Magazine Sixty

Music reviews and artist interviews


Magazine Sixty brings you reviews and interviews with some of the worlds leading independent artists. Discover excitng new electronic music, revisit seminal classics and hear from the people behind the sounds.

  • You know those deep blasts of fresh air you are always seeking to inhale… This is all that and more for the very simple reason that it is so poignant, beautifully of the moment if the moments were bathed in hot sunshine but either way the cool breeze of Autumnal change will certainly do in

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  • Another tastefully realised release of music from Gaddison diving into deeper, more rewarding waters care of these three new tracks. Starting with the deceptively robust title track which rapidly gathers pace as its rich infusion of heady Techno stabs highlight its tough rhythm stance alongside atmospheric meaning. The curious revelation of Shutter follows again sequencing

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  • A great piece of music that sparkles with not only a resolutely powerful sense of instrumentation but shines equally via its collaboration of voices from both parties eliciting a yearning, full of possibility moment. The desired effect is heightened further with the image of stadium filled unity capturing that sense of uplifting melancholy which chimes

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  • Seems like a long time since I reviewed a record by Miguel Migs, not so long by Jimpster who remixes this late night gem beautifully capturing the essence of hard, smoky funk in all its resplendent glory. The edge is likewise carved by the retention of the sampled voice talking about the matter at hand

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  • There aren’t enough words to fill the page to describe just how exhilarating, revolutionary (there’s that thought again), amid the sheer utter brilliance of artists from all disciplines and certainly in some cases undisciplined, step forward The Goons – I’m Walking Backwards for Christmas, which are yours to experience here. From moments capturing the clear

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  • If music of distinction is about provoking emotions, while capturing the essence of the human spirit in all its complexities, then for some inexplicable, perhaps even hidden reason The Durutti Column’s Vini Reilly springs to mind when listening to the opening sequence of Metamorphosis of Narcissus. Not in a nostalgic way but reinforcing the possibilities

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  • Following in rapid succession from the release of the original version of Daniel Bell and Thomas Melchior’s collaborative Lost In Time comes this superlative edit by Traumer. An excess of words trip readily off the tongue to describe the atmospheres conjured up by this retelling of events but despite the rugged rhythm section there is

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  • Sometimes it feels like we have never left the 80’s, or even escaped the 90’s for that matter. Being tied to history because it might seem safer or more familiar is a better place to live out life instead of processing the fraught airwaves of current reality. Maybe the decade did actually in fact begin

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  • Ambient feels like too small a word to describe this awe-inspiring trip through a prism of reverberating echoes. Perhaps the meaning is more appropriately located somewhere in-between the phrases Classical and Electronic to serve the music produced with some evident justice. My only complaint though is that the immersive overlap of warmth doesn’t carry on

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