Amirali
In Time
Crosstown Rebels
Even if Amirali played the opening: The Harmonious Song and then left the building you would still be stunned by the collective beauty of the notes spread across the Rhodes. Thankfully the long player continues to revolve developing its journeys through hypnosis that somehow fits the month of May perfectly – at least from where I’m sitting. The playing is never less than outstanding, as is the production, while this collision of ideas appeals to heartwarming melancholy as much as it invigorates the spirit on tracks like the imaginary, Just An Illusion. Love the way expectations are then thrown to the wind as Painting On A Canvas follows on proudly down- tempo while tastefully placing art back where it belongs in music. In fact each track provides its own unique surprise spiraling in directions from the dancefloor to the horizontal with Amirali’s mesmerizing vocals adapting perfectly throughout. And it all sounds so easy… 9
release: May 14
https://www.facebook.com/AmiraliOfficial
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Hurt Russell
Queensbridge Jams EP Vol 1
ILFONX Records
This excellent EP from Belfast based Ilfonx Records opens with the ridiculously good, Soul Kestrel which sounds like choice Jazz and Deep House rolled into an excitable experiment that pays off big time. Love the way all the disparate elements work for position, and that they almost don’t quite sit at ease with each other – that’s Jazz for you – but I highly rate this production for that very reason. And just to prove the diversity, I Can t Go On slows right down to cope with its unfeasibly funky bassline and infectious chopped-up vocals. The equally impressive, Piano Saved My Life finishes off by deepening the mood with sassy percussion and booming beats. Next please. 9
release: May 11
http://soundcloud.com/ilfonx_records
https://www.facebook.com/pages/ILFONX/320674211284715
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Climbers
Laws Of Attraction EP
Culprit
Guess you could say that the opening track, Go With The Flow has it all: crisp, pulsating beats; haunting, energising synths: lots of cool fx and vocal; plus last but never least, a killer bassline. So, yes I love this, and strongly suspect you will too. Climbers aka Jay Blakk and Kiko Deal then proceed to explore more in the way deeply invigorating music with the next three productions, which all develop similar bass infused rhythms over the course of the release – the choice is then yours. 8
release: May 14
http://soundcloud.com/climbers/cp23-climbers-go-with-the-flow
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Cromby
That Girl EP
Extended Play
Second excellent release out of Belfast this week and city stalwarts Extended Play once again do themselves proud. That Girl, opens with fierce, pulsating electro-beats and then gets nasty with classic heavy-duty stabs that are destined to be played out LOUD, but if that doesn’t seem like enough by the time the full vocal hits this is so obviously peak-time business. Feed Those Hoes, turns up the heat further with explosive Detroit bass lines played against crisp hats and percussion, but while I can’t say the Rap works for me the instrumental is original House heaven. Bubba and T-Bone’s tasty FTH remix thinks along similar lines by stripping back the vocal and adding shimmering electronics to the equation, proving to be yet another notable version from the duo. 8
http://www.beatport.com/#release/cromby-that-girl-ep/910060
http://soundcloud.com/cromby/that-girl
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Issac Christopher
Shake That EP
Madhouse RecordsÂ
Three new tracks from Issac Christopher which get back to Madhouse basics and aim straight for the dancefloor. The aptly titled Shake That kicks off with booming beats, shake that body vocals, and brutal basslines all playing like they were made for each other. Been Thru The House, keeps the relentless tempo but adds funkier percussion and imaginative electronics, while I Need You is the deeper of the three with warmer vibes and retro piano all feeling like summertime. 7
http://www.facebook.com/madhouse.recordsÂ
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DJ W!ld
Dirty
Cabin Fever
More thought provoking music as DJ W!ild sets upon us with his second album opening with sound effects warning: please mind the gap between the train and the platform. Dirty then proceeds to play between ambient sequences that lull you into security such as Apres La Plage, and then pulverize you with heavy-duty Kicks on the likes of Voyage (complete with sampled spiritual guidance). If dirty refers to anything in particular then the one thing that’s consistently so throughout are those trademark and edgy beats – although perhaps the answer also lies within the title tracks’ explicit voice over too, with imaginative samples appearing consistently throughout giving the album warmth and colour. Eventually it all reaches an acid drenched climax on Remember and the album contains more than its fair share of dancefloor gems e.g. the hypnotic bassline driven, In Love. 8
http://www.beatport.com/#release/d!rty/904664
http://www.facebook.com/wildthedj
http://www.youtube.com/wildonvidz
Session Victim
The Haunted House Of House
Delusions Of Grandeur
Don’t be fooled by the Vincent Price styled title or indeed by the name of the first track, Dark Sienna – which just so happens to be one of the better Disco sampling records I’ve heard in a while – into thinking this is something sinister. What rapidly strikes you here is the liberal use of cut-up which gives it all a reassuringly familiar feel, that of course and the inherent joyous qualities of those time-scales that are best executed on Zoinks and said title track. Despite the possible limitations that very reliance may suggest the album wisely plays with intriguing moods and tempo working particularly on Bison. However, the up-tempo numbers suit best with the funk fuelled, Good Intentions proving to be a particular favourite with many. While this isn’t challenging or pushing at boundaries in the way the above albums could be said to do, its none the less always welcome at parties. 7
release Date: May 14 (Vinyl/CD) / June 11 (Digital)
http://soundcloud.com/sessionvictim
http://soundcloud.com/delusionsofgrandeur
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Jazzanova
Funkhaus Sessions
Sonar Kollektiv
And so to the ever reliable soulful-funkiness of Jazzanova who are now captured ‘live’ with this selection of old and new music recorded as played in their studio. Great organic feel to the album which grooves and leans in the right direction all along. The musicianship is exactly of the standard we’ve learnt to love but then how could you really go wrong with titles such as Jazz-Funk epic, Theme From Belle Et Fou and I Human. Slow burners such as No Use and the beautiful lyrics and piano of Little Bird vie for attention along with the more dance floor orientated material but quality is, as always, rest assured. 9
release: May 15
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