FP-Oner (aka Fred P)
In one of those revelatory moments Fred P literally transports your mind, body and soul into the cosmos care off this electrifying set of sonically charged, teasing jazziness. The Soul People Music head begins a trilogy of releases with this album, under his FP-Oner guise, for Toshiya Kawasaki’s Tokyo based label and is quite simply extraordinary. With reassuring titles such as â€˜In The Mist Of Sunrise’ and â€˜Cycles of Life’ you can expect music that probes and searches rather than merely functions as dancefloor fodder. Indeed 5 exists on so many different planes that you could become exhausted trying to figure them all out. Suffice to say you could listen to this album anywhere, most probably at any time, and it would always say something to you. If you’re not afraid of chord progressions or funky, soulful meanderings then try the exceptional â€˜The Law Of Correspondence’ if nothing else today and get amazed.
Release: June 29
Achieving the accolade of the label’s fourth artist album Alexandre Paounov AKA delivers a set of finely tuned gems for your pleasure. Flitting between breezy melodies and darker moods, Love Somebody sounds just about right for 2015 capturing smouldering intensity on Your Eyes, while opening via the bouncy rhythms of Words Gone feat. Arno Joey. That playful funkiness continues on Get Together and is contrasted again by the demanding peak-time beats of I Want U, striking a neat balance between styles and flavours on what is essentially a most rewarding listen.
Release: June 29
Outer Circle Grooves EP
Brought to my attention care off the Blagger himself this four track release for Supersexy captures the essence of pumping House Music and delivers it loud and clear into your stereo. Can’t Stop Now fuses Detroit bass together with Chicago Acid accompanied by suitably feverish vocal edits. Next, the bizarrely titled Blagger Rids The World Of Evil Vampers hits you with Todd Terry styled stabs amid plenty of attitude, while third and standout number Keep The Peace gets frisky with the percussion, leaving Blag On Mars to replay familiar synths over fizzy hi-hats and awkward beats. Consider yourself blagged.
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