Magazine Sixty
Music reviews and artist interviews
Magazine Sixty brings you reviews and interviews with some of the worlds leading independent artists. Discover excitng new electronic music, revisit seminal classics and hear from the people behind the sounds.
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This is an excellent album. Emotion runs richly from every pour. Check the opening (almost) three minutes of excellence that is the very aptly titled, Soar. It’s rush of heavenly instrumentation is brilliant. Beyond that all the music feels exciting, forward-thinking. The compelling (or to put it another way: fucking awesome), Yom Thorke plays with
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A beautifully realised, brutally executed set of music from Andrew Rasse aka Butane who fires off his second release for his own label. Starting with, Don’t Stop and its punctuating, nagging synth hits which are aided and abetted by a cool succession of hot drums plus low-slung attitude all the way down on this excellent
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I don’t often review music created by Dave Clarke simply for no other reason than it doesn’t fall into the genre’s I write about. Times change however as the suitably spikey attitude of his new albums title spells out something not to miss out on. In fact, The Desecration of Desire is a stunningly, brilliant
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BM is the brand new label by Tokyo’s Takasi Nakajima and this debut release is a great start to the adventure. In no uncertain terms each track merits its own place each touching upon a different angle. Time, begings with a flourish of analogue styled melody that harks back to Nu Groove yet resonates with
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Hello and welcome to Magazine Sixty Snna Oblack & Nacho Arauz. Can we begin by asking a little about your background? How did you first get into DJ’ing/ Producing and which artists/ clubs initially inspired you? Hello, it’s a pleasure to be here with you. When we both started out and were still very small
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Launching the label into the stratosphere is this defiantly lost and found set of four productions which inevitably all bear Brian Cid’s defining hallmarks. Deep, perfectly crafted landscapes of expanding, thoughtful sounds all assemble to confirm what you already knew. The stunning, Third Eye Shut begins the passage journeying into the beyond via a smouldering
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This is an excellent, compelling release of electronic music that clearly seeks to excite and tease you in equal measure. Eversines delivers artful, thought-provoking sound sculptures that contain enough probing human emotion as they do sizzling electricity as is evidenced on the opening, Pyramids. The sumptuous, The Other Side completes the release via atmopspheric rushes
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Aris Kindt is the joint collaboration of Gabe Hedrick and Francis Harris (Scissor and Thread) and this new release provides the follow-up to 2015’s Floods, while also launching the heightened potential of the Kingdoms imprint. It’s not always an easy ride but since when has ‘not-challenging’ been to the benefit of music’s history. However, there
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