If you are not already acquainted with The Underground (DJ agency, Management Company and webzine) then you really should be, especially in light of this initial release on their brand new imprint: Underground Audio. A total of eight tracks comprise Volume one featuring the likes of Finebassen and Dale Howard whose Show Me How and Questions respectively sound suitably invigorating and forward thinking for a new label. JOBE’s excellent Something About Disco which as you can guess from the title explodes in bass fuelled delight accompanied by some, quite frankly, stunning vocal editing. The quality continues throughout as you will experience via the sound clips below, with the remaining music selected from far and wide, ranging from deeper to the funkier, while the emphasis always proudly on the word Underground.
released February 28 vinyl. 25th march (digital)
Jammhot aka Matt Mason, Jamie Adams and Akara Etteh (as you might expect from Huxley and Jimmy Posters label) deliver first rate House Music that plays with your imagination just as much as it moves your body. Chrysalis opens with emotive strings, a playful jazzy bass and a haunting sense of melody that fire up the senses with a lush, cinematic production that is all about tone and texture. Wicked Walk eases the tempo letting its funky bassline provide the energy as another creative selection of sounds adorn yet another accomplished recording. Times When It Was Good, finishes the trio off on a more atmospheric note with crisp drums and yet more of that tasty bass in action.
release: March 11
You can’t escape the sheer sassiness of Classic’s latest release. In fact, I dare you to try not to move to this effortlessly funky, and extremely infectious bassline, that is all about melody and punch. Marc Ashken’s debut for the label gets frisky with vocal treatments and a blatant subject matter that will have you hot under the collar – X-Rated. Love the simplicity of drums which command your attention with only the bare minimum of extra sounds to pad it out. The Zombie Disco Squad Sleeay Ze Remx gets darker with sleazier notation and strident cowbell, leaving the Acid Jam version to fire the whole thing up circa 1988/2013 while getting freaky in the process.
release: March 11
Next in line from Enzo Siragusa’s Fuse imprint is Volume Two with further adventures into deeper territory opening with his and Leifko â€˜In My Head’. Built around an insistent story telling voiceover which is backed up by an uncomplicated arrangement of sizzling percussion and unnerving synths this quickly becomes completely compelling. Next is Seb Zito’s Sunday Morning which proceeds to seamlessly build the tension with tough, tribal beats before dropping a fierce bassline alongside surreal voices. Rich NxT â€˜Flux Two’ finishes with further unsettling vocals alongside flourishes of percussion and heavy stabs all feeling notably atmospheric.
release: March 11
This reminds me of one of my mid eighties residencies and if you’re of a certain age then this nostalgia will hit you all over again. Hi Energy played an important role in shaping the landscape of the early decade’s nightlife with the likes of Patrick Cowley and Bobby Orlando et al producing exciting/ vibrant up-tempo sounds that sprung from 70’s Disco. Wainscott takes the cue from that source, gives it a 2013 twist and plays it straight with tough syncopation, swirling fx and pumping percussion coupled with melodic vocoder vocals. Three different versions follow with a tougher Hi-NRG mix also feeling typically driving.
release: March 4