reviews:103

Tim Paris
Dancers
My Favorite Robot Records

MFRCD086CD cover artFor openers I can’t really recommend this album highly enough. But don’t go expecting gospel inspired cliques either lyrically or musically, however what you do get is creative, forward-thinking sounds that all at once engage and challenge you. Of course, this being My Favorite Robot Records you probably guessed that bit already. Love the guitars on Rain, the delightfully sleazy vocals on Minireich (feat. Sex Judas & Rupert Cross), and the dreamy electronics generated by the concluding Backseat Reflexion. The remainder is equally invigorating too blending moods, words and atmosphere’s notably together alongside the starry array of guests. Listen for yourself below!

release: October 28

https://www.facebook.com/djtimparis

http://www.myfavoriterobotrecords.com

 

DAVI
Bay 6 EP
Anjunadeep

daviThis excellent set of productions from DAVI, who you will already know from his releases on Crosstown Rebels, now comes to light in their own right. Three tracks beginning with The Bay 6 (Pt. 1) which comprises of tense, plucked guitar lines alongside what is undoubtedly the EP’s signature: deep, brooding bass complimented by swirling textures of sound that give the music real depth. (Pt.2) replays those very elements, while third number The Time Has Come is perhaps the standout simply because of the heightened sense of emotion it captures. There is an almost a cinematic quality to this arrangement coupled to what is certainly a first-rate production.

http://www.anjunadeep.com

 

Paul C & Paolo Martini
Get This!
Hot Creations

Hot39Paolo Martini (of Bini & Martini fame) and fellow Italian Paul C deliver one of my favourite Hot Creations releases in a while. The title track, Get This! is simply a case of turn it up! Especially once that bassline hits with you with all the fevered determination it can muster. Then powered by hot tribal drums, plus nagging synth lines, these six minutes of sheer pleasure proceed to lift and drop in just the right places complimented by sometimes sinister voices. Bull Revenge is an altogether funkier affair with an infectious loop of guitar and snazzy percussion, leaving the pulsating Flying Lizard to end on a repetitive high.

release: November 4

https://www.facebook.com/PaulCPaoloMartini

http://www.paulsboutique.dj

http://www.hotcreations.com

 

Junip
Oba, Lá Vem Ela
Mr Bongo Records

JunipWith the autumn sunshine breaking through the grey clouds this morning Oba, Lá Vem Ela plays like the perfect accompaniment to the change in seasons. A brave and substantial cover of Brazil’s Jorge Ben (wrote Mas Que Nada!) by Swedish folk rock band Junip but one which they pull it off in style with their introspective melodies drifting most pleasingly over a sea of strummed acoustic guitars and spine-tingling synths – Balearic heaven. Fans of the band will also know that ‘Line of Fire’ was used to advertise the last series of Breaking Bad, which says it all really. The track also features on the labels forthcoming ‘Brazilian Beats 7’ so that’s something to look for too.

https://www.facebook.com/junipmusic

http://www.mrbongo.com

 

Timmy Thomas
Why Can’t We Live Together: Expanded Version
Big Break Records/ TK Records

timmyOriginally released in 1972 the single Why Can’t We Live Together is one of those defining moments whose impassioned plea for unity still resonates today (with the possible exception of politicians). Its defining sounds were the percussion played by Thomas on his Lowery organ, which also produced the raspy chords and notes to embellish the vocals. And in one sense it’s that very combination that peppers the album throughout working particularly well on The Chi-lites cover ‘The Coldest Days Of My Life.’ The smoky, soulfulness of his voice is also notable on Dizzy Dizzy World and on this expanded edition bonus track People Are Changing, with the surprisingly up-tempo Funky Me finishing in a blaze of fiery percussion and pumping bass!

http://www.cherryred.co.uk/shopexd.asp?id=4337

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reviews:41

Simon Baker
Osaka Nights EP
Leftroom Ltd

Human Mystery kicks off this excellent release from Leftroom by combining ultra-funky breaks with an uber squelchy bassline that does little else bar rock. There are subtleties in the production too as the arrangement ultimately develops into a shuffling electro groove with atmospheric synth lines lending this a distinctly unique quality. Pezzner provides the remix by way of an alternative b-line that feels tastefully dark alongside the f***ked up voices and sizzling hi-hats. Next, Pick Em Up engages in self-fulfilling prophecy with twisted vocals and pounding rhythms feeling funky and industrial, and this again develops the theme into some creative surprises. The title track proceeds to get marginally deeper with classic House bass and energetic percussion firing it all up, as Pezzner’s second remix relies on chopped up keys and moody pads to provide another oblique angle. 9

release: 26 March

http://soundcloud.com/leftroom/sets/simon-baker-osaka-nights-ep

http://www.leftroom.com/

 

Willie Graff  & Tuccillo
Phonomontage EP
Freerange Records

Time for the third EP from Willie Graff  & Tuccillo for Freerange and it will come as no surprise that this again pushes all the right buttons. Set Me Free kicks off as they mean to go on by replaying a classic Disco loop, this time it’s pitched to mid-tempo, which is then excitedly filtered leaving the vocal to repeat into ecstasy against a notably rasping bass. Get It On speeds up for dancefloor action with another familiar sample reworked over sassy percussion and punctuated snares. Lunar Feelings completes with, as the title would suggest, the most intriguing cut from the EP blending pulsating organ chords together with funky rhythms and sumptuous atmospheres, which it has to be said conjure up a treat. 8

release: vinyl 26 March/ digital 30 April

http://www.freerangerecords.co.uk/

 

Angus Jefford
Bumpin EP
Say Ahh Records

Manchester-based producer Angus Jefford once again strikes the thoughtful balance between classic and contemporary sounds that artistically reference the past without boring you to death by it. Which is a roundabout way of saying his latest production for MK/ Scottie Deep’s Say Ahh is a killer. I love all the influences and the way they are shaping music right now, but also how the sounds are progressed and twisted into today. Both versions of Bumpin’ lay testament to that with pulsating organ bass notes and deep beats feeling very addictive peaking at an incendiary breakdown. Fever Fever follows sounding fresh with invigorating electronics, leaving The Culture to finish by playing splashing hats against heavy-duty basslines and simmering keys, all of which is best described as explosive. More please. 9

release: 26 March

http://soundcloud.com/angusjefford/sets/angus-jefford-bumpin-ep-say/

http://www.sayahhrecords.com/Say_Ahh%21_Records.html

 

Darabi & Tim Paris
Various Items 2
Items And Things

Berlin based Items And Things forge ahead with another striking release which sees both Darabi and Tim Paris deliver tracks on the labels thirteenth release. The former has, Player setting sinister voices against a hypnotic backdrop of robotic beats and dark bass. The later gives you, Too Close with Sex Judas. Which feels delightfully sleazy over Chicago inspired sounds that reward all that European influence by joining the dots between the 80’s and now.  You’ve got to love it. 9

release: 16 March

http://soundcloud.com/itemsandthings/sets/darabi-tim-paris-various-items/

http://www.iheartitems.com/

 

The Headhunters
Survival Of The Fittest/ Straight From The Gate
R2 Records

Don’t you just love re-issues. Leaving the vinyl vs. digital debate aside this series from R2 Records is something to get very excited about as past classics are re-mastered and repackaged for 2012, and beyond. But most importantly of course is the music and what finer way to start than with two gems from The Headhunters. Their first without Herbie Hancock (whose seminal debut is still seminal, although produced by him) opens with God Make Me Funky and continues the journey that began to explore the possibilities of Jazz/ Funk fusion.  The follow-up, Straight From The Gate proceeds as the series releases two albums from each artist and if anything gets all the more cosmic in scope by reaching for the edges that bands like Steely Dan also gravitated towards. Dexterity is always assured whatever your preference may be and both these albums could no doubt be described as essential in any language.  9

release: 20 March

http://www.r2records.com/classics-series/


 

 

 

 

 

 

 

 

 

 

Thelma Jones
Thelma Jones
Big Break Records/ Sony Music

Released just over ten years after her first single, The House That Jack Built (also sung by Aretha Franklin) Thelma Jones’ debut album features a few well known covers such as I Second That Emotion and Now That We’ve Found Love. While undoubtedly possessing a beautiful voice the music feels a touch too middle of the road at times – though I guess that may depend on how adult you feel. Although, on How Long the sheer emotion of the vocal delivery and accompanying mid-tempo groove combine to perfection, and the album is worth buying for this experience alone. In a similar vein is the Brad Shapiro produced You’re A Song (That I Can’t Stop Singing) with its timely soulful melodies and generated sense of longing that couldn’t feel more personal. 9

http://www.cherryred.co.uk/

 

 

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