Magazine Sixty
Music reviews and artist interviews
Magazine Sixty brings you reviews and interviews with some of the worlds leading independent artists. Discover excitng new electronic music, revisit seminal classics and hear from the people behind the sounds.
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A La House Music. Which in this case sees Doc Martin not so gently fuse incendiary vocals together with deliciously, pounding kick drums plus insistent percussion and heavy hints of Acid, alongside a classic old-time Chicago styled bassline primmed to full effect. Coming complete with absolutely zero airy, elongated breakdowns this remains at fever pitch
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As featured on Ben Hoo’s forthcoming Ibiza Mix for the label and feeling hot very much in its own right is this smoky, temptingly deep production from the trio. The answer to the question is to be found somewhere inside the layers of moody atmospheres that combine intensely across dark, brooding drums plus occasional voices
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As debuts go. This is unequivocally s**t hot. Smokey, rebellious while not afraid to tear at the edges of sound with its grainy, dark synthesizers Stimmhalt’s initial release for the label contrasts it all with some timely, rather sublime percussion adding a sense of soulful, funkiness to the arrangement. Evolving over some eight minutes and
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Conjuring up all the majesty that rightly underlies this selection of fizzy, brilliantly imagined music from Get Physical is the most appropriate DJ: Ben Hoo. If you’re not already admiring of his work as a producer/ remixer then Ibiza 2017 will amply tend to your needs, testifying that the future indeed points forwards, not back.
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Been very much looking forward to reviewing this. It races well beyond my usual tempo gauge and I love it all the more for it. Originally released in the year 2000 My Sunday Love now receives fast and loose treatments care off a host of remixes. By the way the looped insanity of the original
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I like this record. It generates a sense of mystery that is more often than not missing. It is however perhaps not so much the vocal (or the soft drink reference) which shines so much via Elderbrook’s crisp resonating delivery, but the imaginative and diverse use of creative sounds that really entice here. It’s blend
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Hello and welcome to Magazine Sixty. Your latest series of releases: ‘The Eysenck Suites I-IV explore the psychology of Hans Eysenck’s four temperamental categories and the emotions they encompass’. Tell us the story of how you encountered the psychologist and what was it about his writing that inspired you to put that into music? Well…
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What I very much love about this record is the fact that neither artist feels the need to replay past glories but seek to engage with the here and now by producing this future-charged killer. Coming prime-timed for the summer season with deep, throbbing drums and bass underpinning gloriously funky percussion, which very much used
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Helping celebrate the occasion and obviously no stranger to the label five years come around fast these days. Tomoki Tamura’s imprint enlists the unmistakable skills of Mr. G who supplies two equally juicy gems for this release. The sizzling, bass probing Soba Shioyaki commands like night leaves day with insistent drums, voices and whirring keys
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