Yet more marvellous music from the Edible camp. Hard to neatly categorise as ever – good! – yet so obviously producing dancefloor damage in their wake are these latest from Melé. The geographical giveaway is located via Scouse Afrika which blends fiery percussion together with classically camp vocal hits and all hell is let loose. Sleepless, follows with an oddball fusion of punchy rhythms, insistent voices and pulverising attitude. All of which provides seriously compelling listening plus dancing, of course.
The sixth release on his own imprint sees the man get busy reinvigorating the possibilities across the dancefloor with this typically high-octane arrangement of craziness. Typically you’re never quite sure what is about to be unleashed from Edible which is of course a large part of the charm. Girl Power, features two tracks that for once aren’t included in the releases title with the unforgiving Rita’s E demanding to be taken higher against a backdrop of fiery beats, chugging basslines and fizzy keys. The equally pounding, Veronica Electronica proceeds via pounding tribal styled rhythms shaking their thing vigorously behind a succession of stereo enhanced words. What’s not to love!
There is something delightfully melodic about the way Re-Set develops its loosely structured chords alongside vocalist Pete Josef’s emotive delivery which hints at melancholy and joy all at the same time. An intriguing recipe for sure and the more you listen to this the more impressive and involving it reveals itself to be. It is also the first in a run-up to the release of an album later in 2013 so hopefully there is much more like this in store. The drums sit neatly along classic Electro lines as evocative keyboards add a juicy funk to the rhythm which feels inspired and tastefully accessible, yet clearly forward reaching in scope. The remix comes care of Berliner Hannes Fischer who transforms the song along technological lines with reverberating vocal treatments adding extra, soulful warmth to the haunting synthesizer lines which colour the spaces in-between sublimely on this stunning reworking.
A Midnight Tale (Part 1)
Like kick-ass basslines? Then Costa Ricas’ Mobius Strum has just the ticket in White Disorder. Beginning with unsuspecting beats this then all too quickly announces itself via a succession irresistibly hard-hitting deeper tones. Not a lot else goes on apart from some vocal snippets and the odd sprinkle of atmospheric synth, but then when the rhythm section sizzles with such intensity little else is required. Next, Ocean View proceeds with funkier percussion played out over throbbing bass and occasional chords, again capturing the mood perfectly alongside your attention span. The direct thinking of Kick N’ Snare applies further hypnotic swirls of keyboard to cinematic voices that for some inexplicable reason sound particularly resonate throughout its eight minute timeframe. An excellent release that you would be doing a disservice too by filing anywhere near the reference: minimal.
Yet another distinctive release this week, and quite possibly one the Deep Editions finest moments to date, sees the trio of Keiran Clare, Lloyd Lindo and Francis Seaver deliver a richly, deep production in Ser Mi Dama. It’s all about capturing the mood here which this does so effortlessly by combining atmospheric keys and vocal hints alongside cutting percussion to propel it all. Remixes come from Michelle Owen and Martijn with the former injecting extra energy into the rhythm with heavier bass and punchier chords, the later exploring a moodier Techno feel while also highlighting the expressive vocal aspects again. Second track, Arcapelago is tougher relying on pulsating chords and an invigorating b line to round off this notable release.
release: February 4 Beatport Exclusive / All stores 18th February
Fair to say that this seminal record from Chicken Lips has stood the test of time since its original release some ten years ago. Listen to it and the answer as to why is pretty much self-explanatory. The original version takes pride of place; although the excellent remixes all infuse that bassline with a fresh lease of life by each adding their own distinctive trademark to their reworking. It’s all good as they say, however it’s down to both Groove Armada and Eats Everything to really qualify the track for 2013 with contemporary perspectives. However, having said all that Noir’s Personal Edit of the original is just as hard to beat (with no pun intended).