Category: Uncategorized

  • Magazine Sixty Music Review With Philippa

    Magazine Sixty Music Review With Philippa

    Greg Fenton reviews Philippa – Port Chalmers EP – SlothBoogie Recordings Philippa is one of the few artists handling Disco and its associated strains of rhythm and blues creatively, not merely replaying the past over a click track but shaping, and altering its design into something that feels worth its place in time. For me,…

  • Magazine Sixty Interviews Shcaa

    Magazine Sixty Interviews Shcaa

    Magazine Sixty Interviews Shcaa on his latest brilliant release, Neptune alongside thoughts on innovative music production and cultural process in this thought-provoking conversation. Welcome to Magazine Sixty, Shcaa. The music you create sounds like acombination of mystery and intrigue, forward-thinking impulses, touches ofmelody, and a deeper exploration of emotion. How would you describe whatyou seek…

  • Magazine Sixty Music Review With Quiet Village

    Magazine Sixty Music Review With Quiet Village

    Greg Fenton reviews Quiet Village – Reunion – Quiet Village Placing the words quiet and village beside each other suggests serenity and security. However, underpinning the calm are waves of underlying intensity coursing throughout the lifelines of Reunion via hard, shuffling drums, alongside tense piano amid a warm glow of musical fortitude espousing the rewards…

  • Magazine Sixty Music Review With Barac

    Magazine Sixty Music Review With Barac

    Greg Fenton reviews Barac – Hypnotic Grayscale EP – Yecad Barac’s deep dive into pace, movement, and esoteric atmospheres rewards in equal measure. Driven by a punchy tempo and various offset keys, sounds, and notes the rhythm section is soon joined by the hypnotic pulse of splashing snares and quick-fire percussion resulting in ten-plus minutes…

  • Magazine Sixty Interview with Kered (Loot Recordings)

    Magazine Sixty Interview with Kered (Loot Recordings)

    Magazine Sixty Interview with Kered (Loot Recordings). Greg Fenton talks to the DJ, Producer, and owner of Loot Recordings as they celebrate ten years as a label. Read Kered’s considered thoughts on the culture of music here. Welcome to Magazine Sixty, Kered. Let’s start at the start. Before getting into dance music can you tell…

  • Magazine Sixty Music Review With Finn Rees

    Magazine Sixty Music Review With Finn Rees

    Greg Fenton reviews Finn Rees – Dawn Is A Melody – Mr Bongo Sounding like falling into grace Finn Rees plays like tomorrow is a forever shining possibility. The players accompanying him throughout the album deftly add time and space defining each piece as an enticing listen while you experience all the joys of being…

  • Magazine Sixty Music Review With Kenneth James Gibson & Paul Carman

    Magazine Sixty Music Review With Kenneth James Gibson & Paul Carman

    Greg Fenton reviews Kenneth James Gibson & Paul Carman – Murals For Immersion – Cassauna Murals For Immersion sounds like an announcement. Spoken in a bruising fashion the music builds anticipation and then rests while you react to what’s been said. This collaboration between Kenneth James Gibson and Paul Carman is exquisite, yet tense and…

  • Magazine Sixty Music Review With Warriors of the Dystotheque

    Magazine Sixty Music Review With Warriors of the Dystotheque

    Greg Fenton reviews Warriors of the Dystotheque – A Good Morning & Telepathic Tacos – Disappear (DSPPR) This is great. Not least of all because of the superbly played double bass as its strings intertwine with probing guitar and horns and sparkling drums warming up the heart and elevating the imagination. Flying free alongside the…

  • Sebastian Vaughan (Wave Arising) Interview

    Sebastian Vaughan (Wave Arising) Interview

    Welcome to Magazine Sixty, Sebastian. Tell us about your first introduction to electronic / dance music, and can you remember any specific records to accompany the experience? Has that formative excitement ever waned? Hi, before I start thanks to you and Sixty Magazine for the opportunity tocommunicate. I began making music as a drummer, so…