The duo finally arrive on Mobilee to deliver three equally fiery new tracks. But even if the release was just the title track alone then that would be more than enough to satisfy. The only word to do Squaring Circles some sort of justice is, explosive. A tough, heavy-duty arrangement of probing notes, pounding drums and infectious vocal edits all combine with a powerful emphasis to cause chaos. Future, occurs next on a deeper tip with dark voices accompanied by atmospheric, whirring synth lines alongside splashes of Detroit for added crunch. Leaving, Torus to end on a groovier note informed by funkier percussion plus punchy keys resulting in yet more hot, sure-fire rhythms.
David van der Leeuw and Luigi Vittorio Jansen aka Beesmunt Soundsystem deliver what can only be called kick-ass House Music with this latest outing from Pets Recordings. Matters ignite in fine style with the irrepressible Searchin’ feeling frisky with its blaze of fiery drum machines sounding classically tuned yet remotely fresh all at the same time. The stripped back arrangement allows the vocal space to breath along with a nagging, agitated synth line plus occasional effects. Borrowed Identity supply a tough remix via pounding drums contrasted nicely by more subtle, soulful chords. The equally demanding Raindance is next with another round of timeless drums hitting the repeat button alongside irresistible bass and atmospheric electronics filling in the spaces. Finally, the excellent Ominous ends on slightly sleazy syncopation which is soon joined by gritty (to put it mildly) accompanying synthesizer lines sizzling with possibilities.
The man behind the North West’s infamous Cheshire Garden Party gets deep, down and dirty with this excellent production for Resonance. I’ve been playing this for a while now on my DeepHouse-Radio show and still sounds just as addictive with its funky combination of rolling bass, shuffling drums and most notably the spoken words with a message adding spice to the mix. Try the original version for all this and more. Remixes come from a frisky sounding Max Chapman who adds a distinct sting with rattling percussion and low-end bass pulverising the grooves, plus from an edgier and on-point Leftwing & Kody. Second original, Someone again hits you with a neat bassline and vocals adding the human touch, while third track â€˜One, Two’ joins Chicago styled vocal stabs together with more rough, tough drums and bass to only further the experience.
Mind In The Clouds EP
You start off thinking this is cool, then the drum break drops and then the dark gorgeous bassline goes and introduces itself amid the ethereal hypnotic voices. If you like things moody and very late night then this is most probably/ most definitely for you. The great Steve Mac then remixes with big splashing hi-hats driving it all into distraction alongside a suitably striking arrangement set primed for the dancefloor to explode.
This is a great EP from Werner Niedermeier and incidentally his second for the label. There is a first-rate combination of ideas going on in the title track, Escaping with a flourish of Disco percussion fueling a hot rhythm section, that is offset by warmer chords and contrasted further by dark low-end theory and suitably smoky vocals. Easy Peeler, follows with distinctively pulsating beats plus a P-funked bassline and an irresistible sense of rhythm. The excellent, â€˜Tansan’ is up next with addictive Acid lines demanding being turned up to eleven and then repeated, while Puzzled gets twisted amid a sea of inviting deepness to end.
Art Of Tones
Elephants & Flies
Lazy Days Recordings
Ludovic Llorca aka Art Of Tones first release on the label comprises three originals plus one dub version. And it’s all too easy for me to say that title track Elephants is a simply outstanding slice of music that cuts the atmosphere it generates with a knife. I’d be intrigued to know what the Elephant reference is, but in the meantime this captivating exploration of tones sees punchy keys and swirling notes feel cinematic and thoughtful against a backdrop of shuffling rhythms and stinking sounds. The Dub tweaks the elements providing something altogether more dancefloor orientated, although doesn’t capture quite the same emotions. Next Myself, My Body has bluesy voices over tougher beats, bass and accompanying strings, while The Right Movement’s intense, jazzy inflections provide yet another reason to pay attention.
Anything Weird EP
Another Darius Syrossian production, time for another killer bassline. I’ll Do Anything does anything but disappoint with its funky Detroit flavoured bass offset by soulful vocals and abrasive yet seductive drums. Straightforward and straight to the point, how could you not like this? The remix is from label heads Leftwing & Kody and they give it a fresh sheen with snare rolls and infectious House riffs complimenting the original perfectly. Second track I’m Not Weird, You’re Just Normal says all that needs to be said as jazzy keys get lost in another slammin’ succession of big time beats completing a great debut for this brand new label.
release: July 22
Don’t know why, but I wasn’t expecting Bonar Bradberry’s vocal to be quite so appealing in such an infectious way, but it is. The title tracks deep, shuffling rhythms underpin it all as the voice intones with a uniquely English quality which provides such a refreshing change here, that of course and that the music’s so hot too. Mario Basanov provides the remix with trademark eighties influences sounding tastefully funky as always, and indeed gives the vocal that extra something. Rollerball doesn’t have the same charm but is none the less is an atmospheric journey through the landscape of European electronics.
release: July 22
F For You
Overground/ Underground? Never mind all that. I’d much rather this deeper, funky number in the charts then most of the rest of it. Lifted from their album and with remixes forthcoming their latest single sees Howard Lawrence on vocals sounding rather fine. Judge it all for yourself….
release: August 18
Hold Your Horses – Expanded Edition
You know that expression: beg, borrow or steal? Well, this is exactly what they were referring to. Time to get very excited!! The history bit reads a little something like this: After scoring major dance classics such as Let No Man Put Asunder in 1977 the group went on to record their second album also in part produced by Norman Harris, but now with the additional magic of Tom Moulton and Thor Baldursson was released in 1979. Not only does it include Let Me Down Easy but also the seminal Love Thang with that â€˜gets you every time’ vocal delivery from the trio, and Double Cross which both appear here via various remixes including Larry Levan, Tee Scott and Bobby DJ Guttadaro. Once again there a superlative sleeve notes care off Christian John Wikane whose invaluable reading of history is essential.