Single of the Week

Play003Just Be
The Magic Rock
Play It Say It

The Magic Rock kicks off this release with an addictive 70’s styled drum machine repeating into oblivion, but which is soon accompanied by whirring synth notes and arpeggios that successfully seek to maximise the hypnotic nature of the track. It’s expansive too clocking in at almost ten minutes but worth every second of its twisted elegance. Next, The Early Years clashes Detroit stabs together with vocal weirdness and, what sounds like, a ghostly flute penetrating the airwaves as both these distinctive and imaginative productions sit neatly on Seth Troxler’s one of three imprints.

release: October 27

DesiresGiorgia Angiuli
KMS Records

Striking a chord as the nights draw in the excellent original version of Desires does so with deliciously haunting atmospheres and Giorgia Angiuli’s spine-tingling, breathy vocal delivery. What’s also dramatic about this production is the dark combination of provocative bass and treatments of the voice rendering it an extra instrument. Beckwith provide a tougher, trackier remix dropping the main vocal, while both: Dharkfunkh and Kasbah Zoo/ OniWax rework it for theirs. The former expanding the bass, and the latter picking up the pace with intense percussion rounding off this first rate release from Kevin Saunderon’s long time label, KMS.

release: November 3

Paolo Leary
Quanticman Records

Three tracks comprise Paolo Leary’s latest and opening with Overhand you quickly get the picture: tough, sometimes unforgiving, repetitive rhythms that work their way into mind and body. Combining pulsing beats and tricky snares alongside shimmering stabs and ‘Work That’ vocal lines this effortlessly becomes a hypnotic listen. Duties, follows a similar path, although this time with brighter undulating synths, leaving Route to feel warmer with atmospheric pads accompanied by yet more playful percussion.

release: October 29

cover_dep0221Paul Rudder
No Good

No Good reflects the detuned (familiar) vocal sample that runs throughout the original version of Paul Rudder’s gritty stab infused workout, which hits hard with a defiantly funky punch. The accompanying Refix version then replays the same elements including those deliriously sassy hi-hats to maximum effect. Leaving the second track to hint at the 90’s via uplifting synth stabs, crunchy drums and attitude proving How Do You Do to be anything but polite.

release: November 3



Pride & Loneliness EP

What begins as a seemingly simple arrangement of drums and pulsating bass quickly establishes itself into something altogether more intriguing via the addition of dark undulating chords which lend this an addictive edge. That and the occasional touch of vocal alongside some sassy use of percussive elements fully demand your attention. Remixes come from the tougher Tribal beats of Moliner and the cool shuffling funkiness of Danzoo Shem completing another good release from this exciting Madrid based label.

release: March 24

Numa Lesage
Claire de Lune
Instudio Recordings

Sharing the same name as the Debussy classic but bearing little resemblance this rework from The Molly Guys does however still sound captivating and excellent, floating yet strident. Driven by unrelenting beats and capped by some particularly striking synth notes this also joins the words brooding and commanding together too. Expanding over the course of ten minutes this is underpinned by a commanding repetitive atmosphere that carries your attention right up until the very last moment.

release: March 3

Paul Hardy & McKai
Go Deep
Baker Street Recordings

It’s all about the bassline here. Not squelchy and warped but hard-hitting with a twist of faint melody. Accompanied by razor sharp beats this, put simply, plants a smile on your face. Released just ahead of their full EP for Baker Street Go Deep can only be the promise of yet more good times ahead.

release: March 17

The Natural
Viajero EP
Cloning Sound

This is excellent. Carlos Marí Pérez a.k.a. The Natural has three brand new three tracks for Bulgaria’s Cloning Sound which kicks off with the Balearic infused guitar of the EP’s first rate title track. But it’s not just Flamenco flourishes for sure as the guitar is played alongside a sequence of very heavy-duty rhythms that are inescapably breathtaking. Simple, direct and ideal. Red Light District comes next with continuing pounding beats and deep bass this time accompanied by seductive Organ, fiery percussion and atmospheric voices. Constitution, then completes on a more Tech tip though never loses sight of soul and feeling.