals and high pitched strings holding the tension, along with Acid twists and abrasive beats. Sex, Drugs & Sausage Rolls, meanwhile dispenses with the past with a more in tune reading of the present exploring hot, tribal rhythms and fizzy electronics to perfection, with an impressive deeper remix coming from Tom Craven & James Cotterill. Next, Swing Down featuring Garry Todd solo reinvigorates the tempo with an impassioned Soul vocal blazing across more shuffling hi-hats and brash snares. Burnski provides a killer remix with funkier bass and building loops driving headlong into oblivion à la DJ Pierre. The Penny Farthing Dairies is the final track from the pair this time utilising Acid notes and spaced-aged electronics to complete what is a first rate EP.

http://www.juno.co.uk/ppps/products/468467-01.htm

www.soundcloud.com/illusionrecordings

www.soundcloud.com/mic-newman

www.soundcloud.com/garry-todd

www.soundcloud.com/burnskipower

www.soundcloud.com/tomcraven-illusion

 

Hey, Rube!
Can You Hear Me Mutha?
Steel Tiger

The mere fact of a collaboration between Cabaret Voltaire’s Stephen Mallinder and Fila Brazillia’s Steve Cobby should speak volumes in itself. The music certainly does, especially when played Loud.  And it should also come as little surprise that the two names involved infuse their music with a hugely diverse set of influences, from industrial noise to Dub, to Afro-funk and Jazzy beyond. After all, Cabaret Voltaire where one of the UK’s chief instigators of electronic music from the late seventies, while Filla Brazillia carried the flag on into the 90’s and the 00’s. The album opens with the abrasive dancefloor orientated Rob A Bank Rob but also quickly plays with tempo, mood and warmth on proceeding tracks such as Scissormouth. In fact the albums diversity is its strength, plus of course the ingenious use of sound and production that clearly set Can You Hear Me Mutha?…apart.

http://www.kudosrecords.co.uk/release/ST013/Hey_Rube_Can_You_Hear_Me_Mutha_.html

http://soundcloud.com/heyrube

http://www.kamikazeepeloton.com/

https://www.facebook.com/HeyRubys

https://twitter.com/stephenmal

https://twitter.com/sjcobby

http://www.steeltiger.co.uk/artists/heyrube.php

 

David Shaw and The Beat
So It Goes
Her Majestys Ship

David Shaw’s ‘So It Goes’ blends together varying moments and joy and pain through the medium of his own infectious brand of electro-pop/ funk. Which, is by no means a negative term as the music balances upon a delicate edge, laced with dramatic tension and underlying moodiness. It’s as much about the vocals icy cool as it is about the hooky synthesiser riffs, which on the excellent No More White Horses and the acoustic strumming Single Serving Friend are irresistible. Released on his own imprint the album also boasts a cover The The  ‘Infected’ and ends on a ten minute exploration of the title that clashes ideas together from Giorgio Moroder to Depeche Mode, and is worth every second.
 
release: October 29

http://soundcloud.com/davidshawmusic/david-shaw-album-preview/s-CirLH

http://www.hmsrecords.com/

https://www.facebook.com/DavidShawAndTheBeat

https://twitter.com/davidshawmusic

 

Bluford Duck
Eye See
Savoir Faire Musique

One of the most captivating productions this week comes from Bluford Duck, who follows up ‘Wait’ (released on Noir Music) with this hypnotic journey into repetition. Built around a juicy bassline, fleeting vocals and crisp drums this has a certain melancholy quality which is hard to pin down, but which defies the logic by sounding heavenly. Patrick Podage & Nikola Kotevski’s remix replays the elements adding extra punch, leaving Jesus Pablo’s tinkling piano and his remix with Adam Brass to give the track yet another texture via the choice of classic chords.

release: October 29

http://soundcloud.com/blufordduck/eyesee

http://blufordduck.co.uk/

www.facebook.com/blufordduck

www.twitter.com/blufordduck

 

First Choice
Delusions
Salsoul Records/ bbr

You could say that they don’t make them like this anymore. You would right too. But, if they did then surely it would merely be nostalgic, indulging in retrospection and so on and on…
The point is of course that it was made in the first place and without music like this the world would be all the duller for it. Delusions, was released in 1977 and the sheer strength of the vocals and music has stood the test of durability from the then to now. It’s worth saying that these timely re-releases from bbr should be essential editions to add to your CD collection, either to inform you, or to relish. It’s all in the way that the vocals weave their sensual spell across the often sublime playing, often reaching exhilaration on moments such as Dr. Love and Let No Man Put Asunder – both replayed and sampled over the course of the nineties, and will no doubt provide yet more inspiration for this new generation. Also of note is their cover of Stevie Wonder’s Love Having You Around, plus that the various 12” remixes from the likes of Tom Moulton and Frankie Knuckles are included too to give you perspective. Produced by Baker-Harris-Young this couldn’t sound any better, or indeed any more vibrant. The sleeve notes will tell you the full story behind the headline, but for now try the links below and surprise yourself…

http://www.cherryred.co.uk/bigbreak.asp

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