Magazine Sixty
Music reviews and artist interviews
Magazine Sixty brings you reviews and interviews with some of the worlds leading independent artists. Discover excitng new electronic music, revisit seminal classics and hear from the people behind the sounds.
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Welcome to Magazine Sixty, Jean-Patrice. Your music on Fleksebleco combines elements of precision alongside an improvised free flow of electrical impulse. Who (or which records) inspired you to take this direction outside of more conventional mainstream styles? I’m not sure where I read that quote, but it said something like, you are who you surround
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I nearly missed this thing of beautiful resonance by DJ Counselling. Sculpted, precise, freeform explosions of thoughtful brilliance. Feather feels richly emotional, organic, not in that overused sense but as real, living and breathing sonic communications to the depths of your soul. It’s also the Art work. Buy it https://fanlink.to/TENFL016 Feather by DJ Counselling
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Welcome to Magazine Sixty, Olympias. Let’s begin with where your love of music came from growing up and in particular of the playing the piano, where did that influence originate from and can you tell us about how you learnt to play and how you found that process? Hi Greg, thank you for having me
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Bella Arp sounds like an introduction to something celluloid. It contains both captivating strength of movement and the suggestion of atmospheric storytelling encased between its beginning and end. Which at only 3.24 has either gone too quickly, or is perhaps just right, leaving you wanting more. It’s about texture and layers of analogue enquiry, hinting
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Reaching 50 is always an achievement. Reflecting this point are the immersive, moments sequenced by this album from Stefan Węgłowski who transports the mind of the listener from A to B while in-between times exploring shades of awareness around the soul. As with all of the music released by Glacial Movements the sounds propose thinking
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Making my way through lots of new releases today accompanied by the feeling that music at times feels like it’s going backwards – the sounds, the arrangements and god forbid that the words ever change – then this from Dirtybird plays sparking the excitement of curiosity. Dotted Line, pulses with a feverish electricity creating its
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Enter the subterranean, nocturnal world of Passarella Death Squad and leave your cares at the door. Transmitted via downtown signals inspired by the smouldering embers of a 1980’s vision of dark electronics their debut album satisfies on all points, while finding a few new ones to excite. Danny Passarella and Emilie Albisser create the sounds
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The Source, feels fast like it is in a hurry to communicate something urgent. It’s that sense of urgency driving the pace which makes this all the more brilliant, as percussion moves in unstoppable motion accompanied by a pulse of bass, alongside a commanding array of sound effects expanding the stereo field into distraction. As