Ending the year on a high with a couple of classic albums recently re-released. Thank you to everyone who has taken the time to read, enjoy, or otherwise, Magazine Sixty’s reviews and views on… 🙂
The Salsoul Orchestra
Heat It Up
Big Break Records/ Salsoul Records
Not sure if the close-up of a rather pert bottom in denim hot pants is something that will grab your attention or not, but bypassing the acceptable face of 1982’s front cover and onto the music. Formed from former members of Philadelphia International house band, MFSB, The Salsoul Orchestra under Vince Montana Jr. went onto score some truly classic Disco moments, although by the time of this release the world had moved on somewhat – however that’s not to underplay Patrick Adams stellar production of the album. None the less, this does contain some era defining tracks such as Jocelyn Brown’s sublimely vocalled, ‘Take Some Time Out For Love’ and the sassy string enhanced tones of Carol Bramble’s, ‘Comin’ at Cha’. As thankfully is the way with this series of remasterd reissues from BBR the twelve inch mixes of the relevant tracks are also included, which in this case has the added bonus of Shep Pettibone’s version of, ‘Ooh I Love It (Love Break)’ and his extended remix of, Seconds featuring the timeless Loleatta Holloway.
Let Me Party With You
Gold Mind Records/ BBR
Opening with the album’s title track Bunny Sigler sure knows a slinky funk groove when he hears it. Indeed, Instant Funk’s apt name pays testament to the music they played to back up Sigler’s captivating vocals, while spreading a smile firmly across your face – and never a dull second across its twelve and a half minutes! Of course it’s also all helped out by Tom Moulton’s production prowess lending the album a tougher groove that still sounds just a hot as it doubtless did in 1978. The proceeding Your Love Is So Good comes a pretty close party-time second but decide for yourself below.
Salsoul (Expanded Edition)
BBR/ Mericana Records
I love this album from start to finish simply because it drips with the sort of summertime rhythms that make you wish you where somewhere else. Plus, that it contains one of my favourite tracks, Latin Strut, but also that this album gave one of the best dance labels to emerge from the 70’s its name (Bataan co-founded Salsoul Records with the Cayre brothers but soon relinquished his stake). Great impassioned, raw vocals adore the fiery horn, piano and guitar drenched long player throughout giving it that gritty ‘sound of the streets, 1974’ feel, that may sound unprocessed and dated now but is always relevant via its sheer soulful energy.