Joe Meek was a troubled genius who helped define the use of electronics in popular music. Not the most avant-garde as the likes of John Cage, Henri Pousseur, Luciano Berio and GyÃ¶rgy Ligeti ripped up the music sheet of conventional thinking in ways beyond what anyone else at the time was doing, but none the less a self-defining, pioneering producer in his own right. Whatâ€™s particularly brilliant about this three CD collection is that it files in context the contrasting styles and techniques of all those musical creators alongside Englandâ€™s own Daphne Oram and the BBC Radiophonic Workshop, plus the many other schools of thought dotted throughout Europe such as Radiotelevisione in Milan and musique concrÃ¨te in Paris. Their experiments in electronic sound and magnetic tape alongside a radical new use of musical construction offers a rare glimpse into the unknown, yet feels strangely re-assuring like the return of a long lost friend who disappeared somewhere in the analogue of grainy, black and white television. And remember this was all happening in and around the turn of 1960 proposing radical, revolutionary theories only unfettered sound could denote.
But back to Joe Meek whose unreleased concept album: I Hear A New World from that year provides an insight into the opening world of possibilities as you will hear music washed and reverb and echo redefining what Pop could be. Not surprisingly it is a strange, otherworldly exploration which uses atmospheres as much as does treated melodies alongside an illuminating twist on the twang of Rock n Roll. Also included is the celebrated RPM restoration version from 1991 as well as an invaluable booklet detailing more about his life. And, on the story of the development and those involved in electronic music from that period now lost to time. Although not if you listen closelyâ€¦