P.Leone Q&A

Hello and welcome to Magazine Sixty, P.Leone. Your new release for Rekids Special Projects: Chances We Take EP features four very hot tracks. Could you talk us through how you produced Rose Petal Breaks and where the idea for the title came from?

The idea for Rose Petal Breaks came to life by wanting to combine some home made breaks I finished which I didn’t have a means of using. The title was really just a play on words – seemingly light but not at all really.

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How did you team up with the label? And what does having your music released on a vinyl-only series mean to you?

I met Matt Edwards through Spencer Parker…Spen suggested I send over some files to Matt and the rest is history. It’s my first time being a part of a vinyl only series and I think it’s something that is absolutely timeless. I’m extremely thankful for that.

How and where did you learn to produce music?

Loads and loads of trial and error in software and hardware, not to mention absolutely harassing my close friends who had been producing for a bit longer than I have 🙂

How have you found the experience of setting up your own label E-MISSIONS, along with Caizzo? And can you share with us any future plans for developing it?

It’s always hard learning all the inner workings of something, particularly because it was so new to myself and Caiazzo. I’d say after 002 it just became a sort of formula which I think is usually the case with new labels – finding that formula that works and just repeating that over and over again. In terms of future plans… hmmmmm got some humans – specifically two of ‘em! A duo from DC making some of the best techno I’ve heard in years and I can’t wait to put out their record…

The artwork for the label looks really impressive. Who designs it? And can you tell us about the concept behind it?

Huge shout out to one of our close friends who has been with us since day one and has absolutely turned any idea me and Caiazzo had into a reality – Alex Seamens AKA Cranks. In terms of the concept it’s just whatever we can think of within the moment. Sometimes it’s relevant to the actual project and sometimes its not. What Alex is able to do is really incredible and it just gets better when he goes off and gets really creative because he understands the labels aesthetic – we really got lucky with having him on board <3

How would you compare the experience of New York with living in Berlin?

Well they’re two very different cities. Berlin clubs thrive later than most clubs around the world. For someone like myself, who is born and raised in New York, I can’t truly compare the cities. However, even though Berlin is so important for my career and I’m truly falling in love with it, no matter what New York will always be my first love

You are due to play back in New York at Le Bain on February 23 to celebrate the EP’s release? How did the event get organised and how did it feel to play at the night?

Playing at Le Bain for the ‘Chances We Take’ release party was really special and I had some butterflies …nobody wants to blow it at their own release party so I’m happy it went really well!

And finally. What are your thoughts on Techno in general? Do you feel that it is in a healthy, moving-forward position and what is exciting you about 2018?

I think it’s forever growing! And it’s beautiful to see more and more artists be welcomed by it or drawn towards it. I don’t think there’s a dance floor in the world that doesn’t need more dancers 😉 In 2018 I think it’s gonna be a year where I do my best to show some experimentation not too too far from my original projects but I guess to stretch my legs out a bit!

https://www.e-missions.nyc

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P. Leone – Chances We Take EP – Rekids Special Projects

I couldn’t exactly explain why Rekids are quite so important at the moment. Obviously they release music that challenges, excites and moves forward but also perhaps because the simmering, violent intensity produced by P. Leone on Rose Petal Breaks is simply breath-taking. Add to that, at a relevantly short six minutes of brutal drums, brisk crisp stabs plus a heady rush of sheer energy this demands repeated play. Next, Noon Service gives cause for concern with its gritty combination of punctuated keys and quick-fire percussion which, is fair to say, leaves your brain in a confused state. The unforgiving tempo of Hold Me Down follows in rapid succession, leaving the not so introspective Sometimes I Feel Strong to end care of another blistering array of beats, bass and chaos. Beautiful Vinyl Only.

Release: February 16
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