DJ Deep – For The Love Of Kaoz EP – Kaoz Theory


An excellent release of sound, and more importantly rhythm, on the opening track from DJ Deep’s new EP for Kerri Chandler’s Kaoz Theory. In many ways an effortlessly stunning piece of work that cumulates with a sense of bravado, taking you in one direction, while releasing you in another. Thai, begins and ends in anticipation which doesn’t actually hit pay-off but remains all the more powerful (and exciting) for that – if it followed predictable formula some massive beat would kick in and so on, but then this is about calibre rather than clique. The quality reaches another plateau via the super-charged emotions of the picturesque Tuesday Record Shopping In Paris which paints strident drums alongside a rush of energy to great effect in another well-crafted slice of music. Next, Guardian returns to a more familiar set of beats and bass, leaving the pounding, self-explanatory Cavalier Drums to pulverise all sense of reason into submission.

Release: August 28

Listen etc http://www.juno.co.uk/products/dj-deep-for-the-love-of-kaoz/658034-01/

http://www.djdeep.com
https://soundcloud.com/kaoztheory

 

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Reviews: 153

Single of the Week

Sebb Junior
Move It EP
Madhouse Records

Paris’s Sebb Junior debut on the Kerri Chandler’s label sees the artist reignite all the ingredients that made House in the early 90’s so timeless (in retrospect). The self-assured title track feels addictive with breezy, summertime jazzy keys looped over bouncing drums and chopped up vocals that work their way into your mind. The excellent, Don’t Stop then proceeds to hit you with classic piano that sounds every bit as great as it always did combining warmth, emotion and dancefloor punch. Let You Go provides the sting in the tail via its sassy drums and yearning vocals rounding off another great release from the imprint.

Release: June 1 (Traxsource Exclusive) / June 14 2015.
https://www.facebook.com/sebbjunior
http://www.madhouserecordsinc.com

Ellen Allien
High EP
BPitch Control

Making eleven minutes sound exciting, creative and in the end enjoyable is no easy task but this first release of the year from Ellen Allien does all of that and so effortlessly too. Driven by its addictive bassline High builds in layers of suitably tense movements with tough percussion punctuating the rhythms while dark synthesizers dance away in the background. The focal point creeps in towards mid-point with a You Make Me Feel So High vocal line that I guess will have everyone nodding in approval. Lou, comes next combining Acid and Techno across hard-edged beats with undoubtedly breathless results.

https://www.bpitchcontrol.de
http://www.ellenallien.de
https://www.facebook.com/EllenAllien

acid1Posthuman
I Love Acid
I LOVE ACID 005

Number five in the series could just be the hottest to date with the vinyl only release arriving again in limited edition. I.E be quick. Beat Down is blistering ACID at its finest with gritty drums and 303 lines working themselves into a frenzy amid harsh vocals. Next and first rate, Inside You fuses more of Roland’s classic box together with deeper pads and funkier bass, leaving We Are The City to jam across the beats with perhaps inevitably Jack Jack Jack vocals tell you just what to do.

http://www.posthumanmusic.com
Numbered 303 copies http://www.juno.co.uk/products/posthuman-ila005/561505-01/

Bruce Brubaker
The Glass Piano
Infiné Music

I can’t confess to knowing a great deal about Brubaker but I aim to rectify that very quickly. What captured my eye was that these are Phillip Glass compositions (who he has worked with, and has also released previous interpretations through Arabesque Recordings) and likewise has again recorded fresh versions of existing tracks for this release. Acting as a conduit for the full scope of the composer’s imagination achieves stunning results, which apart from actually listening for yourself is almost hard to put into words correctly. I love the way the music tells its own story, conjuring up situations in your mind to accompany the narrative, and the freedom of possibilities that the combination of notes portray. Coming from decades of reviewing Dance Music it’s interesting to compare the result of repeating layers and textures evolving here, which in the end say so much more than the tired numbers of functional music being reproduced in that arena. So please enjoy the exquisite series of notes expanding across the stereo of ideas via Bruce Brubaker’s fingertips (plus of course the Plaid remix of Metamorphosis 5 which not surprisingly sounds very much like 2015.)

Buy: https://bleep.com/release/59559-bruce-brubaker-glass-piano-bonus-track-edition
Learn more: http://brucebrubaker.com
http://www.thevinylfactory.com/vinyl-factory-news/premiere-listen-to-a-track-from-bruce-brubakers-glass-piano-a-new-album-reimagining-phillip-glass/

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Reviews:106

KCTDL627_2000x2000_300dpiTony Lionni
Just a Little More
Madhouse

Been looking forward to hearing this LP from Mr Lionni for some time now, but while it’s no easy feat to pull off an albums worth of self-penned, captivating Dance music it’s achieved admirably here. The title track sets the tone with sassy, shuffling beats combining with funky synth lines fusing the past to the present perfectly. The notable instrumentation continues on Black Orchid as sultry strings are accompanied pulsating bass, although the long player is by no means devoid of the human voice. Robert Owens makes his presence felt on Time Stands Still, with the first single lifted from album featuring Rachel Fraser, Take Me With You doing likewise. There are some lovely instrumental sequences along the way too with Lost Souls pitching an emotive set of chords across a hypnotic array of beats and bass. The deep feel of this album will no doubt appeal to most out there, but having said that this never seems ponderous or underplayed – it’s always bang on target.

Release: November 25

https://www.facebook.com/pages/Tony-Lionni/335887796621

Howie B
Frankies City ft. Joe Hirst
HB Recordings

629.5It did take a second listen but glad I did as Howie B and Joe Hirst’s magical blend of sci-fi weirdness alongside the  brutal bass and pulsating tribal drumming is all quite startling. Frankies City, is all that and more while packing more atmosphere into its unnerving 4.37 than most. Authentication, is a lighter proposition/ listen but none the less a stunning one which hints at minimalism while feeling positive, and dare I say even uplifting in the process with rousing, emotional strings plus zero beats. It’s a collaboration with the visual artist from Italy, Fabio Paleari and was made for an exhibit in Turin. The art in noise.

Release: November 25

http://www.howieb.com

dotSTRIPE
Make A Wish EP
Act Natural Records

If it’s dark, brooding intensity you’re after that you’ll find your dreams coming true with this release. Not to put too fine a point on it but the opening About Mary is a deliciously sinister, even compelling listen. Striking drum effects offset the moody, whirling drone with Borg like voices that collectively make imperfect sense. The more hopeful sounding Jazz is next with a stripped back set of punchy drums giving the only possible clue for its namesake. Make A Wish then injects more energy into the bass along with brighter keys, leaving Then It Happened to supply some vocal relief albeit via more dark tales. A captivating set of productions that may well astound you.

https://www.facebook.com/pages/dotSTRIPE/122547971105914

http://actnaturalrecords.com

Tape Edit 006
CheckTheGuns

checkHow could you not love this combination of fiery Latin, percussion accompanied by soaring Flute and Disco sensibilities on the JC Edit of Dream Alive? But then how could you not love the remainder either: Ups and Downs is sure-fire funky, Pass The Music On exquisitely soulful, with the proceeding second Dr Edit (edit) feeling frisky on the sizzling up-tempo vocoder led Never Let Go. Good time Disco-funk for all the family from this Dublin based label.

Release: December 2

https://www.facebook.com/pages/Check-The-Guns/137122486354660

The Salsoul Orchestra
Magic Journey (Expanded Edition)
Salsoul Records/ BBR

Any album containing Run Away is a priceless gem as this beautifully sung and orchestrated production cutely testifies. Loleatta Holloway provides the timeless vocals and the track appears in both its album version plus the extended Danny Krivit Re-Edit. Besides that the albums succession of skillful players breathe life into everything from sassy Latin vibes through to gutsy rock n roll with main man Vincent Montanan Jr. very much at the controls. The excellent Getaway provides another instrumental excursion while the opening It’s A New Day supply’s more party-time Disco moments. This edition also features Walter Gibbons reworking of Magic Bird Of Fire which runs into eight minutes of Congo fuelled bliss, and is always worth your time.

http://www.cherryred.co.uk/shopexd.asp?id=4397

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reviews:32

X-Press 2
‘The House Of Xpress 2’
Skint Records

If the title: The House Of… transports you back to New York in the early nineties then the music plays every bit for 2012. I like/ love this album in the same way I do the new Azari & III and for the very same reasons too – you can spot the influences and reference points yet relish in just how contemporary and fabulous it all is – and it certainly doesn’t sound like a revival.  From the big room beats of Opulence to Roland Clark featured on Million Miles Away the productions sizzle with ideas and moods with a series of collaborations that pull in the calibre of Timo Garcia to Tim Deluxe: who’s Lost the Feelin’ takes tension to an impressive extreme. Other highlights are undoubtedly the opening This Is War with Doll – not least of all because of the ecstasy inducing E2-E4 sequence – and the extra squelchy funk of Dark Matar. In ways this album could have been recorded at anytime over the past couple of decades but the fact that it feels this exciting says all that needs saying. 8

release: 23 Jan 2012

listen to album minimix  http://soundcloud.com/skintrecords/the-house-of-x-press-2-album

http://www.skintentertainment.com/skint

 

James Mile
‘Ease The Pain’
Kaluki Musik

More records like this one and someone will be suggesting the return of House Music’s golden era.  The strongest release on Kaluki so far – could be, if that is you like moody European electronics crossed with Chicago via Detroit (ish). What’s more Italian producer has added a totally succinct vocal refrain giving the track all the soul required against the backdrop of sinister synths and euro-beat references. The first remix is from Luca Bear and Romano Alfieri who add yet more haunting qualities coupled with a fierce bassline, the final from Marco Effe is simply outstanding as it deepens the mood and draws you into a life all of its own. 9

release: 17 Jan 2012

https://www.facebook.com/KalukiMusik

 

Spellband
‘The Dogz Family EP’
Madhouse Records

Italy’s magical combination of Dj/ producers Giuseppe, Andrea and Vins deliver four equally dazzling cuts for Kerri Chandler’s Madhouse. Dogzmatic starts with a high octane sequence of hypnotic synth and piano rushing headlong into oblivion, or there abouts. The excellent Euphoria follows with one of those irresistiblly in-vogue organ led basslines played off crunchy handclaps and intense atmospherics. New Era gets moodier with yet more organ and drum machines invoking the past on this cool number, leaving the stunning Powerplant Powered feeling heavenly with its hands-in-air marimba vibes shouting sunshine all the way…
Release: 16 January 2012 on Beatport. General from 30 Jan.

http://www.spellband.com/

 

Duckbeats
‘I Really Do Believe’
(Jet Project Remix)
Extended Play

Initially released last October Chris Duckenfield’s effervescent combination of legend Etta James and an assortment of Disco beats and House attitude (see killer bassline) now gets the Jet Project treatment – not forgetting the heavy duty Chicago Damn version which accompanied the original of course. Their Believe In Dub version again hits the spot with carefully crafted bass notes and shuffling rhythms offset against delays’ galore and a smart arrangement of sounds set to stun. Head-nodding, soulful and to the point. 8

release: 16 Jan 2012

http://soundcloud.com/chris-duckenfield/cdvscd_i-really-do-believe-1

http://jetproject-inflightentertainment.blogspot.com/

http://www.chrisduckenfield.com/ 

 

Inspiration: Manuel Göttsching ‘E2-E4’ (1984)

 

 

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