Dive into the world of Tm Shuffle in Magazine Sixty’s latest interview. Explore his journey through dub techno, the vision behind his label Vuo records, and the lush, immersive soundscapes that define his music. From creative influences to production techniques, this in-depth conversation offers a fascinating insight into one of the genre’s most distinctive voices.
Welcome to Magazine Sixty, Jukka. How would you define the sound of your record label Vuo records? What are the most important things a good piece of music should contain?
Hello and thank you for having me here! For me, Vuo records stands for a sound balanced on moods and feelings for your mind / grooves and drive for your hips. Something that you can also listen to but that makes you want to move. Genre-wise that would go somewhere along deep house and techno, dub techno, dub house. Mysterious, hinting and flirting with sounds and ideas but not being too obvious.
Where did your love of Dub come from? Was it from a Jamaican source or European techno? Can I also hear elements of Ambience and Jazz? Can you tell us about some of the records (from any era) that first inspired you to go in that direction?
I’ve been into electronic music since my youth, from somewhere around 1990-91. First it was Jean-Michelle Jarre, then hardcore techno, trance, Detroit techno and maybe through there, dubtechno. First record that I bought was Sweat by Inner Circle.
The record store I bought it from did not have a listening system and I thought it was another record – a hardcore techno record that went like Ba-ba-ba-ba (probably sampling Ramones). I was disappointed as I got home and found out it was something completely different than I wanted… but it started my record collecting & DJing anyway and I later played that record many times in school discos etc. Then there was a huge 72-hour rave in my hometowm Tampere, guiding me more into proper house and techno.
The first actual dubtechno record for me was M6 by Maurizio.
It hit like a million tons of bricks. Such smooth, easygoing but still deep and grooving. The perfect loop, just going and going. Doing so much without trying too much. I think that is the thing for me… I played it with deephouse and Detroit techno records. That is something I still do and love, going dubby but not being restricted to it. That applies both to Dj’ing and music production.
I do love the Jamaican dub, King Tubby, Scientist etc. Proper wicked things done dubbing with the console. But originally my way in was through electronic music.
Jazz has been there for a long time too. Take Five, the jazzy deephouse records, Rinneradio etc etc. Going through the musical wormholes in that sound too. It was a dream come true to be able to make music with my longtime idol, Tapani Rinne, combining deep dubby house with moody saxophone etc.. He is such an og of Finnish electronic jazz. You can hear our music for example on the Soulful Dubs label, Ohm Series, Spclnch or Motto Sono.
Tell us about: beauty in simplicity? Is life complex enough as it is?
Trying to make simple things is complex. You have to learn and absorb so much before you can have simple output. Life sure is complex but beautiful.
The label’s next release is a collaboration with Monoder and Tapani Rinne on Soulful Dubs 03. In what ways does working together with other artists enhance the creative process? Would you recommend it to everyone?
Collaborations are something I like to do, whether its doing one sound/thing or combining different sounds. You never know beforehand if the chemistry works or not. We tried to do music with JP/Monoder for many times, first before the millennium and maybe once every 5 years after that. We have been good friends and sharing the musical path since those early days but for some reason it didn’t click until our maybe 5th try, around 2018 or so. We knew the chemistry was to be found but it took a few tries… When the chemistry works, the collabs are more than the sum of their parts. I feel we are at that stage with him.
I got to work with Tapani as we I was Dj’ing in a party that had him playing too. I played an obscure dubtechno track with some wicked, spaced-out trumpets. That got his attention and after a small chat we decided to work together. He is such a professional. I send him tracks to check out, he picks one, plays and records a few playovers, I work them on the track and that is it. What he sends is mind-blowing and accurately played, so I don’t need to do much, maybe a touch of delay and reverb, and that’s it. Our first track together was Nighttime, on Soulful 01.
How would you describe the positives and negatives (if there are any) in running your own record label in 2026, given the competition of streaming, and how do you see social media’s promotional role in all of this?
I think running your own label is a continuum of Dj’ing, digging for new music and sharing the good stuff to others. I have always loved the record digging (be it record shops, discogs or youtube-wormholes) and running a record label or 8 gives a chance to present music I get sent and believe in, to others. Nowadays almost everyone has a chance to produce music which means there are a lot of demos to listen to. But finding the good stuff from there is very fulfilling.
I am a vinyl nerd so releasing on wax is the thing for me. I do put out most releases digitally too.
The social media… Yes. You love It and hate it. I guess you can reach out and find similar-minded people through it.
Outside of music, are there any particular artists, writers, painters, cinema, etc. who have had the most influence on what you do?
Besides music, the art of nature moves me the most. Rocks, seas, lakes, forests, animals, the sky.
Tell us about life in Finland as a DJ/ Producer? Do you feel club/electronic music culture is supported there and in what ways?
The culture is some years good and some years not. Currently can’t say its too good. We have a small enthusiastic thing in Tampere which is a blessing but overall, should and could be a lot better.
Listening to your mix for Tilos Radio x Euphonic Moments | RTS.FM Budapest it’s great the way you play with tempo and moods. How would you describe the importance of being a DJ both personally, and what message do you like to convey to an audience?
Thank you! I love to play for the dancefloor but when its more for listening and vibing, its more natural to travel a bit more with the music. I do it for the floor too but it must normally be more subtle. In every case, I don’t want To play just the same sound for the duration of the set but to move around in the music – travel with the moods.
Tell us about your studio setup and the way you like to approach making a piece of music. Do you have any favourite software/hardware you like to use?
My studio is in the basement of my house so I can sneak In there easily. that is very important for me. The setup is pretty limited – 2 turntables and a mixer, proper studio speakers, laptop, some synths & drum machines (mostly Roland Boutique and Aira ranges currently). I like to have some restrictions for the setup, that forces to be more selective with the sounds.
My DAW is Reason, very nice for quick sketching. You have to twist and tweak for it to sound really good in the end but that is something I think i have learned over time.
How do you see electronic music evolving? Where do you see yourself in ten years’ time as an artist?
Really good questions! Really hard to say. I’m a bit afraid that It shatters into even more fragmented little pieces but let’s hope the community and sense of belonging are returned. As for myself, I will be doing what I love.
Vuo records Bandcamp
Vuo records / Tm Shuffle Instagram
Listen to Soulful Dubs 03 on Bandcamp
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