Cologne-based producer Jonathan Kaspar sequences the sort of sassy syncopation we could do with a lot more of on his delirious and dangerous title track. Tia is served by acidic stabs, pulsating bass plus an intoxicating whirl of electrifying synthesis, all produced for maximum effect. The funky percussion which accompanies the proceeding Bigna feels even more intense to me alongside its brutal basslines and brooding, manifest potency that almost distracters your attention from the underlying, subtle musicality at play. Finally the excellent digital exclusive: Elin has more of that carefully crafted percussion along with a captivating expanse of heavy low-end working further magic into the equation.
Release: November 6
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