Paul C & Paolo Martini Q&A

Your latest release for Hot Creations is excellent ‘Pinball’. Where did the idea come from for the track and can you talk us through how you produced it?

p c 2In the first step we were looking hard for an interesting bassline to make up the track, much like how we began our successful tracks ‘Take Some Time’, ‘Get This!’ or ‘Spunk’ for example. We did find a couple of interesting sounds that when we mixed together and played around with really excited us. Then we followed the unusual sequence of claps and percussion and by that point building the track up became quite simple as we felt we had secured most of the winning elements.

Pete Tong – Radio One Show 13/11/15

Tonight 10pm on BBC Radio 1… This week's Essential New Tune comes from Paul C & Paolo Martini, #ClubScouts sees Claptone take charge & so much more!

Posted by Pete Tong on Friday, November 13, 2015

 

You also have music coming out on Gruuv, Noir, VIVa MUSiC and more. How would you describe your relationship between DJ’ing and Producing – could one work without the other?

Yes, there are a lot of good DJs around that don’t produce very much but these days’ producing has become a full part of a DJ’s job. We’ve been doing this with a lot of passion for so many years and the difference is that in comparison to the early days you produced a track to promote it in the club and not necessarily with your own name on it because what counted was to be a good DJ… today you have to make tracks to promote yourself, so in that sense the scene has completely changed. But that’s ok – if we are known around the world because of our productions then let’s go! 🙂

purchase https://pro.beatport.com/release/striptease-ep/1633763

Italy has a long and important history with Dance music. What were your earliest encounters with the music, and who were you first inspirations?

We get into Disco Music and Funk since we were very young. We always loved that kind of sound and at the time Giorgio Moroder was our hero and everything he produced together with Pete Bellotte as Donna Summer, Munich Machine and all the albums under his own name. Other great artists of that period were Gregg Diamond, Kraftwerk, Dennis Coffey, Chic and Vincent Montana Jr – just to name a few!

You DJ all over the world, do you find that people like different sounds in different countries?

Honestly no! We always bring our own sound and generally it goes very well. In recent years promoters calls us because they know our tracks, of course, so they expect to hear that kind of sound during the night and the audience seems to appreciate it 🙂

How do you feel about the importance of song writing now as compared with the past, and its relevance in today’s music?

p cIf you have a good songwriter and singer it’s always worth taking risks. It also depends on the target you want to achieve. The main thing is to always have a great idea and a great song and if you do not have that it is better create a good track instead. This is a rule that was true yesterday and still is today.
For sure it would take more effort, energy and investment to produce a song instead of a club track with some spare sample voices here and there, but obviously if is a good one it will have a much longer life and better chance to have success .We use to do that in the early 2000s when I produced as Bini & Martini together with Gianni Bini. We are very open minded, so maybe in the future we will do some features as well if we find the right partners.

Can you tell us about your studio and a typical working day there?

We have a really basic studio and work with Logic and both analog and digital instruments. We listen to lots of music and everything inspires us, including old tracks, samples, or whatever brings us some energy and strong emotions. We don’t have any rules, though we often start from a strong bassline, a simple percussions or listening to a DJ set from some of our heroes that inspires us.

What plans do you have for 2016?

We produced a lot of stuff throughout the last six months that will get released between now until March next year. At the end of this year we have releases on Hot Creations and Gruuv as well as remixes on VIVA, Time Has Changed and Noexcuse. Then from January onwards we will have releases on Suara, Material, UNI and a remix on King Street of the anthem Johnny Dangerous ‘Beat That Bitch’ – a track that we really love, so we were really excited to get our hands on it when we were asked to do it. We are also working on a collaboration with Anek that will probably be release on early 2016.
As DJ’s, besides Italy where we do most of our gigs, we have already scheduled Berlin, London and Ginevra for the beginning of the next year so we’re looking forward to it!

www.facebook.com/PaulCPaoloMartini
@paul-c-15

Paul C & Paolo Martini ‘Pinball’ released on Hot Creations 27/11/15

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reviews:75

Alex-Barck-REUNION1-Artwork-525x525Alex Barck
Re-Set
Reunion

There is something delightfully melodic about the way Re-Set develops its loosely structured chords alongside vocalist Pete Josef’s emotive delivery which hints at melancholy and joy all at the same time. An intriguing recipe for sure and the more you listen to this the more impressive and involving it reveals itself to be. It is also the first in a run-up to the release of an album later in 2013 so hopefully there is much more like this in store. The drums sit neatly along classic Electro lines as evocative keyboards add a juicy funk to the rhythm which feels inspired and tastefully accessible, yet clearly forward reaching in scope. The remix comes care of Berliner Hannes Fischer who transforms the song along technological lines with reverberating vocal treatments adding extra, soulful warmth to the haunting synthesizer lines which colour the spaces in-between sublimely on this stunning reworking.

release:  January 28 (12″ vinyl only)

https://soundcloud.com/alexbarck/alex-barck-re-set-original

http://www.sonarkollektiv.com

http://www.jazzanova.com

 

 

mobiusMobius Strum
A Midnight Tale (Part 1)
Smiley Fingers

Like kick-ass basslines? Then Costa Ricas’ Mobius Strum has just the ticket in White Disorder. Beginning with unsuspecting beats this then all too quickly announces itself via a succession irresistibly hard-hitting deeper tones.  Not a lot else goes on apart from some vocal snippets and the odd sprinkle of atmospheric synth, but then when the rhythm section sizzles with such intensity little else is required.  Next, Ocean View proceeds with funkier percussion played out over throbbing bass and occasional chords, again capturing the mood perfectly alongside your attention span. The direct thinking of Kick N’ Snare applies further hypnotic swirls of keyboard to cinematic voices that for some inexplicable reason sound particularly resonate throughout its eight minute timeframe. An excellent release that you would be doing a disservice too by filing anywhere near the reference: minimal.

release: January 21

https://www.facebook.com/MobiusStrum

http://www.smileyfingers.com

 

DER036_HOHLEHohle
Ser Mi Dama EP
Deep Edition Recordings

Yet another distinctive release this week, and quite possibly one the Deep Editions finest moments to date, sees the trio of Keiran Clare, Lloyd Lindo and Francis Seaver deliver a richly, deep production in Ser Mi Dama. It’s all about capturing the mood here which this does so effortlessly by combining atmospheric keys and vocal hints alongside cutting percussion to propel it all. Remixes come from Michelle Owen and Martijn with the former injecting extra energy into the rhythm with heavier bass and punchier chords, the later exploring a moodier Techno feel while also highlighting the expressive vocal aspects again.  Second track, Arcapelago is tougher relying on pulsating chords and an invigorating b line to round off this notable release.

release:  February 4 Beatport Exclusive / All stores 18th February

https://soundcloud.com/deep-edition-recordings/der036-ho-hle-ser-mi-dama-ep

http://www.deep-edition.com/

 

He Not In 1500 x 1500Chicken Lips
He Not In
Defected Records

Fair to say that this seminal record from Chicken Lips has stood the test of time since its original release some ten years ago. Listen to it and the answer as to why is pretty much self-explanatory.  The original version takes pride of place; although the excellent remixes all infuse that bassline with a fresh lease of life by each adding their own distinctive trademark to their reworking. It’s all good as they say, however it’s down to both Groove Armada and Eats Everything to really qualify the track for 2013 with contemporary perspectives. However, having said all that Noir’s Personal Edit of the original is just as hard to beat (with no pun intended).

release:  January 28

https://soundcloud.com/defectedrecords/sets/chicken-lips-he-not-in

http://www.defected.com

 

release: January 28

 

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reviews:73

PrintDefected presents Noir In The House
Defected

I guess it’s fair to say that this mix by Noir for Defected’s In The House series is pretty much on the money. And in ways it captures the essence of what’s going on in House music today. Now that we have the obvious benefit of hindsight with regards to roots and influences (real and distorted) it’s telling how much this selection touches upon sounds from the past as well as hitting tomorrows tone. Also worth noting just how contemporary Sandy Rivera ‘Changes’ from 2003 still sounds today and by the time it blends neatly into Noir’s own aptly titled ‘I’m Satisfied’ somewhere around the 30 minute mark the temperature has seriously intensified. The deeper moments are well represented and the dancefloor movements reach their peaks at various points throughout the journey, but what is always truly consistent is the sheer quality of music and vocals, plus the excellence of the mix itself. If further proof is needed  then simply check the playlist which opens with dOP ‘Kisses’ and ends on Shlomi Aber ‘We Dont Fit’.

release: 28 January 2013

Interview with Noir
http://www.defected.com/news-reviews/latest/Noir+-+In+The+House+Interview/1194

Noir plays Electric Brixton for Defected In The House this New Year’s Eve – for tickets and full line-up info  www.viewlondon.co.uk/defected-in-the-house-new-years-eve-tickets.aspx

 

just beJust Be
After The Storm
Get Physical Music

Just Be aka the new solo project of Matthew Bushwacka is a delicious way to start 2013. And after all the trimmings care of 2012 this production clearly points to the direction we want to be going. After The Storm, begins by building your expectations via deep, bass-heavy beats alongside edgy percussion and then adds in vocal touches and punchy piano chords to reach the next level on the ‘Up Mix’. The ‘Deep’ version follows with a more Cosmic feel to the synthesizers along with what sound like Flutes to accompany them. Next and finally, Out Of The System adds Techno notation together with staccato drums and more spine-tingling atmosphere for your heightened pleasure.

Release: January 21 2013

http://www.physical-music.com/index.pl

http://soundcloud.com/justbebushwacka

Watch: to accompany the release Frogspawn Creative have produced a video for ‘After The Storm’

 

RB116_TheoParrish_SideATheo Parrish
The Twin Cities EP
Robsoul Recordings

As you can expect from Theo Parish this music is set to challenge you while making dance. Licensed to Robsoul from Rick Wade’s Harmonie Park the title track cleverly blends old-time Jazzy vibes with abrasive percussion to sound both exploratory and feel-good. Backed by a succession of mellow piano notes and punctuated by atmospheric stabs this strange blend binds together disparate elements while retaining an evocative mood that sits somewhere between melancholy reflection and a bizarre hint of Disco, or am I imagining that?  But either way this is tempting, exceptional music. Second track, Dance Sing continues further down the path of your imagination with picturesque ideas played out over equally rough beats, which this time run to over fifteen minutes, yet never once feel uninspired.

release: Jan 18

http://soundcloud.com/kahua-music/sets/rb116

https://www.facebook.com/pages/Theo-Parrish/375955904675

https://www.facebook.com/robsoulrecordings

Robsoul are also running a contest for budding filmmakers to create a video of ‘Dance Sing’ – full information is available at: http://www.robsoulrecordings.com/?p=3048

 

FIXIA 003 2400x2400Anechoic
Visions
Fixia

Returning with their third release sister label Fixia compliment Jamie Anderson’s original Artform with these latest productions from London based artists Roberto and Nick Dubz. Comprised of two equally striking pieces of music, however, it’s The Blind Leading The Blind that hits a particularly resonate chord. Driven by deep pulsating, tribal drums and accompanied by hypnotic ambient repetition this moves beyond the dancefloor into somewhere else creating a unique mood with its own sense of sound and voice – a great composition. Visions, on the other hand feels that bit tougher, mainly because of the Techno bass, which along with brighter synths is a perkier, more energetic affair.

Full release: January 2013

http://www.junodownload.com/products/anechoic-vision/2081505-02/

http://www.dj-jamieanderson.co.uk

 

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