reviews:45

Alexis Raphael
Into the Light
Hot Creations

Love this. The capitals’ Alexis Raphael captures the invigorating sounds and feel of contemporary House music perfectly with this inspired production. Tempered by strident beats and deliciously dark sounding synths the arrangement sets you up for its fall into bassline nirvana, with a timely nod to early nineties vocal samples’ and a twist of infectious Disco toms into the bargain.  Hot Natured then proceed to deepen the bass and add edgy attitude to their sublimely powerful remix, as second track I Know feels almost church-like in comparison: with heavenly Organ cumulating in a succession of hypnotic handclaps and cheeky selection of yet more classic vocal lines… 9

release: April 23

http://soundcloud.com/alexisraphael/a1-into-the-light

https://www.facebook.com/djalexisraphael

https://www.facebook.com/HotCreationsLabel

 

Cesar Coronado
Crazy Position EP
Flumo Recordings

Cesar Coronado’s debut for the relocated Flumo label sees splashing 909 hats play off against nagging vocal snippets and cool fuzzy chords. Meanwhile, the impressive Atapy Remix gets funky with its Bass while playing pounding synthetic drums as it evolves into a creative collection of electronic notes and pads. However, it’s down to Ed Maddams Soul Dub to transform the mood of it all by breaking up the beats and adding excellent Jazzy tones to a particularly stinking sequence of events. Hats off, this is good. The Way I Feel About You replays another classic vocal from the 90’s over a suitably fashionable b-line to compliment it all stylishly. 8

release: April 24

http://soundcloud.com/kahua-music/sets/flr033

http://www.flumo.com/

 

Joss Moog
That old Feeling
Robsoul Recordings

Have to say I made the mistake of underestimating this when I first heard it. But, much to my delight it’s all you could hope for and more from Parisian Joss Moog, whose distinctive selection of influences hits all the right buttons. Slinky bass and infectiously funky percussion effortlessly work their way into your consciousness as Motown inspired voices and moody chords do all the rest. That Old Feeling:  simple and yet totally effective. As indeed is, Xtra Bass which again plays a collection of beats and breaks as smooth dancefloor filler. The much perkier, That’s What UR follows by adding Disco flavour and the 70’s party-time inflections of Blue Paradise complete. 8

release: April 20

http://www.facebook.com/jossmoogmusic

https://www.facebook.com/robsoulrecordings

 

Manuel Tur
Swans Reflecting Elephants
Freerange

You will be well familiar with Manuel Tur reading Magazine Sixty so it’s a definite pleasure to be introducing you to his new, and second, album for Freerange. Both label and artist espouse certain qualities when it comes to the music they release and thought-provoking tracks such as new single, High Needs Low are a perfect case in point. From heavy-duty deepness to more spacious atmospheres the curiously titled album (via Salvador Dali) never fails but to thrill you with its exploration of ideas about sound and their possibilities. That may sound a touch pretentious but on songs like, Maybe Next Lifetime featuring BlakKat you can get the general idea.  The cinematic collages continue through the uncertain repetition of, Mirrors and on the eerily perfect, Just Love with Elina Monova – whose probing use of vocals lifts the music above and beyond. 8

release: April 23

http://soundcloud.com/manueltur/swans-reflecting-elephants-preview

http://www.freerangerecords.co.uk

Album Launch Party May 4 at Junction Room (London)

http://www.residentadvisor.net/event.aspx?348667

 

Various Artists
Baker Street 5th Anniversary
Baker Street Recordings

Superlative Leeds based label Baker Street celebrates its five years in existence with this collection of choice moments from its past, complimented by a selection of new remixes pointing towards the future.  Split over two CD’s, with the initial featuring the new versions, let’s start with the second as it opens with Matthias Vogt’s killer remix Paul Hardy’s Swirl  – which just so happens to be a favourite from last year. All the labels stalwarts are present here from Moodymanc to Jay Shepheard and Baker Street’s distinctive twist on American House music plays out fluently flitting between moods and instrumentation. The remix CD then comes care off the likes of Murray Richardson, Martijn and also includes the spectacular Lo Tech Remix of Lie To Me, so you know what quality to expect. 8

release: April 23

Free Album Mix http://soundcloud.com/bakerstreetrecordings/5th-anniversary-mixed-by-paul

http://www.bakerstreetrecordings.com/

 

Kellerkind
Basement Story
Sirion Records

Opening with the breezy, Jazz Cafe the album develops its theme with titles like the succinctly funky standout cut, Disco On The Dancefloor and cruises through everything from deeper to techy territory with ease. Although, it’s not always as straight forward as that may sound due to the colourful use of styles which are playfully incorporated into the mix: a hint of Jazz here, a touch of Ska there.  But that’s precisely what makes Basement Story quite so enjoyable. The album also includes a couple of bonus remixes and ends on the down-tempo orchestration of, The Black Cat Gismo for the sheer hell of it. 7

release: April 24

http://soundcloud.com/kellerkind/preview-album-kellerkind

http://www.sirion-records.ch/

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reviews:33

 

Azari & III
‘Azari & III’
Loose Lips Records
/Island Records

If anyone tries to tell you that ‘Things aren’t as good as they used to be’ they obviously haven’t had the positive pleasure of experiencing Azari & III. As an attitude to dullness the album plays like a dream touching on all points from the more Soulful to the blatantly Techno inspired, this selection of music relishes the extremes. While current single, Restless (With Your Love) and with previous ones are included the air of familiarity is offset by the albums now U.K release. Tracks such as the acid infused Tunnel Vision and the mechanically charged Indigo simmer with tension as the production values are never less than dazzling throughout – although not always pretty such as on the deliciously sinister, Manhooker. Sweet dreams are made of this. 10

released: 19 Feb 2012

http://azariandiii.com/

 

 

 

Tony Lionni
‘Higher Ground E.P’
Freerange

Tony Lionni returns the serve with this typically striking production which sees him trace the lines between Techno and House and then blur them. Higher Ground loops a vocal snippet, works it to death over splashing hats and insistent organ with sumptuously deep synth acting as the pay-off – an inspired touch of Jazz. Moomin provides an excellent remix with funky rhythms blending together with a selection of treated instruments. And, if that isn’t enough then the final the e.p’s finale certainly will be. Forever Is A Long Time… begins with Disco drums and ends up reliving a series of classic Deep House moments with exquisite piano and swirling pads: Spine-tingling. 9

release: 23 Jan 2012

http://soundcloud.com/freerangerecords/sets/tony-lionni-higher-ground-ep/

http://www.freerangerecords.co.uk/

 

 

 

 

Murray Richardson
‘Memory Loss’
Baker Street Recordings

The story of House continues with this excellent bass driven production from Murray Richardson. Many of you will be overtly familiar with Baker Street by now but if not then title track Memory Loss is the reason to get acquainted. Bass lines like this are hard to beat and coupled with rattling hats and Detroit stabs this invigorating groove pushes all the right buttons at Magazine Sixty. The curious Sometime Sweet Susan continues by adding up various old-school elements and sounding vital. Remixes of Memory, are from the first-rate Paul Hardy & McKai who not surprisingly retain the B line but spice up the drums and top end to compliment the original, and a hypnotic Gareth Whitehead whose sub is suitably s**t hot! 8

release: 23 Jan 2012

http://soundcloud.com/kahua-music/sets/bsd031

http://www.bakerstreetrecordings.com/

 

 

Lilith
‘Master Codes EP’
Memoria Recordings

Memoria Recordings’ own Lilith plays with numbers on this hard-hitting and deeply involving E.P. Opening track 22, produced along with Timothy Watt, sets hissing 909 hats against moody stabs, weird voices and funky tech rhythms and does nothing if not leave an indelible impression on your mind. Freak You does as the title suggests with menacing sounds and techno attitude. 44 follows the progression with deeper tones and stylish snares, while Circoloco’s Andrew Grant explores yet more tense atmospheres and drum textures on his excellent remix. The Filsonik remix of Freak You rounds off in jackin’ Chicago mode teasing you with its bassline and shuffling percussion. 8

https://www.facebook.com/memoriarecordings#!/memoriarecordings

 

 

Signal Deluxe
Mercado Negro EP
Hidden Recordings

If you like music that challenges your imagination then Mexico City’s Signal Deluxe are most definitely for you. The led track is somewhat epic clocking in at nearly eleven and a half minutes, but don’t let that bother you at this develops a sequence of completely intriguing sounds and vocal treatments all at its own pace – feeling almost ambient at times but with a deadly serious undercurrent too. Or to put that into other words, it’s a stunning piece of electronic music. But then so is the Derek Marin Remix who twists nasty stabs together with trippy vocals and slower beats. The Craft Remix lifts the tempo techno time for its unrelenting version, while the Deepak Sharma & Dieter Krause Remix stretches everything out into sonic extremes and might be something you would like to experience in a dark room (though perhaps not alone!) Again you could use the word exceptional. 9

release: 23 Jan 2012

http://www.hidden-recordings.com/front_content.php?idcat=39

 

 

 

 

Sandy Barber
‘The Best Is Yet To Come’
BBE Records

Sandra Barber was the lead vocalist on Rare Pleasure’s classic ‘Let me Down Easy’ after which she branched out with producer Clyde Otis as a solo artist to release her debut album in 1977. It’s all too easy to review The Best Is Yet To come because you are immediately enveloped in soaring emotive melodies the way only Soul music seems to truly do. The album contains its fair share of down tempo ballads such as the gorgeous I’ll Belong To You/ Yea Baby but also mid-tempo Disco shuffles and even hot boogie action too. Try, I Think I Think I’ll Do Some Stepping (On My Own) which comes with excellent reworkings from John Morales and Al Kent as well as the somewhat suggestive I’ve Got something Good (Come And Get It) for size. You won’t be dissatisfied. 8

http://www.bbemusic.com/

Rare Pleasure ‘Let Me Down Easy’ (1976)

 

Dominic Martin
‘Family Affair’
Lost My Dog

The second in this series highlighting the labels’ prowess sees Glaswegian Dominic Martin select fourteen tracks to mix. You’d be surprised if I didn’t reassure you the music contains the key word, Deep although rarely do the energy levels dip below that required to party. The album contains a handful of new productions along with a couple of notable remixes from Giom, Milton Jackson and Johnny Fiasco who all deliver typically punchy selections. What the tracks do have in likeness is a common bond in the use of funky stabs, warm pads and always crisp beats. Also well worth noting are the smoky down-tempo numbers: New Context and the tastefully Jazzy ‘Last Exit’ which serve to break up the beats and the mix in an extra layer of intrigue. 8

http://soundcloud.com/kahua-music/sets/lmdlp005/

http://www.lostmydog.net/

https://www.facebook.com/lostmydog?sk=app_178091127385

 

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