If music of distinction is about provoking emotions, while capturing the essence of the human spirit in all its complexities, then for some inexplicable, perhaps even hidden reason The Durutti Column’s Vini Reilly springs to mind when listening to the opening sequence of Metamorphosis of Narcissus. Not in a nostalgic way but reinforcing the possibilities of creative excitement and forward reaching motion, just like he did, within the power of sound to grasp at the radical contrast between revolution and romance, rather than the safe, soft escape into a rose-tinted history which is so prevalent today.
However, a little after mid-point all of that joyful celebration and wonder crumbles to be subsumed by a much darker brush of brutal intensity highlighting the storm of narcissism currently igniting the cultural horizon (which you can see reflected on the video). And therein lies the beauty of Afterlife’s immersive divergence, juxtaposing the elements to confound expectation. I can almost hear the echo of Hendrix or Jimmy Page coming into to play in amongst the breakdown of what is holy to reveal the spectre of Narcissus as the song plays outside of itself powerfully, without compromise. Not that this is about past reference or mixing up genres in any way – who would dare cofound the division of genre labelling after all – but more about exploring sound in enriching, life-affirming ways.