Reviews: 171

Sebastien Bouchet
Sailor EP
Omnidisc Swim Series

Label head Danny Daze begins the Omnidisc Swim Series with this release from amazing French producer, Sebastien Bouchet. And happy to say it’s rather excellent. Take ‘Sailor’ which begins the EP in earnest with the sort of unfussy groove that proves to be hyper funky as uncomplicated, sassy percussion and bass notes produce magic in succession. Next, Jeff Goes Riot again hits you with heavy-duty basslines this time over nagging synth lines as ice-cool vocals feed off occasional warm chords. Etna, then feels fused with electricity as soaring synthesizers prove bright and seductively breezy over commanding electro beats. The atmospherically charged Pacific Seb ends on moodier notes which are by no means any less rewarding on what has to be said again is an excellent EP. Next please.

Zombie Zombie
Slow Futur
Versatile

By way of an explanation: ‘Slow Futur features two jugglers (Elsa Guérin and Martin Palisse) on a treadmill (8 x 2m) which carries them along a neon light installation which delimits the choreographic space as a kind of space-time tunnel: the hyperspace.’ Lifted from the performance of the same name are these four tracks from Zombie Zombie aka Cosmic Neman, Etienne Jaumet, Dr Schonberg which not only highlights the labels inquisitive nature but also the musician’s creative impulses. Hyperespace, starts the exploration with organic feeling machines producing an enthralling blur of sounds accompanied by the demanding beat of drums. The excellent, futuristic strains of Extra Life proceed via pumped-up rhythms next, while the title track then eases down into a different trance. Finally, the brilliant Blue Screen ventures into ambient territory albeit a darker one with haunting sights and sounds completing a great release.

Release: Vinyl & CD April. Digital May 2016

“Slow futur” – Version courte from CIRQUE BANG BANG on Vimeo.

artworks-000159938309-yelb3p-t500x500Audiojack
All By Mouth
20/20 Vision

Richard Burkinshaw and Jamies Rial aka Audiojack deliver this creatively intense set of three productions for their long standing residence at 2020. Which thankfully for us sees the duo in a more playful mood with the mind expanding Fluent opening proceedings via a pulsating, uber-cool funkiness which is not only thinking forward but very definitely hypnotic in the process. Stutter, then tears at the envelope with more energy injected into its insistent hi-hats, accompanying syncopated bassline plus off the wall vocal edits. Leaving the aptly titled Vowels to continue the theme by twisted the French language around darker flavoured drums and their sparse arrangement to produce yet another intriguing sequence of ideas.

Release: May 9

https://www.facebook.com/audiojackmusic

http://2020visionrecordings.tumblr.com

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Reviews:117

I-Robots present Klein & M.B.O.
Last Call
Opilec Music

The next vital release from Opilec is set to be released on this year’s Record Store Day. And if you aren’t already familiar with the heavily influential Klein & M.B.O from the notorious 80’s then here’s your chance to hear just why they were and still are. Appearing as the European Connection Unreleased Instrumental the number bears all the hallmarks of what was to happen next with Dance music with its shimmering bassline and electronics offset by breezy guitar and drum sounds all set to four on the floor. I-Robots provide two new versions that wash the arrangement in swathes of atmospheric synths, while Chicago stalwart Gene Hunt retains more of the originals playful feel with his two takes featuring the glorious syncopated b-lines in full. DJ Skull proceeds to loop it into distraction, leaving Headman aka Robi Insinna to deliver another killer blow maintaining all the Electro/ Italo Disco reference points succinctly.

release: Vinyl April 21/ Digital May 12

https://www.facebook.com/pages/I-ROBOTS/51899406997

Forty Fings Dynamo
615EP
La Dame Noir Records

The new side project from Adrien (one half of Villanova) and Emmanuel aka Solofour kicks off in fine style with the EP’s title track. It’s all about the B-line here (again) with this euro-disco infused nugget sounding supreme chugging away alongside crisp beats and breathy spoken words, all proving dangerously addictive. My Favorite Robot deliver their own version complete with Electro drums aided by a more caustic bass and unsettling synths lending the vocal an altogether more disturbing twist – lovely. Excuse Me is next with more Acid/ Nu-Beat styled rhythms for your delectation with Alejandro Paz’s heavily treated remix providing an interesting alternative. All in all, a fine release of music.

release: April 21

https://www.facebook.com/fortyfingsdynamo
http://ladamenoir.fr

Murk
Dark Beat (Addicted To Drums)
Murk

The title says it all really. Although originally released back in 2003 Dark Beat still retains its distinctive twisted drumming, though drops the melody of the vocal in favour of darker edits. Updated by Danny Daze with tribal pulsating, abrasive beats coupled with moody swirls of synth this feels every bit as hard, heavy and captivating, in either of the two new versions available here as way back then.

http://murkrecords.com

https://soundcloud.com/dannydaze/murk-ft-oba-frank-lords-dark

orrinOrinn
A Man Was Had
Restless Soul

Great new release from Restless Soul with Orinn’s neat fusion of influences sounding just great here. Centred around a tastefully soulful vocal delivery, plus a melodic sprinkling of synth tones and Tom Tom Club like keys, this shines centre-stage with a determined funkiness that has sunshine blazing all over it.

Out now: https://www.traxsource.com/title/302225/a-man-was-had

Dillion
The Unknown
BPitch Control

Dillion’s second album is a rather stunning affair. Opening with its title track, The Unknown the playlist proceeds to ignite your senses via the sometimes challenging array of emotions on display. From melancholy to melodic delicate vocals float their way across poignant piano and electronic sounds producing music that, is mercifully, hard to categorize yet so obviously mesmerizing. Beautifully produced – I wonder how Brian Eno would compliment it – it’s hard to pick out a favourite track. However, in one sense this is all about the resulting ambience created in your own space. The words contain a certain poetic justice delivering a sting in their tail, just as the music does.

http://www.dillon-music.com

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