My Favorite Robot Records
For openers I canâ€™t really recommend this album highly enough. But donâ€™t go expecting gospel inspired cliques either lyrically or musically, however what you do get is creative, forward-thinking sounds that all at once engage and challenge you. Of course, this being My Favorite Robot Records you probably guessed that bit already. Love the guitars on Rain, the delightfully sleazy vocals on Minireich (feat. Sex Judas & Rupert Cross), and the dreamy electronics generated by the concluding Backseat Reflexion. The remainder is equally invigorating too blending moods, words and atmosphereâ€™s notably together alongside the starry array of guests. Listen for yourself below!
release: October 28
Bay 6 EP
This excellent set of productions from DAVI, who you will already know from his releases on Crosstown Rebels, now comes to light in their own right. Three tracks beginning with The Bay 6 (Pt. 1) which comprises of tense, plucked guitar lines alongside what is undoubtedly the EPâ€™s signature: deep, brooding bass complimented by swirling textures of sound that give the music real depth. (Pt.2) replays those very elements, while third number The Time Has Come is perhaps the standout simply because of the heightened sense of emotion it captures. There is an almost a cinematic quality to this arrangement coupled to what is certainly a first-rate production.
Paul C & Paolo Martini
Paolo Martini (of Bini & Martini fame) and fellow Italian Paul C deliver one of my favourite Hot Creations releases in a while. The title track, Get This! is simply a case of turn it up! Especially once that bassline hits with you with all the fevered determination it can muster. Then powered by hot tribal drums, plus nagging synth lines, these six minutes of sheer pleasure proceed to lift and drop in just the right places complimented by sometimes sinister voices. Bull Revenge is an altogether funkier affair with an infectious loop of guitar and snazzy percussion, leaving the pulsating Flying Lizard to end on a repetitive high.
release: November 4
Oba, LÃ¡ Vem Ela
Mr Bongo Records
With the autumn sunshine breaking through the grey clouds this morning Oba, LÃ¡ Vem Ela plays like the perfect accompaniment to the change in seasons. A brave and substantial cover of Brazilâ€™s Jorge Ben (wrote Mas Que Nada!) by Swedish folk rock band Junip but one which they pull it off in style with their introspective melodies drifting most pleasingly over a sea of strummed acoustic guitars and spine-tingling synths – Balearic heaven. Fans of the band will also know that ‘Line of Fire’ was used to advertise the last series of Breaking Bad, which says it all really. The track also features on the labels forthcoming â€˜Brazilian Beats 7â€™ so thatâ€™s something to look for too.
Why Can’t We Live Together: Expanded Version
Big Break Records/ TK Records
Originally released in 1972 the single Why Canâ€™t We Live Together is one of those defining moments whose impassioned plea for unity still resonates today (with the possible exception of politicians). Its defining sounds were the percussion played by Thomas on his Lowery organ, which also produced the raspy chords and notes to embellish the vocals. And in one sense itâ€™s that very combination that peppers the album throughout working particularly well on The Chi-lites cover â€˜The Coldest Days Of My Life.â€™ The smoky, soulfulness of his voice is also notable on Dizzy Dizzy World and on this expanded edition bonus track People Are Changing, with the surprisingly up-tempo Funky Me finishing in a blaze of fiery percussion and pumping bass!