Paul Hardy (Baker Street Recordings) interview

What inspired you to start Baker Street Recordings, and how would you describe running a label to someone else thinking of starting one?

It was the combination of wanting to release our own music and for me the business, A&R side. That part of the music industry was really interesting to me. Running a label is a labour of love, you have to love the music and throw yourself into the industry. Money is tight and you have to have a keen ear for the music. If you’re looking to start a label and be successful look to put all your spare cash into it and don’t over release, take your time, treat each EP with the attention it needs, the work only starts once its released.

Your new compilation celebrates the 5th Anniversary of the label in two parts. What process decided the tracks to go on each one?

It took a lot of debating and thinking about to choose which tracks would work well for the remix album.  In the end we drafted a shortlist and let some of the producers decide.  We are really happy with how the album has turned out, there have been a couple of tracks from the release that have become favorites and been played by quite a number of people, but they have all been really well received!

The tracks on part two are really a collection of our most popular.  We have noticed that from starting the promo for this release it has kick started a second life into some of our bigger previous releases, such as the Timewriter remix of ‘Insomniac Oasis’ and Yousef’s ‘Don’t Touch Me’ mix.

You initially released music on vinyl before moving to digital and are now planning to release on vinyl once again. Why is that important to you?

One of the overriding factors is the lack of support that some download sites are giving to smaller labels.  That combined with the thousands of releases that come out each week means your releases just get lost.  Some download sites are getting things right for the underground market; Traxsource for example seems to understand the problem.  The move to vinyl means that we can release in a less flooded marketplace.  We are also looking at just selling all our release direct from our site, cutting out all the extra costs and getting the label back to that personal feel that people really like. Big Risk Though.

How would you describe your process of producing music? Any favorite piece of software or instrument?

Pro Tools is our production software of choice.  We also run Ableton alongside this.  What seems to work really well for us is to have the bones of the track laid out in Pro Tools, and any extra sounds and bits that need creating are done in Ableton, and then put into a network file so we can access it from any of the studio Macs.  The process of having two people in the studio producing one track has really helped to fuel creativity.

The only VST that we stick to religiously is Spectrasonic’s Trillian for basses, there is no competition in my opinion especially for an analogue sound if you can’t afford the hardware.  Hardware wise we mix down through an Allen & Heath Zed-R16 and TL Audio valve compressors.

The label has a very distinctive sound, how would you best describe it?

I’d like to just say House, but that’s means so many things nowadays, so Deep house with a influence of Jack from Chicago and Tech from Detroit.

Tell us about your forthcoming plans for Baker Street nights?

We have some pretty exciting plans for Baker Street nights.  The general idea will be to have DJ’s and live musicians combining on stage.  There are such a high number of nights around at the moment that we want to create an experience that stands out from the rest of these nights.  This element of live music as well as DJ’s will help to make the nights more memorable, and when the event is fully branded up with Baker Street and everyone is wearing old school Sherlock tweed it should be a great atmosphere.  Also if we ever get any nice weather again there are rumors of a barge party!!

What do you listen to when you’re not at Baker Street?

There is a new artist coming through called Rohit who creates the most stunning electronic music with an Indian influence, one to watch for the future. In the office we listen to everything from Elvis, The Beatles to Black Sabbath and everything in between.!/bakerstreetrec




Maceo Plex
Crosstown Rebels

If you’d have asked twenty years ago where House Music would end up? I might not have imagined such an exquisite progression but here we are with Maceo Plex, who for good reason is all over the place at the moment. It can sometimes be hard to put into words precisely how music makes you feel. However, this combination of epic ambience, technological stabs and with yet another unfeasibly funky bassline in place, Frisky does things that are perhaps better left to the imagination. Sex Appeal continues the theme with heavily treated vocals feeling heavenly alongside rapid-fire acid bass and perfectly toned beats. The word Artist is aptly applied. 9


La Fleur
Eavesdropper EP
Power Plant

Released by La Fleur’s own label she undoubtedly has the courage of conviction and I have to say that this is excellent/ beautiful in equal measure. The title track eases you into a deep sense of security with gently shuffling rhythms contrasted with a heavy bass and sprinkling of emotive chords. The vocals add even more effortless charm to the production which should gain the labels third release the attention I would suggest it merits. Tjuvlyssnerskan follows by twisting the Swedish noun for feminine around a beautiful, melancholy keyboard loop and more infectious bottom-end. 8

release date: April 12


Open Your Arms
Freerange Records

Back with their second release for the label the Polish duo deliver more in the way of contemporary electro-funk that sits very neatly upon Freerange. Open Your Arms plays off-kilter voices against an imaginative arrangement of beats and basslines, which while they throw back to the past also veer cleverly towards the future. The Fred P Reshape then dispenses with that entire notion and delves headlong into subwoofer oblivion, which quite frankly is somewhere you’ll also want to be when you hear this. Love the uncomplicated but deeply intense combination of moody pads and drums which say it all here. Dreamin’ About You finishes you off by the harsh reality of distorted kicks complimented by jazzy stabs, and feels sort of early nineties but then f**ks with that idea completely – cool. 8

release: April 9


Sean Roman
The Moan EP
Feast Records

More sizzling hot Bass action for you, which in this case emanates from Hot Waves and Favourite Robot recording artist Sean Roman. Bocuse, kicks things off with acid tinged deepness and feels very much of the moment, as its centered around the Bass, while the remainder of production is adorned with all sorts of intriguing electronic sound: some funky – some weird. Moan, follows via the same approach although this feels just that bit funkier. Remixes come from the excellent MANIK, who take the fuzzy tones one step further, plus Waifs and Strays who factor in a 90’s sensibility into their equally fiery interpretation. 7

Release: April 9 (digital)/ April 2 (vinyl)


Lady B EP

There’s nothing like the sound of a real bass guitar (or even its digital approximation) to get the juices flowing and Jozif’s latest for Culprit is set to do just that. It would be hard not to love this and the way it pulls all sorts of reference points together: from 80’s synths and Disco styled Strings, to that Funk bass line and 2012 arrangement. Tea, is a spoonful of excellence. The Cure inspired version of Lullaby will appeal to those of a Balearic persuasion and makes ‘just for old time’s sake’ feel like a very good proposition indeed.  Which leaves the tasteful, swirling atmospheres of Serenade and the bold electronic textures of down-tempo, Boesen to complete the picture. 8


Hot Creations

Jesse Siminski, or better known as, Heartthrob crosses the lines between Techno and electronic House music to feel uniquely spaced-aged. Odyssey’s journey begins with tense beats, supplemented by scratchy keys, and proceeds into darker territory generated by an array of odd-ball electricity that’s nothing but tempting. You would be surprised to hear that, The Liar follows in a lighter note but it doesn’t. It does however offer you funkier cow-bell driven percussion, although even this turns out to be deliciously sinister with the introduction of sleazy sythns and suspect voices. 7

release: April 9



Sunrise (mixed by Nicolas Matar)
Nervous Records

NYC’s Cielo co-owner and resident DJ Nicolas Matar delivers what’s best described a beautiful journey through the sights and sounds of AM:PM. Titled, Sunrise for good reason this perfect blend of soulfully infused rhythms gives you the very best in sassy songs to more vigorous workouts. As you continue listening, Matar proves to be a classic DJ in every sense of the word with the mix tripping through light and shade while touching upon a selection of styles, Cielo is destined to always get the better of your curiosity. Beginning with  Guy Gerber’s excellent remix of Deniz Kurtel’s ‘The L Word’ you pass through DJ T’s ‘City Life’ and end up at Jimpster’s beautiful Summer Of Love Remix of ‘1988′ – which is almost right back we all started from. 8

release: April 9


Bonus !


“To celebrate Baker Street Recordings 5th birthday we are giving away an hour long mix featuring some of the labels best tracks from the last 5 years and new remixes of some of the classic Baker Street releases. Mixed by our very own Paul Hardy & McKai. All the tracks in this mix and more are available on the 5th anniversary release out on the 23rd of April at all digital retailers.”

Album review to follow plus interview with Paul Hardy….


Cheryl Lynn
In The Night
bbr (Big Break Records)

Some three years after the release of her perennial party favourite Got To Be Real, Cheryl Lynn teamed up with producer Ray Parker Jr to produce her third album, In The night in 1981. Opening with her second classic single Shake It Up Tonight the song sees the songstress deliver a pantheon to the cult of Nightlife, encapsulating both its joy and energy and feeling every bit as exciting as …To Be Real, but just that bit more sophisticated. The vocal does that distinctly American thing of sounding soulful, while reaching the extremities of emotion which only singers of a certain calibre can truly do. Also worth noting – if you do such things – are the Gene Page arranged Strings which soar, then hover, with pure Disco class. The album devolps with a selection of hit and miss ballads, mid-tempo popish grooves, and then reaches the rather tasty What’s On Your Mind. 8