I-Robots present Klein & M.B.O.
The next vital release from Opilec is set to be released on this year’s Record Store Day. And if you aren’t already familiar with the heavily influential Klein & M.B.O from the notorious 80’s then here’s your chance to hear just why they were and still are. Appearing as the European Connection Unreleased Instrumental the number bears all the hallmarks of what was to happen next with Dance music with its shimmering bassline and electronics offset by breezy guitar and drum sounds all set to four on the floor. I-Robots provide two new versions that wash the arrangement in swathes of atmospheric synths, while Chicago stalwart Gene Hunt retains more of the originals playful feel with his two takes featuring the glorious syncopated b-lines in full. DJ Skull proceeds to loop it into distraction, leaving Headman aka Robi Insinna to deliver another killer blow maintaining all the Electro/ Italo Disco reference points succinctly.
release: Vinyl April 21/ Digital May 12
Forty Fings Dynamo
La Dame Noir Records
The new side project from Adrien (one half of Villanova) and Emmanuel aka Solofour kicks off in fine style with the EP’s title track. It’s all about the B-line here (again) with this euro-disco infused nugget sounding supreme chugging away alongside crisp beats and breathy spoken words, all proving dangerously addictive. My Favorite Robot deliver their own version complete with Electro drums aided by a more caustic bass and unsettling synths lending the vocal an altogether more disturbing twist – lovely. Excuse Me is next with more Acid/ Nu-Beat styled rhythms for your delectation with Alejandro Paz’s heavily treated remix providing an interesting alternative. All in all, a fine release of music.
release: April 21
Dark Beat (Addicted To Drums)
The title says it all really. Although originally released back in 2003 Dark Beat still retains its distinctive twisted drumming, though drops the melody of the vocal in favour of darker edits. Updated by Danny Daze with tribal pulsating, abrasive beats coupled with moody swirls of synth this feels every bit as hard, heavy and captivating, in either of the two new versions available here as way back then.
Great new release from Restless Soul with Orinn’s neat fusion of influences sounding just great here. Centred around a tastefully soulful vocal delivery, plus a melodic sprinkling of synth tones and Tom Tom Club like keys, this shines centre-stage with a determined funkiness that has sunshine blazing all over it.
Dillion’s second album is a rather stunning affair. Opening with its title track, The Unknown the playlist proceeds to ignite your senses via the sometimes challenging array of emotions on display. From melancholy to melodic delicate vocals float their way across poignant piano and electronic sounds producing music that, is mercifully, hard to categorize yet so obviously mesmerizing. Beautifully produced – I wonder how Brian Eno would compliment it – it’s hard to pick out a favourite track. However, in one sense this is all about the resulting ambience created in your own space. The words contain a certain poetic justice delivering a sting in their tail, just as the music does.