Notes From The Underground: Radical Music Of The 20th Century – él Records

Where to begin. Like forever calling this collection of exemplarily works celebrates all that was worthwhile of the twentieth century, denoting times, evoking memory, lives lived and lost. Spanning four discs of undeniable pleasure living in the moment is cast aside as history is rewound spelling out the story of humanities rites of passage tuning into a panoramic view of Art, sound and all that that was radically exciting in its wake. If the needle got stuck on Claude Debussy’s Prélude à l’après-midi d’un faune (Prelude to the Afternoon of a Faun) from 1894 who would complain. Breathing life. Igor Stravinsky’s challenging intensity follows suite featuring a collections of bombastic light and shade making you feel lost in a Hitchcock or expressionistic drama of dark celluloid. Contrasts are always informative and no less so than the sonic collages from Karlheinz Stockhausen and Pierre Schaeffer who proceed to delve into unimaginable depths of the soul pulling out incendiary fragments. Then complimented by John Coltrane’s superlative live version of My Favourite Things performed in 1961.

Listening to Edgard Varèse’s incredible 1954 World Premiere of Déserts must have seemed like aliens landing less than a mere ten years after the Second World War. However, music of a different passion is also featured providing that all important light relief in the shape of Vicente Alvarez and his Tropical Orchestra – Tango Argentino. A number of these lighter, seemingly more conventional tracks intersperse the playlist working well as distractions that make the impact of the revolutionary all the more potent. Compositions and interpretations by Miles Davis and Ornette Coleman are also present, while mere words can’t really do justice to hearing Allen Ginsburg recite Howl in all its brutal, shining glory. The wonderful Daphne Oram is here too.

The third disc is primarily given over to the poems by Edith Sitwell accompanied by the music of William Walton, a step too far perhaps but then again. Or the delicate sound of melting hearts care of Bill Evans, My Foolish Heart featuring the eloquent bass playing of Scott LaFaro sounding just like the cinema of life never changes. By the fourth CD energetic heartstrings are played Gustav Mahler’s incredibility poignant Symphony No. 5 in C-sharp minor IV. Adagietto, getting lost in a please don’t ever end moment this must be one of the finest ever compositions. Then, John Cage happens. From 1951. And you think radical music just happened. Out of nowhere. On the music travels.

There are a whole host of other artists not mentioned so far but isn’t that the pleasure of discovery. If you find music a serious exploit then do try this for yourself. You might get a little shocked or even surprised in the process but not dulled by disappointment. Music of genius can be said to be timeless and with release the point is correct.

Release: January 21

www.cherryred.co.uk

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A Revolution In Sound: Pop Culture And The Classical Avant-Garde – Él Records

Startling and stunning in equal measure it is exciting, certainly necessary to get shaken up once in while out of the security of familiarity. As the title of this latest collection of terse, far-out and exotically challenging sounds collide creating a template for you to do so, this is a fast-forward journey into the provocative and evocative. The junction and spirit of inspiration interlinking between Pop Culture And The Classical Avant-Garde is well documented, as indeed are the accompanying sleeve notes here, and this selection of composers, artists and sound manipulators is spread across four cd’s of undoubtable thrills. From Stockhausen to Coltrane extending the hotwire of radical improvisation to the twenty munities of Ravi Shankar’s mystically charged Raga Bilaskhani Todi, from the humanity of Debussy to Bill Evans emotive Jazz this literally plays out like a roller-coaster of emotional highs and lows. Private Dreams and Public Nightmares, created before the BBC Radiophonic Workshop was established in 1958, highlighting (again) the importance of Daphne Oram alongside Desmond Briscoe and Norman Bain with a cut-up of sight and sound is to be found here. The full 27 minutes of Pierre Henry’s Orpheus, the first major work of symphonic concrète music, is included too. All of which merely scratches the surface of a less conventional appreciation of what collections of noise are capable of, just as the beauty of Classical notation likewise ignites the soul. Things and perspective might not quite feel the same after you listen to this…

Release: May 21
https://www.cherryred.co.uk/product/a-revolution-in-sound-pop-culture-the-classical-avant-garde-4cd/

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JOE MEEK РI Hear A New World: The Pioneers Of Electronic Music, An Outer Space Music Fantasy Р̩l records

Joe Meek was a troubled genius who helped define the use of electronics in popular music. Not the most avant-garde as the likes of John Cage, Henri Pousseur, Luciano Berio and György Ligeti ripped up the music sheet of conventional thinking in ways beyond what anyone else at the time was doing, but none the less a self-defining, pioneering producer in his own right. What’s particularly brilliant about this three CD collection is that it files in context the contrasting styles and techniques of all those musical creators alongside England’s own Daphne Oram and the BBC Radiophonic Workshop, plus the many other schools of thought dotted throughout Europe such as Radiotelevisione in Milan and musique concrète in Paris. Their experiments in electronic sound and magnetic tape alongside a radical new use of musical construction offers a rare glimpse into the unknown, yet feels strangely re-assuring like the return of a long lost friend who disappeared somewhere in the analogue of grainy, black and white television. And remember this was all happening in and around the turn of 1960 proposing radical, revolutionary theories only unfettered sound could denote.

But back to Joe Meek whose unreleased concept album: I Hear A New World from that year provides an insight into the opening world of possibilities as you will hear music washed and reverb and echo redefining what Pop could be. Not surprisingly it is a strange, otherworldly exploration which uses atmospheres as much as does treated melodies alongside an illuminating twist on the twang of Rock n Roll. Also included is the celebrated RPM restoration version from 1991 as well as an invaluable booklet detailing more about his life. And, on the story of the development and those involved in electronic music from that period now lost to time. Although not if you listen closely…

https://www.cherryred.co.uk/product/i-hear-a-new-world-the-pioneers-of-electronic-music-an-outer-space-music-fantasy-by-joe-meek-various-artists-3cd-boxset/
https://www.youtube.com/watch?v=ZfZqD2iqxJ0
Luciano Berio: Momenti, per nastro magnetico (1960)
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