reviews:64

The Salsoul Orchestra
The Salsoul Orchestra
Salsoul Records

Listening to The Salsoul Orchestra it becomes easy to understand why some people choose to live in the past, despite 1975 seeming like such a very long time ago. Never-the-less their blend of fiery Latin inspired Disco will always stand out because of the punch it packs, and with those dreamy minor chords playing so perfectly together your imagination is left free to run riot. Can’t say there is a filler on here and if the horn blasts, string lines and Vincent Montana Jr’s sublime vibes sometimes feel noticeably familiar then that’s because some of the players have also played on various other classics, both on Salsoul and beyond. However, I guess for me three tracks are particularly indispensible: Chicago Bus Stop (Ohh, I Love It), Tale Of Three Cities, and You’re Just The Right Size. All sassy, each suggestive in their own right – the latter’s title couldn’t be more direct! And, as with all in this series of reissues from bbr the accompanying sleeve notes are essential reading. Go try it on for yourself.

http://www.cherryred.co.uk/shopexd.asp?id=3771

 

Rob Pearson & Jay Dynan
The Babestation EP
ARTHOUSE

It’s tempting to speculate about the meaning of the EP’s title, but…l’ll pass on that for now. The confidence of this production is obvious as the bassline and drums entice you straight from the off. In fact, it’s one of those combinations that could simply run on a loop and you would repeatedly love it. Babestation, employs unnerving sounds and fx, and feels consistently imaginative with that said killer combination running the duration alongside minimal appearances from Trumpet and deadpan voices. Naughty Von Shuffler continues the theme with its dark blend of Tech sensibilities and crisp values, while third track Neigh Your Neighbour feels friskier with perky percussion and expanding sounds. Label boss Jamie Anderson rounds things off with a deeper interpretation which, as always, hits the spot.

release: October 8

http://soundcloud.com/arthouserecords

https://www.facebook.com/artformrecords

http://www.dj-jamieanderson.co.uk

 

Soul Camp
Wonder EP
Something Different Records

Berlin producers Werner Niedermeier and Sefty Sersseludis are the names behind Soul Camp Recordings and now bring their captivating sound to Something Different. The label’s been busy of late and for me this is one of their strongest releases to date with I Wonder If You Know combining atmospheric electronics together with sharp European synth lines and beguiling, tripped out voices. There’s something almost early 90’s Murk about this, so can’t think of any better compliment than that for this invigorating piece of music. Sean Danke provides a great remix by adding extra energy to the drums while retaining the sense of mystery. Leaving, Baby Don’t Go to again creatively fuse the dots together, while still feeling emotive, and surprisingly, even more powerful via the inclusion of some fevered stabs.

release: October 16

http://soundcloud.com/somethingdifferentrecords

https://www.facebook.com/pages/Soul-Camp/124710637623472

https://www.facebook.com/#!/somethingdifferentrecords?fref=ts

 

John Alvarez
Berlin Calls
Celestial Recordings

Something about this production lends itself to a dark room and a Function One sound system. Opening track, Gritty Tails is one of the most involving recordings I’ve heard in a while when it comes down to tension building blocks. Someone is clearly very talented. I for one can’t get enough of the explosive sounds which pepper the arrangement, and the devastatingly simple array of drums that couldn’t feel huger if they tried. In fact, I’m going to play it again – LOUDER. The two remaining tracks are no less impressive with Nocturnal coming a close second…

http://www.celestialrecordings.net/

http://soundcloud.com/celestial-recordings

 

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Reviews:17

                                                             

Sean Danke

‘Breath/ Leeks’

Something Different Records

Always good to start at the beginning as Jesus Pablo and Di Riviera celebrate their brand new imprint with this from Sean Danke. A name no doubt many of you are familiar with as the Reykjavik resident delivers what could suggestively be called techno at a strident tempo to match. However there’s something particularly infectious about the repeatedly disturbing voices and their accompanying syncopation as generated by Breath, can’t quite put my finger on exactly why but then that’s part of the appeal. Martijn remixes with typical flair and imaginatively pitches down the mood, although as it turns out with no less intensity with plenty of funky sequences on offer. Leeks, feels lighter in comparison, the piano helps, and spans nine minutes of invigorating danceable music. Philipp Ort then remixes the piano with added sparkle and layers of chords into warmer atmospheres to finish off round one. 8

release: 25 Oct 2011

http://www.facebook.com/somethingdifferentrecords

 

 

Tracey Thorn

‘Night Time E.P’

Strange Feeling Records

Night Time made perfect sense the second time I played it. Firstly because it’s an XX cover and secondly as Tracey Thorns consistently distinctive voice sounds so very right on this version, which also features a certain Ben watt on guitar and backing vocals alongside Ewan Pearson’s tasteful production. Next, Swimming gets reworked via an excellent re-tweaking of Visionquest’s remix from last year by Pearson. You know you’re in the company of future genius here as this sublime arrangement of fizzing electronic melody sits stunningly with the vocals, and the pay-off is well worth waiting for.  Emotive sounds and swirling atmospheres continue to compete for your attention on Charles Webster’s versions, which both hit the mark just as you would expect from him. 9

 release: 31 Oct 2011

http://www.strangefeelingrecords.com/

 

Darkness Falls

‘Alive In Us’

hfn music/ Fake Diamond Records

This band – there are two of them – have been appearing on the radar since their debut e.p was released last March. Danish duo Josephine Philip and Ina Lindgreen make the kind of noises which you could argue fit autumn like a glove, with pleasantly melancholy songs and sixties musical references – slightly Velvet Underground – floating in a certain direction on the first half of the playlist. You can picture the accompanying film and the scenes therein, which like reading books is just what you want. Produced by Trentemøller tracks such as The Void have the guitars feeling big and twanging while the electronics are wired into swirling moods and so on, conversely tracks like Josephine feel entirely haunting and epic. Paradise Trilogy II sees playful toms and chorus-like vocals combine with searing string sounds that are eerily reminiscent of one Ennio Morricone  – the finishing version III has whistling too . Timeline lifts the sense of melody into dirtier, funkier territory and proves to be one of the best tracks on the album, which as time plays on both the tempo and intensity lift into jumping up and down moments ending up at Hey! This may be a taste you might like to acquire. 7

release: 24 Oct 2011

http://www.myspace.com/darknessfallsmusic

 

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