Single of the Week
It doesn’t come much better than this blistering Acid attack from Full Intention in the form of â€˜Meteor Man’. Indeed, they have always seemingly had one finger on the pulse, much as they did back in the mid 90’s with the Disco infused â€˜America (I Love America)’, which coincidently I reviewed for DMC (Mixmag Update) way back then. Those familiar with 1988 may recognize where the inspiration comes from but none the less the stripped back but devastatingly effective drums and Roland 303 sound epic placed in any decade – PLAY LOUD. Next, â€˜Upside Down’ applies moody electronic basslines to yet more first-rate drums, while final track â€˜Walk Away’ adds a techier sheen to warmer chords and Penny. F’s breathy vocals amid, what has to be said is, a very tasty breakdown of events.
Katzer & Meffert
Katzer & Meffert concoct this strange but very satisfying brew with the title track MG166 combing intense, almost jazzy drums, and moody pads plus occasional vocal snippets to stunning effect. The remaining tracks: Nada Brahma, Shulgain and Zapta all reinforce intricate drumming across their rhythms, alongside atmospheric backdrops and twisted voices. An intriguing bunch of productions for sure, each coming with their very own merit and more than a touch of individuality, although the cinematic moments and evolving percussion of â€˜Shulgain’ are particularly hard to resist.
New Beginnings EP
Flexing bassline muscles and plugging directly into the electronic mainframe is this explosive new release from Graeme L. The remix of â€˜Give It A Chance’ sets the agenda with hard to miss bottom end attacking the senses along with insistent percussion and spot-on beats lending it all a breathless edginess. The Original Mix then follows in deeper fashion, though no less subdued, with whirring sound effects joining in with the commanding vocals again most effectively.
Think About EP
Love this. Stunning production from Helmut Dubnitzky whose carefully crafted arrangements are nothing short of spectacular. â€˜Think About’ starts with repetitive rhythms that require repeat investigation as the music develops with subtle, and so no subtle effects, until the x factor breakdown kicks in. â€˜Clouds In The Sky’ then plays like pure bliss with more tasteful percussion accompanying the organ pulses, leaving the grittier Techno of â€˜Come On’ to end with more than one surprise.