Just Her’s striking production strikes at the very heart of why music matters in this day and age. That is to say it engages your mind and soul transforming the world of possibilities on offer to within your grasp. Its expansive, soaring array of sounds capsulate the mood of the moment via its cast of simmering synthesiser notes and brisk drum machines that only serve the introspective vocals faithfully, as it appeared on the labels 20th anniversary compilation. The selection of remixes that follows transforms or transports the original into somewhere else from the tougher more up-tempo rendition provided by Oliver Schories through to The White SHadow’s energy packed remix. However, it’s the deeper reworks that chime best with the vocal and the case in point is certainly Yost’s beautifully atmospheric versions, including a sublime Beatless Mix. Then again Andrea Arcangeli squeezes the emotional pips from the song to the fullest, followed closely by Armonica’s first-rate, bass punctuated remix. Choice.
After a stream of releases on labels like Supplement Facts and Cocoon this stunning production for Visionquest now appears. It’s the sort of music that could played loud or quite and still leave an indelible impression. The title track, Underwater bubbles with energy yet combines an airy sense of ambience alongside a series of unrelenting beats all of which rewards your experience. Forward thinking and emotional music.
Release: September 8
1996 seems like a long way away now but that’s when this series began and now we’re at number 40 with maestro Solomun. The mix opens with an emotive sequence of sounds cumulating in Avatism’s haunting Different Spaces and then develops the mood across the breadth of the first CD with a blend beautifully atmospheric music ending on SOHN’s notable The Wheel. The second CD continues the theme with music from Audiojack and Radio Slave elevating the temperature while providing more muscular productions that end with Ada’s acidic 2 BUM BUM.
Secret Room Records
Kostya Skober is a Ukrainian Techno DJ and producer and while this style of music doesn’t usually say that much to me the unrelenting drive of Step Outside definitely appeals. It’s not all down to the beat either as the rich atmospheric layers of sound and funkier touches all lend this something special. Listen below…
Originally emerging from Italy’s electronic music scene of the late seventies N.O.I.A. has been now re-releasing their back catalogue, accompanied by remixers updating it all into 2014 etc. Not that the original of The Rule to Survive needs evolving anyway having been mixed in 1983 by Tony Carrasco it still bears all the hall marks that went on to influence House and Nu Beat, besides sounding excellent in its own right. Prins Thomas Diskomiks is a good choice of remixer and he handles it with due care and affection, there’s also a great version from Baldelli & Dionigi which again expands the originals possibilities. Next is, Time is over, which was from later in the decade and doesn’t sound quite so edgy employing typically popish melodies, although is complimented by a remix from Gaudi & The Orb.
Release: 4th September 2014
TJM- Expanded Edition
Big Break Records (Casablanca Records)
Tom Moulton has been pivotal to the development of Dance music in the 70’s as Christian John Wikane’s eloquent sleeve notes proudly testify. This self-titled solo album was released in 1979, recorded at the Legendary Sigma Sound Studios in Philadelphia it also featured former Temptation Ron Tyson on lead vocals and also one Arthur Baker who helped to co-write and arrange. Opening with the blistering Disco-tastic, ‘I Don’t Need No Music’ the music trips the light fantastic through the tail end of the Disco era but remains fresh to this day, percussion and melody fuelled. Try the epic ten minute plus version of ‘Storm Warning’ complete with sound effects plus soaring strings and horns for a touch of exuberant Tom Moulton magic….