reviews:102

Various Artists
Smiley Fingers 100
Smiley Fingers

smileyIf you’re not already acquainted with the joys of Smiley Fingers then here is the reason to do so. Celebrating some three years of existence and their one hundredth release the London based imprint fires through its succession of heavy-duty grooves in fine style with this compilation. Kicking off with the sassy funk of Larry Cadge & Rick Sanders – Niagara the selection includes productions from the aforementioned, Dave Seaman & Andy Chatterley and Mobius Strum, with remixes from the calibre of Pezzner and Tapesh. Typifying the labels distinctive flavour is the killer Lopazz & Casio Casino Remix of Adam Helder’s ‘Sticks and Stones’ which ticks all the necessary boxes in-between House and Techno rather handsomely.

release: October 14

http://www.smileyfingers.com

 

 

Disclosure feat. London Grammar
Help Me Lose My Mind
PMR/Island

disYet another single lifted from the album, the fifth in fact! sees Disclosure once again display their effortless cool, although that is in no small measure down to Hannah Reid’s ethereal vocal. What’s new here however is Paul Woolford’s piano driven House reworking that you just know is going to score big. But despite the vocal actually suiting the album mix best it’s his Dub version which sounds prime-time and anthemic with its juicy bassline backing up all those the rousing keys.

http://disclosureofficial.com

 

https://soundcloud.com/paulwoolford/disclosure-feat-london-grammar

 

Matt Tolfrey feat Marshall Jefferson
The Truth
Leftroom

LEFT042You could say, where would House Music be without Marshall Jefferson? And there is certainly every possibility that the shape of the music may have been different without his input in 1986. So it’s interesting to hear his own words describe how he sees it, reflecting back from 2012 when this track formed part of Tolfrey’s album, ‘Word of Mouth’. Now receiving a release in its own right the pulsating electronics sound just as vibrant and now come with a set new remixes. Firstly from Jon Charnis who drops the vocal and rebuilds the music with moodier atmosphere’s that have a spell binding edge. And from Gerd aka Geeeman who’s excellent thumping Acid drenched version instantly strikes a chord with Marshall’s spoken word.

release: October 21

https://www.facebook.com/marshall.jefferson

http://www.leftroom.com

https://soundcloud.com/leftroom/sets/matt-tolfrey-feat-marshall

 

Big Hard Excellent Fish
And The Question Remains
One Little Indian

Watch! the follow-up to 1989’s ‘Imperfect List’ poses a fresh set of questions for our age, and makes for completely compelling viewing. Credit due to Ian C’s haunting production and Josie Jones challenging words.

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reviews:75

Alex-Barck-REUNION1-Artwork-525x525Alex Barck
Re-Set
Reunion

There is something delightfully melodic about the way Re-Set develops its loosely structured chords alongside vocalist Pete Josef’s emotive delivery which hints at melancholy and joy all at the same time. An intriguing recipe for sure and the more you listen to this the more impressive and involving it reveals itself to be. It is also the first in a run-up to the release of an album later in 2013 so hopefully there is much more like this in store. The drums sit neatly along classic Electro lines as evocative keyboards add a juicy funk to the rhythm which feels inspired and tastefully accessible, yet clearly forward reaching in scope. The remix comes care of Berliner Hannes Fischer who transforms the song along technological lines with reverberating vocal treatments adding extra, soulful warmth to the haunting synthesizer lines which colour the spaces in-between sublimely on this stunning reworking.

release:  January 28 (12″ vinyl only)

https://soundcloud.com/alexbarck/alex-barck-re-set-original

http://www.sonarkollektiv.com

http://www.jazzanova.com

 

 

mobiusMobius Strum
A Midnight Tale (Part 1)
Smiley Fingers

Like kick-ass basslines? Then Costa Ricas’ Mobius Strum has just the ticket in White Disorder. Beginning with unsuspecting beats this then all too quickly announces itself via a succession irresistibly hard-hitting deeper tones.  Not a lot else goes on apart from some vocal snippets and the odd sprinkle of atmospheric synth, but then when the rhythm section sizzles with such intensity little else is required.  Next, Ocean View proceeds with funkier percussion played out over throbbing bass and occasional chords, again capturing the mood perfectly alongside your attention span. The direct thinking of Kick N’ Snare applies further hypnotic swirls of keyboard to cinematic voices that for some inexplicable reason sound particularly resonate throughout its eight minute timeframe. An excellent release that you would be doing a disservice too by filing anywhere near the reference: minimal.

release: January 21

https://www.facebook.com/MobiusStrum

http://www.smileyfingers.com

 

DER036_HOHLEHohle
Ser Mi Dama EP
Deep Edition Recordings

Yet another distinctive release this week, and quite possibly one the Deep Editions finest moments to date, sees the trio of Keiran Clare, Lloyd Lindo and Francis Seaver deliver a richly, deep production in Ser Mi Dama. It’s all about capturing the mood here which this does so effortlessly by combining atmospheric keys and vocal hints alongside cutting percussion to propel it all. Remixes come from Michelle Owen and Martijn with the former injecting extra energy into the rhythm with heavier bass and punchier chords, the later exploring a moodier Techno feel while also highlighting the expressive vocal aspects again.  Second track, Arcapelago is tougher relying on pulsating chords and an invigorating b line to round off this notable release.

release:  February 4 Beatport Exclusive / All stores 18th February

https://soundcloud.com/deep-edition-recordings/der036-ho-hle-ser-mi-dama-ep

http://www.deep-edition.com/

 

He Not In 1500 x 1500Chicken Lips
He Not In
Defected Records

Fair to say that this seminal record from Chicken Lips has stood the test of time since its original release some ten years ago. Listen to it and the answer as to why is pretty much self-explanatory.  The original version takes pride of place; although the excellent remixes all infuse that bassline with a fresh lease of life by each adding their own distinctive trademark to their reworking. It’s all good as they say, however it’s down to both Groove Armada and Eats Everything to really qualify the track for 2013 with contemporary perspectives. However, having said all that Noir’s Personal Edit of the original is just as hard to beat (with no pun intended).

release:  January 28

https://soundcloud.com/defectedrecords/sets/chicken-lips-he-not-in

http://www.defected.com

 

release: January 28

 

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