A beautifully realised collection music that sees worlds collude in the interplay between sound, revolution and flying colours. Sometime in the 1960’s artists such as The Beatles took note of what was happening in the counter-cultural stream of consciousness populated by the Avant Garde. They, of course, had been tinkering at the edges of what music could be for some time but the influence provided helped shape the next generation of popular albums by expanding what the simple structure of song could be evolving from the basic refrain of I love You, plus by taking the accompanying scale of rock n roll chords to new heights.

Quite naturally Karlheinz Stockhausen and John Cage are ever present, as is Bernard Herrmann whose score for Hitchcock’s Pyscho remains a keynote moment in cinematic history, alongside the unmistakable Ravi Shankar and Jacques Brel. Jazz giants Thelonious Monk, John Coltrane and the Bill Evans Trio, who neatly supply Autumn Leaves, also appear as do a wealth of classical composers from the wonderful Claude Debussy through to Bach. But in many ways it’s the sheer thrill of hearing pieces like Luciano Berio’s Thema (Omaggio A Joyce) with its rugged deconstruction of sound and voice that proves to be the most exciting, certainly dangerous, in ways Rhythm and Blues never was. Followed by Cage’s brutal Williams Mix which sees the clash of quarter-inch magnetic tapes create their own universe this is just about as provocative as it gets. Three CD’s span the concept, each delving into different arenas, each worth their weight in gold. From radical fire to the more traditional, there is quite literally something for everyone to treasure here.

Release: February 21