Cards on the table. I like this very much precisely because it is weird. Occupying spaces between the edges. It doesn’t sound like the carefully constructed, formulaic sound of someone trying the endlessly recreate the past, although the essence of the influences are plain to hear. Ghust is about a brutal yet life-affirming intensity that is reflected across its short time span at just over three minutes, which says more in moments via its crisscross fusion of industrial Detroit and dangerous Cinema than you could imagine.