I had been so busy with the assumption that Afterlife produced certain sounds that fitted into particular styles of music – notably Balearic etc etc – I hadn’t even realised that Ambient wasn’t one of the genres touched upon. Which in a way seems rather strange as you would imagine it to be a natural space to occupy given the immersive explorations of mood and atmosphere readily kindled across the years. Thankfully though, this must be some of the most engaging work to date from the producer behind the guise not least of all because of the rich intensity, almost too intense at times, which has been created.
Singularity is an epic opening, unfolding in warm waves of reassuring emotion that feels gently blissful throughout each aspect of its meditation on living life. So much so that the proceeding impact of The Lost Birds is like a small shock to the system, aside from the fact that it could be one of my favourite pieces of music in amongst all of the past twelve plus months of madness. I don’t know about you but if music is indeed a universal language then you will also sense a yearning, or loss, located somewhere in the hardwire of memory (hidden from view) as a vigorous whir of contemplation extends beyond conscious belief. There is something about the liquidity of water contained within the body of the sea which conjures up a captured stillness here, pictures from a black and white timeframe that are worn and lost. You may well evoke something completely different of course, unique to your own experience in the process of listening. Everest, follows by reverberating across the space of notes generated from piano to dawn, observing the blur between wind and snow as the energy of raw emotion drips effortlessly across the screen. Next, Secret Life completes the release likewise returning to the grain of torn keys, this time pitched alongside the contrast of eloquent pads seeking out future tomorrows amid the passage of time…and as the music leaves the stage it still echoes within.