Magazine Sixty
Music reviews and artist interviews
Magazine Sixty brings you reviews and interviews with some of the worlds leading independent artists. Discover excitng new electronic music, revisit seminal classics and hear from the people behind the sounds.
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When you activate Play it could mean any number of things when it comes to hearing Brian Eno. Gathered from this his more reflective palate, collating pieces from installations between 1986 to the present day, here it is about the sense of movement. Of time not standing perfectly still as seemingly familiar patterns of sound
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Hello and welcome to Magazine Sixty, P.Leone. Your new release for Rekids Special Projects: Chances We Take EP features four very hot tracks. Could you talk us through how you produced Rose Petal Breaks and where the idea for the title came from? The idea for Rose Petal Breaks came to life by wanting to
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Mike Kiraly’s brilliantly messed-up production is all at once inescapably funky yet defiantly probing, pushing forward House while also qualifying as an excellent, creative piece of music. Its strange and startling array of sound effects rush across the stereo while vocal hits punch at you amid robust bass and drums. A great production that always
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This spine-tingling, imagination regenerating production from Valdovinos is more than enough to blow out any lingering doubts as to today’s musical resilience. Powered by a strident bassline and drums it’s the addition of powerfully atmospheric sights and sounds that also fuel the arrangement, ranging from trippy voices to repeating temptations and frisky stabs. Remixed by
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Deliciously, pounding production from Celestial’s Steve Kelley which doesn’t pull many, if any, punches igniting the senses via rolling, warm waves of bass alongside suggestive tones and sizzling drums on the title track. The questions then continue to be posed as Clubs or Discotheques follows with taught drums, sparse yet resounding stabs and occasional voices
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Can we start by asking what is Mutant Disco? Mutant Disco is an artist name which we were using a few years ago for some disco releases. We decided to reuse the name because it sums up what our sound is about, our brand of Lo-Fi House veers more towards the disco end of Lo-Fi.
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If music is all about sharing emotion, from whatever source, then James Teej’s latest for Freerange is a clear-cut case of tens across the board. Obviously referencing House Music’s past via the infectious use of samples which are cut-up and reprogrammed into something else altogether, it is so worth the wait as the eventual rush
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