Single of the Week:
Lee Van Dowski
Not often I get to use the word outstanding but this latest from Lee Van Dowski is all of that and more. Two tracks go to make up this release for the ever excellent Mobilee and it’s the breathtaking numeric’s of 050504 that scores full points. Powered by rolling Toms and soaring vocals this is in a class all of its own sounding heavenly, and feeling distinctly anthemic. Lee’s mobile, then provides a more typically techy production that gets us just as involved with commanding synths blazing their way across pulsating rhythms. Outstanding!
Release: January 16
The King Of Anxiety
Kicking off the New Year with Petite Noir’s delightfully breathy vocal delivery is certainly a good way to start. â€˜Chess’ plays tricks with the imagination via a swirling array of melodies and electronically infused rhythms accompanied by various off the wall sounds, which still manage still retain a live â€˜authentic’ feel to them. Released through Domino Recordings sister label Double Six this not only pulls the heartstrings – check the lower register – but also feels slightly epic care off the cumulative Rock sensibilities employed along the way. One of five great tracks on offer with the remainder all exploring similar themes plus notably the more explosive Till We Ghosts featuring Yasiin Bey (Mos Def) adding yet another twist to the picture.
Release:Â January 19
Nolan ft Amber Jolene
Dear Deer Records
Released at the tail end of last year this is too good to let slip by into the ether. The Original version feels much funkier with loose grooves and a familiar guitar lick capping it all off, while Amber Jolene’s inevitably cool vocals add the icing to this emotive feast. An excellent remix comes care off Kyle Watson who combines a striking amalgamation of influences transforming it all into dancefloor nirvana complete with taught Garage bass sitting comfortably alongside tough House beats and soulful Organ.
Sandeman & John Monkman
French Girl In Berghain
Excellent production from this duo which is best played LOUD with the lights low. Its twisted combination of sizzling, sleazy grooves and seductive French spoken vocal does wonders emanating from your speakers and exists in place way beyond mere dancefloor fodder with this carefully crated arrangement of sounds playing like excitement personified. The Original Mix is complimented by a Laughapella should you require it.
It’s hard to resist any of Aaron Bessemer’sÂ irrepressible twisted Techno madness with the title track starting as things mean to go on. Curly Blonde provides you with addictive, pulverising beats and bass, splashing hi-hats and hints of vocal in amongst the background drone. Passetto then does more of the same, this time with added percussion, as the standout track Good Intentions hits next with tribal flavoured drums and hot, punchy piano adding the human touch to the otherwise relentless rhythms. Lastep, completes with funkier bass and more vocal on yet another fierce production that simply doesn’t sleep.