How did you get into Dance music and who are your main influences?
I love to party very much so I guess that is the main reason why I get into dance music. My passion began in London, I was introduced to it through my buddy from home, Guilhem Monin. He showed me some of the Novamix from Radio Nova, he kept on showing me amazing stuff since and always has been a very important influence in my music.
I met Matlar and FB Julian after a few years I lived in London, I totally fell in love with the music those guys play. Saving enough money at the beginning allowed me to buy my first laptop and to install logic and start producing, that was nearly six years ago.
I’ve had so many influences growing up from all different paths, however 70’s disco, 80’s hip hop and great Chicago house are my main powers and inspirations in production at the moment.
You have already released music on Hot Waves and La Vie en Rose. Tell us about how you got your signed to such prestigious labels and your relationship with them?
I have known the Hot Nature crew from being out in London, they are wicked people, I’m always happy to see them. The first time I signed on Hot Wave happened after Richy Ahmed listened to my track in Ibiza when Guilhem was playing it, Richy contacted me and ask if I wanted to sign up in their label, I remember that day so well I was over the moon.
La Vie en Rose is Terrence Terry’s label, my friend Matlar that was my production partner at the time introduce me to him as well as showed him some of my music. He actually showed Terry a track I would have never shown, Terry loved it and wanted to do an EP. Unfortunately I have not seen Terry in years, we sometimes chat on Facebook, I really like the guy and I think we both fancy the idea of doing it again soon.
Your latest release: I Felt This Way Before EP is for Colors brand new label. Can you talk us through how you produced one of the tracks from it?
“Les Merguez” is the latest track i’ve produced from this EP.
Using Logic as sequencer, first I made the beat, all the drums are samples recorded mainly from 909, 808 and Linn drum. Then created the rhythm in logic then redone it on the MPC to sound nice and tight. Next I have written the bass line on my Triton and processed it through the MPC. I’ve made the vocals simply by pitching down my voice (sometimes sounding too much like a little girl). The rest of the track was made using a Triton, then sampling a few sound effects and a string. I’ve also done few more sound effects with a Juno 106.
https://soundcloud.com/colors-ep/b1-les-merguez-remi-mazet
You were one of the first DJ’s to be resident at Colors. Can you tell us how that came about and what makes the night so special for you?
It happened very naturally as we are rather close friends, not only are we friends but we are synced artistically. This night is brilliant simply because the promoters are popping this party for the right reasons, they have a real passion for music and the vibe, they make an amazing effort. Therefore there’s no need for me to explain why they’ve got such a cool crowd following them, I’m glad to be part of the project.
http://www.youtube.com/watch?v=7XKagr63ZwQ
Your music blends together a number of different styles. What for you is the most important quality for music to have? (And do you have many influences outside of Dance music?)
Good melodies, very cool bass lines, amazing grooves, cleverly produced technically, twisted and surprising ideas but most of all I like music to be appropriate and true to the moment and compliment your surroundings.
Yes I do have influences outside of dance music. The truth is i can be inspired by anything, even something I don’t like but it’s just got to be something that has its own defined identity, even if it’s something I’m not into then it can bring in new sounds and spark ideas.
How was Eastern Electrics, and can you tell us about how your ‘live’ performance works?
Eastern Electrics was lot of fun, I played in an area run by kubicle, they did a great job, and lots of friends showed up, I had a brilliant time.
About my live performance, I’m using Ableton to play my songs, using one channel for the kicks, one for the snares, one for the drums, one for the bass… I use my pads to play around with that.
What are your plans for the remainder of 2014 and beyond?
I’ve got a few EP’s in the pipe line and obviously working with Colors in September but also other really exciting stuff I can’t wait to share.
My new studio space in Hackney Wick is pretty exciting too, working with FB Julian, Clive Henry, and Matthew Keating. Being in the studio is by far my favourite thing to do, being able to share that with good friends is the ultimate cocktail mix of work and fun combined so i’m sure this is where I’ll be spending most of my time for the end of this year and the years coming.
https://www.facebook.com/remimazetmusic
https://twitter.com/RemiMazet
It’s always with a sense of anticipation to hear what Terence:Terry’s La Vie En Rose imprint has next in store. And in this instance it’s the labels second compilation of sounds which in this case explore deeper moods across eight tracks with contributions from Liou, Baby Ford, Fr!sky Business and more. What sets the selection apart is the care and attention to detail plus of course the sheer quality of the music which feels contemporary, international and very much of the moment. I love all the soulful, emotive and thought-provoking ambient references contained within the arrangements as they expand and exert themselves, and the fact that with each new play something else is revealed in the process.
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