1978 The Year The UK Turned Day-Glo – Cherry Red Records

1978 felt like the year dot for me. Imagine hearing The Stranglers intoxicating 5 Minutes, The Outcasts crystalline You’re A Disease, Magazine’s Touch And Go or even The Only Ones – Another Girl, Another Planet for the first time. And that’s only from cd one. Previously I got excited by Sweet, Sparks then Alex Harvey and an assortment of bubble-gum probably best forgotten. But the cross-section which this year signified saw the excitement of music evolve in differing directions from Sham 69’s Borstal Breakout to the slow introduction of synthesizers, creating the feeling that something else was about to happen. It was a good thing the Sex Pistols exited that year, they said all they had to by that stage.

The next cd opens with Poly Styrene’s X-Ray Spex epic The Day The World Day-Glo which christens this compilation, and that’s one of things I remember most that year was the searing colour of everything from the clothes to the music and words. And yes that was even in Belfast too. Kung Fu International resolutely spat out by John Cooper Clarke is here, the crazy beauty of Ultravox’s Slow Motion as well. UK Subs – Live In A Car plays like a fiery rock n roll flipside to it all, there to remind you about the energetic nihilism still fizzing away.

Disc three begins with what the defining musical moment from that year Public Image Limited’s – Public Image which said so much in a precise three minutes it left you stunned, while proceeding to transform the landscape into what happened next. Then comes Stiff Little Fingers, Alternative Ulster and Scritti Politti 28/8/78 both stretching out politically charged guitars into the ether. One of the most beautiful songs ever written, You Can’t Put Your Arms Around A Memory by Johnny Thunders follows. The Fall contrasts almost everything else, while The Jam’s In The Crowd feels unexpectedly twee in comparison now. 10.15 Saturday Night by The Cure is another forward pointer which meant everything to me that year, though it was the following year I got to see them live at the Ulster hall supporting Siouxsie and the Banshees. Not all of the music may be wonderful but that is also down to personal taste, however what still shines remains excellent. This being Cherry Red you also get fantastic sleeve notes highlighting all that vigorous fun plus the detail of insight this time from the hand of David Wells.

Release: August 28

buy https://www.cherryred.co.uk/product/1978-the-year-the-uk-turned-day-glo-various-artists-3cd/

 

 

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Reviews: 149

Adrian Sherwood
Sherwood At The Controls/ Volume 1/ 1979 – 1984
On-U Sound

Perhaps not always a name that trips off the tongue so much these days but none-the-less one the of the UK’s key producers as this first in line re-issue of his work proudly testifies. You only need look at the track list to qualify that statement and to see the calibre of the people he worked with too – all of which, perhaps, makes you feel just that little bit nostalgic. His trademark ‘Dub’ sound is of course very much in evidence but what also astounds you here is the breadth of styles employed across the selection i.e. that not everything sounds identikit. Artists include Mark Stewart, The Fall, The Slits, Prince Far I, and Annie Anxiety’s gloriously difficult Third Gear Kills, and by far sounds like anything as radical as you are likely to hear this side of Ibiza!?!

http://www.on-usound.com
http://www.adriansherwood.com
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https://twitter.com/onusherwood

https://www.youtube.com/watch?v=IxJLCI3qDJg

Single of the Week

Josh Wink
Denial
Ovum Recordings

With its ‘Live in the future’ refrain strolling around the arrangement this excellent production from Josh Wink is light years beyond Higher State Of Consciousness (released some 20 years ago!) but which feels just as explosive, albeit in a different way. If its Acid you require then the appropriately named Prise D’acid is inevitably the version you’re after, and won’t disappoint. However, the atmospheric qualities of the original are just as rewarding with emotive pads joining the pulsating rhythm section later on. Meanwhile the Tweak Dub strips it all down to basics via a pulsating drum machine and bubbling synth lines to complete this first rate release.

Release: April 20

www.facebook.com/joshwinkofficial
www.joshwink.com
www.twitter.com/joshwink1

https://soundcloud.com/joshwinkofficial/preview-denial-eyes-closed

Textures 7AM
Concrete Music Paris

Released as three parts of an intriguing whole this individual edition of the sequence finds itself with the 7AM time-stamp. An ambitious project via the Paris club sees Concrete further establish its diverse identity with four equally striking productions. Chris Mitchell’s intense yet blissful ‘Parallel Symbiotic’ opens with a blur of electricity feeling distinctly emotive and is followed by Lowris ‘C_Crete’ which delivers syncopated edginess accompanied by inviting hints of deepness. Matthew Herbert’s African flavoured ‘Earthenware’ is next composing another captivating listen, while Lazare Hoche’s suitably energetic ‘Spank’ finishes with a creative combination of swirling atmospheric sounds and banging beats.

http://concreteparis.fr/index.php?page=Home

https://soundcloud.com/concretemusicparis/sets/textures-7am/s-xWxYq

HNNY
Solsidan/Alby EP
Let’s Play House

The idea of revelling in the summer ambience to the intro of Solsidan on loop is very appealing indeed, especially with the sun shining outside. HNNY’s cool combination of jazzy inspired Disco vocals and chords captures the mood perfectly easing you down into recline mode. The Avalon Emerson version pumps up the rhythm with punctuating beats but quite naturally loses the warmer emotion in the process. Second original, Alby replays more classic tones with meandering breezy organ lines playing over crunchy breaks and again feels super sunny, with the Ana Helder Remix re-tweaking the sample for an edgier rendition, though likewise you may still yearn for the more soulful aspects of both originals.

Release: April 20
www.lphnyc.com

https://soundcloud.com/thump/hnny-solsidan

Gunman
Purity Ball
Rüttelplatten

Despite the suspect reference of the title this proves to be a cut above the usual House cliques as its undulating funkiness produced by Gunman is all about sparking your imagination. It doesn’t stop there either as engaging vocal cut-ups combine with warm contrasting keyboard surges and a playful arrangement. The Snuff Crew version follows with harder beats and snappy percussion fuelling a 90’s styled organ punctuated instrumental take on the above, and if anything feeling just that bit more urgent.

Release: April 15 Vinyl / 30 Digital
www.shakerplates.com

https://soundcloud.com/djgunman/rupl003-gunman-purity-ball-orginal

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