Tim “Love” Lee

Gramme
Fascination
Tummy Touch Records

Gramme’s long overdue but most welcome debut album sounds more than exciting in 2013 than it could have done at any time in the past. Because just like everything else takes its cues from historical influences which in this case range from the genius of ESG to Liquid Liquid etc – i.e. Gramme live in inspired company! But moving beyond easy comparisons, and from their initial EP released way back in 1999, this collection of spiky Punk-Funk and interesting soundscapes is also an edgy blend of razor sharp vocals and hot danceable grooves. Try the heavy percussion of Rough News or indeed the punchy Acid of Laugh Out Loud for potential starters. However the Factory referencing rhythms exist far outside of Manchester’s winter grey and are broadcast via the colourful imagination of Tim â€œLoveâ€ Lee’s NYC record label Tummy Touch. Check the videos for the very excellent â€˜Girls Talk’ & â€˜Too High’ below and get animated.

release: February 18

FREE DOWNLOAD of Too High https://soundcloud.com/tummytouch/too-high

https://twitter.com/wearegramme

https://www.facebook.com/GRAMMEBAND?fref=ts

Nail
BPMs Vol.1
Airdrop

Initially only released in 2011 through his website GFI Music this collection of smoky grooves now gets a full vinyl outing. Nail aka Neil â€œNailâ€ Tolliday is perhaps best known as one half of Bent, however this evocative blend of all and sundry feels just as delightfully imaginative as much as it does tough and raw-edged. Kicking off is the superb Bad Drainage with its stunning chords and liquid bassline proving that this is music to get lost in and/ or move too if you so desire. Never falling easily into any one category, which is certainly part of the enviable charm, this hints at funk on the closing Blueberry Pill while journeying through the gritty Dub of Fucked Off along the way. Beats Per Minute….

release: February 11

http://gfimusic.bandcamp.com/

https://www.facebook.com/GFImusic

Junior Gee
Don’t Do That EP
Something Different Records

Keeping up the pressure from Something Different is Junior Gee’s latest title. Put simply Don’t Do That is devastating heavy-duty House music that again sees the label move in a more exciting direction. Powered by a hypnotic drum loop and insistent hi-hats this comprises of a peculiar amalgamation of sounds that sit somewhere between clocks and piano, but which result in this notably original production. Stop and Spin delivers yet more of those pounding grooves, leaving the more topical This Society to play out with jazzy snares, dark messages and strange notation. Excellent.

release: March 11

https://www.facebook.com/juniorgeeuk

https://soundcloud.com/junior-gee

http://somethingdifferentrecords.com/

https://www.facebook.com/somethingdifferentrecords

Tom Budden & Forrest
Lady Is Trouble EP
Gruuv

It’s always refreshing to hear melody adding colour to music and with the first release of the new year from Audiojack’s Gruuv imprint that’s exactly what happens. Emotive, breathy vocals adorn the original version of this in style as bass punctuated rhythms succeed in giving it all a frisky edge. Remixes come from Chris James aka Coat Of Arms who treats the voice to a sizzling variety of pulsating electro beats and deep keys. Plus from X-Press 2 whose version applies tribal flavour to the drums backed up by weird and wonderful synths creating a defining edge. Next, is Tom Budden’s own production Falling which sees chiming basslines offset by funky handclaps that you just know are going to sound absolutely huge on the right sound system. OOFT! supply the remix with classic Chicago/ Detroit influences sounding every bit as big as that suggests.

release: March 4

http://www.tombudden.co.uk/

https://www.facebook.com/forrestmusic

https://soundcloud.com/gruuv

Tony Barbato
1961
Favouritizm

Italian producer / DJ Tony Barbato sets the clock back to 1961 to relay his message about war and cash, which is no doubt a timely one from then to now. Although, perhaps the breezy combination of melody and music, albeit with a taught funky backing, lend themselves better to sunshine listening rather than such serious subject matter. Jazzanova/ Sonar Kollekitv stalwart Alex Barck then rearranges the sentiments to give the vocal more depth of feeling while adding a contemporary twist to the production via tense percussion and moody synths . Last but certainly not least is Patrick Podage’s excellent remix with its deliciously in-vogue bassline coupled with undulating electronics that award the edgy selection of treated words a heavy impact.

release: March 12

https://www.facebook.com/djtonybarbato

https://www.facebook.com/sarah.favouritizm/info

How and when did Tummy Touch/ Tummy Touch Music Group come about?

Tummy Touch started out as a club night in Nottingham in about 1993 when I got fired from my regular “Acid Jazz” gig at The Box. The label came about quite by accident in 1996 after I’d moved to London. I had another label at the time, Peace Feast that was kind of dubbed out and trippy down tempo stuff. My buddy Tony Global had made a track for the label but it ended up being a totally uptempo filtered disco thing, which was kind of a new sound back then, so I had to start a brand new label for it. Since then we’ve expanded to be involved in Music Publishing, Artist & Catalogue Management and all sorts of other music related activities, hence the Tummy Touch Music Group – it pretty much covers everything I do during my waking hours.

Tell us about the new album ‘Fully Bearded’ and the idea behind it – any particular favourite tracks?

I’ve always been inspired by the way dub producers created new music by taking stuff away from a track, rather than adding to it or changing it entirely, and the totally unrestrained use of technology to really mess with the sounds. That’s always been part of my sound, both as a producer and a DJ, and I wanted to make it pretty clear to the outside world and the compilation seemed like the best vehicle for that. My favourite track on the album is “Dub One” from Bud Bongo as it’s one my first dubs and I still remember how much fun I was having, flying the mixing board like it was a 747 coming in to land.
Â
What are your thoughts on the Vinyl vs. Digital debate?

I actually love to use the Pioneer CDJs, you can do so much fun stuff with them and they do sound pretty decent. Nothing beats the sound of a well pressed 12″ but nothing can ruin a good set quite like a badly pressed LP that’s feeding back and jumping all over the place. Not a fan of using a laptop though, that’s just not sexy – ask the ladies!
Â
How do you approach production, do you have a favourite piece of studio equipment/ instrument?

I have a few starting points for my productions, depending on what I’m doing. My favourite approach is just plugging in the synths (especially the Macbeth Studio Systems M5) and fucking around for a couple of hours, that’ll usually take me somewhere pretty interesting!
Â
The label is sponsoring the Music & Sound Awards. Tell us about it?

I’m hoping it means lots of free booze, but also a chance to get together with the advertising folk who are so important to nurturing new talent and getting new music heard these days.

http://tummytouch.com