One of the reasons Dance have been so very exciting over the past number of years is down to the sheer breadth of music which reside within the House Music bracket. Not that that hasn’t always been the case of course, there’s just something particularly exhilarating about the clash of ideas being generated between the USA and Europe – just as much as the revived sounds of the early 90’s continue to reinvigorate the genre too. What that in mind Scarlett Nina’s amazing sounds and devilish moods fit the bill perfectly. The End, sends shivers along with staccato guitar notes and sinister, tripped-out voices inducing a powerful reaction to this notably original production. As you might expect Tone Of Arc the remix is stunning with pulsating organ and vocal treatments building the tension with typical aplomb, while the Special Case version twists the bass into something altogether more sinister on their equally impressive take. Who Am I To Disagree, explores the same atmospheres with electronic funk and the remix comes from David K Marabunta Remix whose haunting techno also fits the bill.
release: October 1
And so the story continues with this killer production from Waze & Odyssey whose deft blend of classic House influences are creatively put to the test. This moves beyond a simple revival of sounds by developing its theme with expansive pads and clever vocal twists that complete the moody yet uplifting arrangement. Love the thumping Kick drum and chiming, deep bass which underpins the rich mood generated by the remaining sounds. Try for yourself.
Release: exclusive to Beatport Sept 24. October 8 on general release
Gently side-stepping Dance music for the duration of this limited 7” vinyl and digital EP we revisit Maigret Jnr once again purely because this is so f**king good. For lovers of slightly melancholy, though conversely, uplifting music will greatly benefit from what’s on offer. You may already know the anthemic beauty of Always Again, which starts with the prophetic line ‘Silence is Golden’ but if not its swirling strings and heart beating drums are a joy to behold. New track, Breathe feels every bit as good covering the same territory emotionally, with poignant piano and rich baritone vocals sounding just as impressive. While the title track, Sick Friends dares to lift the sound with a heavier beat and bassline, although while this doesn’t have quite the same impact it still works neatly.
release: Sept 30
Love Is The Message
Philadelphia International Records/ bbr
If this album only contained two tracks it would still be worth its weight in gold. For within just under eleven minutes of music this 1973 release went a long way to define what became known as the Disco sound. The first track Love Is The Message is simply a seminal classic featuring Early Young’s masterful drumming, who alongside the striking keyboards, emotive Strings, strident Bass and blazing Saxophone cumulates into a sequence of one of my (and many others) favourite all time dance grooves. It all sounds so effortless, yet so completely stunning. The second track TSOP (The Sound Of Philadelphia) featured for a time as Soul Train’s theme and also provided a hit single for the label. Again the instrumentation is flawless, supremely funky and must have felt oh so good way back then, as it also does right now. Plus of course, it featured the sassy vocals of The Three Degrees. Both tracks appear in their original, and more importantly, their extended form with Tom Moulton’s epic reworking of ‘Love Is…’ adding vocals from The Three Degrees while highlighting the keyboard and rhythm section with devastating flair – a genius at work. While TSOP again expands the rhythm section into something seminal and heavenly. It really doesn’t get much better.
Love Is The Message (Tom Moulton Mix)
TSOP (The Sound Of Philadelphia) Original 12″ Version with Soul Train dancers…
Earl Young drums…
Salsoul Records/ bbr
Next to Philadelphia International Records, Salsoul was the other 70’s American dance label which had the greatest impact and influence both then and today. Their debut album featured the powerhouse vocals of James Williams, Joseph Harris, Charles Whittington, and Leonard ‘Butch’ Davis whose range spanned the very depths of Soul to the dizzying heights of explosive Disco. Produced by one time Philly producer (the legendary) Norman Harris the album features three timeless cuts that defy history: Ten Percent, Everyman, and My Love Is Free. All of which pack more emotional punch then most music can muster today in terms of emotion vocally, alongside poignant funkiness. Although, that’s not so surprising as the players included Early Young, Vince Montana Jr. and Bunny Sigler amongst many significant others. The package also contains the first commercially available 12” single (1976): the superlative Walter Gibbons version of the title track which sounds every bit as powerful as production does today, along with Tom Moulton’s gorgeous mix of My Love Is Free, and Joe Claussell’s remix of Everyman. Despite the fact that these tracks overshadow the remainder of the songs that shouldn’t deter you from soaking up the rest, as they all display those wonderful voices and sumptuous grooves in their full glory. A truly classic album.
The original Walter Gibbons 12” Mix of ‘Ten Percent’
Double Exposure ‘Everyman’
Salsoul Records/ bbr
And last but certainly not least this week is this gem from Instant Funk which also appeared on the Salsoul label. Released in 1979 their second album again contains a classic which defined the band: Got My Mind Made Up (You Can Get It Girl). Appearing both as the album version and with the full Larry Levan remix, which clocks in just shy of ten minutes, this proves to be peerless funk. Everything about this production is just right from the fanfare of Horns which intro, straight through to the sassy percussion, and devastating bass and guitar combination upon which the soaring vocals aim skyward. Again, the remainder of the album has plenty of other gems such as Crying and the hard-core Don’t You Want To Party, while they explore notable Jazz-fusion on Wide World Of Sports. The band also played on the likes of ‘Shame’, Archie Bell & The Drells ‘Let’s Groove’ and South Shore Commission ‘Free Man’ so the familiarity of their playing just goes to prove how good they where/ are. A classic production from Bunny Sigler and engineered by Bob Last.