Magazine Sixty
Music reviews and artist interviews
Magazine Sixty brings you reviews and interviews with some of the worlds leading independent artists. Discover excitng new electronic music, revisit seminal classics and hear from the people behind the sounds.
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When a record describes itself Strobe Light Laser ACID you can quickly paint your own picture of events. Although, it may not quite allow for the brutal brilliance of Chus & Ceballos’s unholy remix which adds extra Kick to the word Drum. An excellent production by anyone’s standard setting off tribal intensity against brisk Acid
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Hello and welcome along to Magazine Sixty, Andrea. Let’s begin with your brilliant new release for SLEEP IS COMMERCIAL – Flux E.P. which comprises of two productions. Can you talk us through how you produced the epic 11:49 minutes of Th. From where the initial idea came from to how that was then realised in
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Time continues. Music evolves. Pascal FEOS feeds his own imprint with two equally soaring cuts that mercifully have fuck all to do with Disco. Tearing at the stratosphere the brutal kick drums and furious stabs of Cluster Beatz propel forwards gathering excitable energies in their wake, while cruising some seven minutes in duration this crisp
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Comprised of two tracks this new release from DIRTYBIRD has the undoubted pleasure of Robert Owens voice featuring on the opening Fine Feeling. Which feels reassuringly familiar as grainy Organ hits loop into distraction, offset by big splashing hi-hats and dirty bass. It’s an interesting combination of soulful elements plus the low-down and as such
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Marking their first album together since fifteen years of making music Frank Wiedemann and Kristian Beyer have produced this eloquent, rather beautiful soundscape as the aptly named Dream House. From the moment The Line featuring Matthew Herbert begins you get the feeling you’re about to engage with something secretly special. And it’s not just that
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Hello and welcome to Magazine Sixty, Daisybelle. Let’s begin with your new single with Rob Savage for Love Story Recordings: Always On. How did the connection with the label come about? Well, I am a big fan of Carly’s work so I have been following her label. But we are also friends so she is
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Sometimes music tries so hard it’s boring. Like when people are desperate to escape into the past. Then again you hear something that sparks your imagination illuminating the horizon with a sense of forward-reaching excitement. Oldrich Sic Jr. delivers that Acid attitude in abundance as searing, syncopated high energy bassline roll out across the future
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The title track from this latest release via Beef sees the artist tease out all that was good about Acid House in the first place and then inject a little more about 2018 into the notion. An excellent arrangement sees ideas float around then colour a mood board with sounds which carefully breathe soul across
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Let’s set aside categories just for a minute and simply enjoy the music. Metropolitan Soul Museum’s blurry, grainy escapades into sound feel soulfully resilient here especially on Deeh which begins the EP. Its engaging swirl of emotive pads set the scene for a bassline which you know means the world to the person who created
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