I’ve always loved Lisa Shaw’s voice since her Naked Music days, as I’m sure you have too. Consequently this Summerchill remix by Mannix of the more recent 2016 number pulls on the heartstrings, tearing worlds apart, creating a sense of urgency that contrasts perfectly with the music’s beautiful, breezy warmth. You could mention the letters R&B (plus that kind of tempo) but why restrict such a gorgeous piece of music (and song) by a label. The strings are of the calibre of Burt Bacharach, the keys are simply sublime, while the voice is soulfully exquisite in ways that you almost forget about when listening to so much of today’s voice-less electronic output. The only downside is that there are only four minutes of this ecstasy.
Release: July 16 on Traxsource promo. Full release July 30.
Gramme’s long overdue but most welcome debut album sounds more than exciting in 2013 than it could have done at any time in the past. Because just like everything else takes its cues from historical influences which in this case range from the genius of ESG to Liquid Liquid etc – i.e. Gramme live in inspired company! But moving beyond easy comparisons, and from their initial EP released way back in 1999, this collection of spiky Punk-Funk and interesting soundscapes is also an edgy blend of razor sharp vocals and hot danceable grooves. Try the heavy percussion of Rough News or indeed the punchy Acid of Laugh Out Loud for potential starters. However the Factory referencing rhythms exist far outside of Manchester’s winter grey and are broadcast via the colourful imagination of Tim “Love” Lee’s NYC record label Tummy Touch. Check the videos for the very excellent ‘Girls Talk’ & ‘Too High’ below and get animated.
Initially only released in 2011 through his website GFI Music this collection of smoky grooves now gets a full vinyl outing. Nail aka Neil “Nail” Tolliday is perhaps best known as one half of Bent, however this evocative blend of all and sundry feels just as delightfully imaginative as much as it does tough and raw-edged. Kicking off is the superb Bad Drainage with its stunning chords and liquid bassline proving that this is music to get lost in and/ or move too if you so desire. Never falling easily into any one category, which is certainly part of the enviable charm, this hints at funk on the closing Blueberry Pill while journeying through the gritty Dub of Fucked Off along the way. Beats Per Minute….
Don’t Do That EP
Something Different Records
Keeping up the pressure from Something Different is Junior Gee’s latest title. Put simply Don’t Do That is devastating heavy-duty House music that again sees the label move in a more exciting direction. Powered by a hypnotic drum loop and insistent hi-hats this comprises of a peculiar amalgamation of sounds that sit somewhere between clocks and piano, but which result in this notably original production. Stop and Spin delivers yet more of those pounding grooves, leaving the more topical This Society to play out with jazzy snares, dark messages and strange notation. Excellent.
It’s always refreshing to hear melody adding colour to music and with the first release of the new year from Audiojack’s Gruuv imprint that’s exactly what happens. Emotive, breathy vocals adorn the original version of this in style as bass punctuated rhythms succeed in giving it all a frisky edge. Remixes come from Chris James aka Coat Of Arms who treats the voice to a sizzling variety of pulsating electro beats and deep keys. Plus from X-Press 2 whose version applies tribal flavour to the drums backed up by weird and wonderful synths creating a defining edge. Next, is Tom Budden’s own production Falling which sees chiming basslines offset by funky handclaps that you just know are going to sound absolutely huge on the right sound system. OOFT! supply the remix with classic Chicago/ Detroit influences sounding every bit as big as that suggests.
Italian producer / DJ Tony Barbato sets the clock back to 1961 to relay his message about war and cash, which is no doubt a timely one from then to now. Although, perhaps the breezy combination of melody and music, albeit with a taught funky backing, lend themselves better to sunshine listening rather than such serious subject matter. Jazzanova/ Sonar Kollekitv stalwart Alex Barck then rearranges the sentiments to give the vocal more depth of feeling while adding a contemporary twist to the production via tense percussion and moody synths . Last but certainly not least is Patrick Podage’s excellent remix with its deliciously in-vogue bassline coupled with undulating electronics that award the edgy selection of treated words a heavy impact.